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The Good Soldier: A Tale of Passion by Ford Madox Ford
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The Good Soldier: A Tale of Passion

by Ford Madox Ford

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1,808241,841 (3.78)76
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Broadview Press (2003), Paperback, 368 pages

Member:amyfry
Collections:Your libraryRating:***
Tags:fiction, classic, adultery
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A great book, better each time I read it. and the classic example of the unreliable narrator.
  ffortsa | Dec 25, 2009 |
Thinking this was another book ruined for me by being required reading in school, I had another go at it as an adult. Yuck. Boring. ( )
  jimmaclachlan | Sep 25, 2009 |
Although the genre of love and adultery usually isn’t my forte I did enjoy this book. The reason I picked this book up was because I needed a choice for the “Decades Challenge” for 1910-1919 and picked it based on the title. I thought it was a war themed book, and didn’t give the book much thought, until I nabbed it in the library and brought it home. So to begin with, I was a little reluctant to read it, and almost gave up after the first chapter. I’m glad I kept reading. I was drawn in very quickly and had a hard time putting the book down.
What made this book so well done, and what pulled me in was Ford’s narrative. He has a very wonderful and elegant flow, and there is something extra in how he is able to tell a story and pull you in, which was one of the reasons why I kept reading the book instead of giving up on it like I had planned.

The story follows a deceived husband and the man who deceived him. Ashburnham is a man who has multiple affairs, including one with the narrator’s wife. The story follows the lives of the people and how the affair affects all the different parties involved, and some desperate measures they take to solve or absolve themselves.

One of my favourite aspects of the story is how the narrator addresses the reader, as “the silent listener” it made it more personal for the reader, as well as the story teller. I got the feeling that this poor narrator was pouring his heart out to some silent person, about all of his sufferings from those he loved. What I didn’t like was the themes of adultery, because it’s the same story you see over and over. Adulterous man/women destroying the lives with either the husband/wife who is left watching there spouse destroy them emotionally etc.

The way the story was told, was what saved the story for me. Because the story was told years after the fact, so the narrator tells it through what is left in his memory. Parts are probably jumbled or left out, but it gave the story an interesting twist then what you normally see in the genre. Overall the story surprised me, and I’m glad I stuck with it.

Review also found on my blog: http://juliebooks.blogspot.com/2009/0... ( )
2 vote bookwormjules | Sep 4, 2009 |
The Good Soldier is less about what the text says than about what it doesn't.

John Dowell is the narrator of this story of two couples (John and Florence Dowell; and Edward and Leonora Ashenburner). He is, allegedly, unaware of the affair between his wife and Edward until after her death, when he relates the story to the reader. How a man could be 1/4 of a close circle of people and remain unaware of their activities stretches credibility; hence, we must come to view John Dowell as an unreliable narrator.

The writing is superb and kept me interested in spite of little direct action and almost no dialogue. This is the kind of book that could be read several times, and each time will bring new insights into John's character, and through those insights, to the "truth" of what really happened. ( )
  LynnB | Aug 11, 2009 |
I've heard this book touted as a 'perfect' novel, and I have to say, I think that's true. It's taut, gripping, and endlessly fascinating - despite the fact that it relies on sexist underpinnings, it still seems to ring true. I loathe every character in it, and yet I feel enormous sympathy for them, because - aren't we all loathsome?In any case, heartily recommended. ( )
  flourishing | Mar 17, 2009 |
Showing 1-5 of 24 (next | show all)
Ford Madox Ford's The Good Soldier seems to me to possess precisely those virtues to which the novel narrated in the first-person is best suited...A useful comparison: The Good Soldier very much brings to mind the novels of Kazuo Ishiguro.
 
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This is the saddest story I have ever heard.
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I have, I am aware, told this story in a very rambling way so that it may be difficult for anyone to find his path through what may be a sort of maze. I cannot help it. I have stuck to my idea of being in a country cottage with a silent listener, hearing between the gusts of the wind and amidst the noises of the distant sea the story as it comes. And, when one discusses an affair--a long, sad affair--one goes back, one goes forward. One remembers points that one has forgotten and one explains them all the more minutely since one recognizes that one has forgotten to mention them in their proper places and that one may have given, by omitting them, a false impression. I console myself with thinking that this is a real story and that, after all, real stories are probably told best in the way a person telling a story would tell them. They will then seem most real.
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The Good Soldier

Book description

Amazon.com Amazon.com Review (ISBN 0679722181, Paperback)

First published in 1915, Ford Madox Ford's The Good Soldier begins, famously and ominously, "This is the saddest story I have ever heard." The book then proceeds to confute this pronouncement at every turn, exposing a world less sad than pathetic, and more shot through with hypocrisy and deceit than its incredulous narrator, John Dowell, cares to imagine. Somewhat forgotten as a classic, The Good Soldier has been called everything from the consummate novelist's novel to one of the greatest English works of the century. And although its narrative hook--the philandering of an otherwise noble man--no longer shocks, its unerring cadences and doleful inevitabilities proclaim an enduring appeal.

Ford's novel revolves around two couples: Edward Ashburnham--the title's soldier--and his capable if off-putting wife, Leonora; and long-transplanted Americans John and Florence Dowell. The foursome's ostensible amiability, on display as they pass parts of a dozen pre-World War I summers together in Germany, conceals the fissures in each marriage. John is miserably mismatched with the garrulous, cuckolding Florence; and Edward, dashing and sentimental, can't refrain from falling in love with women whose charms exceed Leonora's. Predictably, Edward and Florence conduct their affair, an indiscretion only John seems not to notice. After the deaths of the two lovers, and after Leonora explains much of the truth to John, he recounts the events of their four lives with an extended inflection of outrage. From his retrospective perch, his recollections simmer with a bitter skepticism even as he expresses amazement at how much he overlooked.

Dowell's resigned narration is flawlessly conversational--haphazard, sprawling, lusting for sympathy. He exudes self-preservation even as he alternately condemns and lionizes Edward: "If I had had the courage and the virility and possibly also the physique of Edward Ashburnham I should, I fancy, have done much what he did." Stunningly, Edward's adultery comes to seem not merely excusable, but almost sublime. "Perhaps he could not bear to see a woman and not give her the comfort of his physical attractions," John surmises. Ford's novel deserves its reputation if for no other reason than the elegance with which it divulges hidden lives. --Ben Guterson

(retrieved from Amazon Tue, 05 Jan 2010 14:14:40 -0500)

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