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Loading... The Pesthouse (original 2007; edition 2008)by Jim Crace
Work detailsThe Pesthouse by Jim Crace (2007)
A post-apocalyptic novel. It did not engage my attention, and I didn't finish it. ( )I read the first few chapters and simply couldn't understand the author's vernacular. Therefore, I had a hard time getting into the story and couldn't finish it. To be fair, I give this a 3-star rating (It's OK). It's not a bad story, but it doesn't appear to be exciting either. If you are not use to Crace's unique style of writing you will likely have a difficult time understanding The Pesthouse like I did. I didn't like this book for several reasons. I think the post-apocalyptic dystopian novel has been done much better (and with nearly identical plot) many times before. The author also kept me at arm's length from the characters, I think because of the formality of his prose. The book seemed mannered, self-conscious, and pedestrian all at once. I found the characters likable enough but not compelling. For the most part I don’t like giving bad reviews. Sure there are books that deserve it, books that are all the craze and might’ve been written by a middle schooler (Fifty Shades…, I’m looking at you). But then there are books that are “written well” but lack any semblance of plot, character development, conflict, setting, joy, pain, life. I hate to group this sort of book with those I previously mentioned, but the truth is, this “well written book” is as difficult to read as the one that should be packing material. The Pesthouse lacks everything a novel needs with the exception of well-orchestrated sentences. The story, what little bit of it there is, is told in the most clinical fashion; it was more like reading a psychologist’s report of the incidents than reading a novel. The characters were drab and unbelievable—they wouldn’t survive a day in this post-apocalyptic world. The dialogue was painful—why has the “end of the world” reverted the speech of people to Pioneer-speak? In short, I recognize that Jim Crace can write a sentence, but that doesn’t keep The Pesthouse from being extremely boring. The best thing about this book is the cover of the hardback edition. I love this cover. Love it. It’s simple, but so elegant. The texture of the cover is unique, a very dull, old-fashioned paper with raised glossy print. The typeface is clear, demanding but not overpowering. The black and white imagery stands out in its simplicity. It is a wonderful book to hold and to gaze at; unfortunately, I wish I would’ve left it on my shelf unread, because despite its beauty, I now know of the great dissatisfaction that resides between its handsome covers. Beautiful Cover Intriguing Synopsis ≠ Guaranteed Enjoyable Read I liked the writing just fine but I thought the plot was such a stereotypical post-apocalyptic novel that it left me with no special feelings.
Crace revels in putting his protagonists in rough spots and watching their survival instincts take over. Where Crace’s first, Calvino-inspired novel, “Continent,” conjured an imaginary continent through the sheer poetry of language, “The Pesthouse” is blandly and perfunctorily narrated, as if in the debased speech of Dogpatch . . . The book’s droll, mock-tall-tale tone soon grates: it isn’t clear whether Crace wants us to feel sympathy for his characters or laugh at them as fools who have brought their collective doom upon themselves. So it wasn’t any affront to my delicate, jingoistic sensibilities that kept making me put down “The Pesthouse.” Days would pass before I picked it up again to learn Pigeon and Mags’s fate. I hoped things would work out for them, but I didn’t much need to know. The Pesthouse finds the author not just on his own best form, but arguably on the best form any English writer has shown in the last couple of years.
References to this work on external resources.
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