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Women by Susan Sontag
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Women

by Susan Sontag

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63299,414 (4.32)None
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Jonathan Cape (2000), Paperback, 256 pages

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Plot Synopsis
Women is a collection of photographs depicting the diversity of women and designed to challenge the traditional views of female beauty and advance the more contemporary ideology of woman as equal.

My Thoughts
Women are beautiful. And I'm not using that term in the "oh isn't Britney Spears hot" kind of way. From the image of Polly Weydener, aged and wrinkled, to the image of lithe showgirls, the women featured in this collection uniquely exhibit the various characteristics of woman - and I think the characteristics of humans. This substitution of humans for women is, I think, part of the point of this book. Women are not a group separate from human; we are human, and we are as differentiated in looks, personalities, desires, ambitions, and abilities as men.

Often thought of as a subclass of humanity, women are often described in terms of their gender in a way men are not. Joe is a great race car driver; Betty is a great female race car driver. Or another example, the riddle: A man and his son were in a car accident. The man died on the way to the hospital, but the boy was rushed into surgery. The surgeon said "I can't operate on this boy. He's my son." How is this possible?

I remember hearing this sometime in high school, and it was astounding how many people could not immediately figure out the answer. It seems so glaringly obvious. But we assume surgeons are men, so the idea of the surgeon being the boy's mother does not spring to mind. Answers I heard before Mother: the boy had two gay dads and the surgeon was the boy's stepfather.

As Susan Sontag writes in the beginning essay of Women, we are still "regarding individual man as an instance of humankind and an individual woman as an instance of...women". Men represent humanity - in "language, narrative, group arrangements, and family customs". Women are secondary, a subgroup within the larger category, not representative of the whole.

Descriptions of the images would just not be adequate, so if you are interested in seeing some of the pictures, go here.

I highly recommend purchasing this book for the images, the essay, the message. ( )
  EclecticEccentric | Dec 26, 2009 |
Great to read while alone during a thunderstorm. Cultures a gentle reverence and non-structured wonder. Mild thoughts. Starkly exposes all sorts of states of being without judgment, rather unusual for a book about women. Lets women speak for themselves regardless of what they have to say, what a novel idea. ( )
  ahovde01 | Jun 26, 2007 |
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Book description

Amazon.com (ISBN 0224061372, Paperback)

Each of the extraordinary portraits made by photographer Annie Leibovitz for her book Women stands on its own. Looked at together, these "photographs of people with nothing more in common than that they are women (and living in America at the end of the twentieth century), all--well almost all--fully clothed," writes Susan Sontag in the book's preface, form "an anthology of destinies and disabilities and new possibilities." Leibovitz, who in her years working for Rolling Stone, Vogue, and Vanity Fair magazines has photographed hundreds of celebrities, turns her lens on a wide range of ordinary and extraordinary female subjects: coal miners, socialites, first ladies, artists, domestic-violence victims, an astronaut, a surgeon, a maid. What she creates is a reflection of contemporary American womanhood that mirrors both women's accomplishments and the challenges they still face individually and as a group.

Leibovitz demonstrates her own range as a photographer in this body of work, shooting in the studio and natural settings and working in both black-and-white and color film. She depicts model Jerry Hall wearing a little black dress, a fur coat, and high heels, staring frankly at the viewer from a velvet chair in a plush red parlor while her naked infant son nurses from her exposed right breast. Schoolteacher Lamis Srour's eyes--the only part of her face visible behind her heavy black veil--illuminate a dark black-and-white portrait. Leibovitz frames actress Elizabeth Taylor and her dog Sugar by their shocks of snow-white hair. She captures four Kilgore College Rangerettes, a drill team, at the apex of their kicks--white-booted legs pointing up, obscuring their faces and revealing the red underpants beneath their blue miniskirts. There are many more wonderful and unexpected images here, over 200 in all. The delight in discovering them awaits readers. --Jordana Moskowitz

(retrieved from Amazon Fri, 24 Apr 2009 07:57:54 -0400)

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