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Mating: A Novel by Norman Rush
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Mating: A Novel

by Norman Rush

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English (4)  French (1)  All languages (5)
Showing 4 of 4
This is one of my favorite books. I have read it three times. The protagonist seems so real to me that I feel as if I am inhabiting her skin, in spite of the fact that we have dissimilar personalities -- our weaknesses and strengths are not at all the same.
The protagonist's dogged perseverance leads her to take on huge, dangerous challenges. She can be secretive with others, but she is always honest to herself.

Most of the story takes place in an African community based on matriarchy and many ingenious traditions and inventions for the ordinary actions of living. The inventor of this community is a famous, strong, intensely intellectual white man, motivated by a genuine need to create a living example of his talents -- to create a living example of his anthropological beliefs about people. However, at the end, his need to let his experiment evolve naturally makes him accept his downfall as community leader. ( )
  janewylen | Nov 24, 2009 |
This is a book I read over a period of nine years. I read it so slowly because I wanted it to never end and because even a few pages can give the reader so much to work with. The narrator is a bit unusual, in the sense that she is a highly analytical woman who observes her own love affair in an almost clinical fashion. However the tone does not detract from the power of the story and the affair, although one based on intellectual attraction, is not a dispassionate one. Additionally, the description of Africa from the viewpoint of an outsider is a tricky proposition and so is a female protagonist from a male writer; I think Rush avoids condescension here. I love this book. It is one of the most intelligent, erudite and thought-provoking I have ever read. It is probably flawless. ( )
  citygirl | Oct 5, 2007 |
Amazon.com
Had Jane Austen been in the Peace Corps in Africa in the 1980s, Mating is the book she might have written. Set in Botswana in the days before the end of apartheid, Norman Rush's novel is, essentially, a comedy of manners played out in Austen's approved milieu: a country village. Granted, the village in question, Tsau, is a utopian society created by the great American anthropologist Nelson Denoon, and run largely by and for disenfranchised and abused African women. Still, the issue that interests Rush (and the one that fueled Austen's novels) is the age-old question of who mates with whom, and why? The unnamed narrator is a 32-year-old postgraduate student in anthropology whose dissertation has just gone south on her. Drifting around the edges of the expatriate community in Gaborone, the capital of Botswana, she first meets Denoon:

He was smiling at Kgosetlemang--the event was to be considered over with, clearly--and I could tell that his gingivae were as good as mine; which is saying a lot. I attend to my gums. People in the bush don't always attend to their oral hygiene, not to mention other niceties. There was no sign of that here. I of course am fanatical about my gums because my idea of what the movie I Wake Up Screaming is about is a woman who has to keep dating to find her soulmate and she's had to get dentures. I have very long-range anxieties.

Entranced by this potential soulmate, our heroine strikes out into the Kalahari Desert with a couple of donkeys and follows him to his utopia where sexual attraction, regional politics, and social experimentation make for very strange bedfellows, indeed.

Mating is a fiercely intelligent, hugely ambitious novel that takes on feminism, socialism, political corruption, foreign-sponsored rural development projects, and, yes, male-female relations in ways that are simultaneously hilarious and disturbing. Certainly Rush's language is a big part of what makes the novel work: the narrator's combination of elevated vocabulary and wacky non sequiturs is inspired. When, for example, Denoon explains to her that most of the women in Tsau are celibate and therefore so is he, she reflects that "of course the spiritus rector of a female community would need to be a sexual solitary, at least during the foundational period." She then wonders if "this situation was the analog of western series on television where the female watchership shrank to nothing when the producers let the marshal get married." Mating is remarkable for its wit, its acuity, and its ability to satirize without demeaning; it's also a heck of an entertaining story. Jane Austen would have been proud. --Alix Wilber

From Publishers Weekly
Readers of this National Book Award-winning novel, a BOMC alternate in cloth, will be captivated by Rush's narrator, a self-absorbed feminist anthropologist who pursues a famous social scientist in the Kalahari desert. ( )
This review has been flagged by multiple users as abuse of the terms of service and is no longer displayed (show).
  gnewfry | Nov 24, 2006 |
This is not my review, but provides an excellent summary of the book : http://www.nytimes.com/books/98/12/06... ( )
  bladelily | Dec 23, 2005 |
Showing 4 of 4
It is in the disintegration of idealism that Rush shows his greatest hand. Denoon’s is an island of ideals, political, romantic and personal, and reality is in the tides that run ashore. Idealism has limitations, in literature and in life. Erosion is bound to happen sooner or later.
 
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Book description

Amazon.com (ISBN 0394544722, Hardcover)

Had Jane Austen been in the Peace Corps in Africa in the 1980s, Mating is the book she might have written. Set in Botswana in the days before the end of apartheid, Norman Rush's novel is, essentially, a comedy of manners played out in Austen's approved milieu: a country village. Granted, the village in question, Tsau, is a utopian society created by the great American anthropologist Nelson Denoon, and run largely by and for disenfranchised and abused African women. Still, the issue that interests Rush (and the one that fueled Austen's novels) is the age-old question of who mates with whom, and why? The unnamed narrator is a 32-year-old postgraduate student in anthropology whose dissertation has just gone south on her. Drifting around the edges of the expatriate community in Gaborone, the capital of Botswana, she first meets Denoon:
He was smiling at Kgosetlemang--the event was to be considered over with, clearly--and I could tell that his gingivae were as good as mine; which is saying a lot. I attend to my gums. People in the bush don't always attend to their oral hygiene, not to mention other niceties. There was no sign of that here. I of course am fanatical about my gums because my idea of what the movie I Wake Up Screaming is about is a woman who has to keep dating to find her soulmate and she's had to get dentures. I have very long-range anxieties.
Entranced by this potential soulmate, our heroine strikes out into the Kalahari Desert with a couple of donkeys and follows him to his utopia where sexual attraction, regional politics, and social experimentation make for very strange bedfellows, indeed.

Mating is a fiercely intelligent, hugely ambitious novel that takes on feminism, socialism, political corruption, foreign-sponsored rural development projects, and, yes, male-female relations in ways that are simultaneously hilarious and disturbing. Certainly Rush's language is a big part of what makes the novel work: the narrator's combination of elevated vocabulary and wacky non sequiturs is inspired. When, for example, Denoon explains to her that most of the women in Tsau are celibate and therefore so is he, she reflects that "of course the spiritus rector of a female community would need to be a sexual solitary, at least during the foundational period." She then wonders if "this situation was the analog of western series on television where the female watchership shrank to nothing when the producers let the marshal get married." Mating is remarkable for its wit, its acuity, and its ability to satirize without demeaning; it's also a heck of an entertaining story. Jane Austen would have been proud. --Alix Wilber

(retrieved from Amazon Fri, 24 Apr 2009 07:57:53 -0400)

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