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The Garden Party and Other Stories by Katherine Mansfield
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The Garden Party and Other Stories

by Katherine Mansfield

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Showing 1-5 of 7 (next | show all)
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  LisFlynn | Oct 27, 2009 |
A collection of short stories, each a an exquisite portrait of a person and a situation. Issues of class and its impact upon lives explored. It often portrays the gap between dream and reality. I found the stories most intriguing for their superb portraits and psychological insight. ( )
  snash | Jul 11, 2009 |
Katherine Mansfield was a New Zealand author who spent considerable time in both New Zealand and England. She wrote exclusively short fiction; this collection includes 21 works published between 1910 and 1922. The introduction by Claire Tomalin provides a thorough yet brief biography, and an excellent analysis of the stories and their themes. About this collection she wrote, The Mansfield who writes here is tough, adventurous, humorous, observant colonial girl, hard on others and hard on herself. Her best stories are miracles of construction, spare, sharp, and cool. There are no tricks in them, only an attentiveness to detail, a watchfulness so acute that it sometimes verges on the sinister; a watchfulness that is evident from the start and never leaves her. (p. ix) Tomalin also notes that the earlier stories are display much more anger about the role of women in society, and I found this to be true. The later stories more poignant, but in all cases Mansfield skewers the upper classes and, especially, the stereotypically pompous man.

There were five stories that stood out as favorites:
* Frau Brechenmacher Attends a Wedding (1910) - Frau B. and her husband attend a wedding where a young woman is clearly being married off to a man she does not love. The experience evokes strong emotions in Frau B. concerning the quality of her own marriage.
* The Woman at the Store (1911) - a group riding through a remote region on horseback encounter a lonely woman whose hospitality one of them experienced several years before. There is something mysterious about her circumstances ... revealed at the end.
* Bliss (1918) - A young couple living in London hosts several pretentious friends for a dinner party. Bertha, the woman, is especially happy with the party and her guests, but the end has a particularly interesting twist.
* The Daughters of the Late Colonel (1920) - two young women struggle to hold it together just after their father's death.
* The Garden Party (1921) - A family is preparing for a garden party when they learn that someone in their town has died in an accident. One sensitive family member believes the party should be cancelled, but she is overruled because, after all, the dead man is of a lower class.

Each of these stories is very well-written, but I think I erred in reading them one after the other. My interest began to flag towards the end of the book. Mansfield's collections may be best read with time for contemplation between each story. ( )
3 vote lindsacl | May 12, 2009 |
Katharine Mansfield has a lovely writing style. Her short stories are poignant, subtle, and easy to move through. I was definitely left wishing for more. ( )
  hemlokgang | Mar 31, 2009 |
I liked this book ,because of its interesting concept and story line. it talks about the boy who,fall in love or was interesting on the girl and he always tried to talk to her and impress her ( )
  getreadingadw | Mar 26, 2009 |
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Book description

Amazon.com (ISBN 0140188800, Paperback)

Virginia Woolf once described Katherine Mansfield as "of the cat kind, alien, composed, always solitary & observant." All of these qualities are on display in Mansfield's writing, as well; hers are lonely tales of missed connections, inchoate longings, and complicated emotions within the context of a rigidly defined social setting. Born in New Zealand, Mansfield set many of her stories there, even though she emigrated to England in 1908 at age 19, never to return. Her characters are almost invariably middle-class, the daughters, sweethearts, wives, and widows of office clerks, military men, businessmen. In "At the Bay," for example, Mansfield focuses on the Burnell family as they take their summer vacation at the beach. Not content to follow just one character through the story, she drifts in and out of the consciousness of half a dozen, from the family cat to Stanley and Linda Burnell, their children, Linda's sister, Beryl and their in-laws, the Trouts. Dipping into Linda's thoughts, for example, we learn that she loves her husband--"not the Stanley whom everyone saw, not the everyday one; but a timid, sensitive, innocent Stanley who knelt down every night to say his prayers and who longed to be good." Unfortunately for Linda, "she saw her Stanley so seldom." Mansfield then swoops into the mind of Stanley's brother-in-law, Jonathan Trout, who is discontented with his life but knows he hasn't the will to change it, and then on to Beryl, whose longing for "someone who will find the Beryl they none of them know" leads her into a rash action.

In the title story, Mansfield concentrates on young Laura Sheridan on the afternoon of her family's garden party. The story follows the family through the preparations--flags to identify the different sandwiches, the delivery of cream puffs, the setting up of a marquee on the lawn. This perfect idyll is broken, however, by news of a fatal accident down the lane. A young workman has been killed, leaving a wife and five children. Into Laura's perfect Eden, death comes whispering and her reaction to it is both subtle and surprising. In fact, many of Mansfield's stories feature young women on the brink of adulthood--facing, for the first time, the realities of their constricted lives. Love is a trap; childbearing is another; death can be "simply marvellous." Mansfield died in 1923 of tuberculosis, leaving behind a body of work that is as bold, unconventional, and modern as she was. The Garden Party and Other Stories is a fitting epitaph. --Alix Wilber

(retrieved from Amazon Fri, 24 Apr 2009 07:58:19 -0400)

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