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will love Sign up for LibraryThing to find out whether you'll like this book. Great coming of age story in the west. Well developed characters and interactions More user-friendly than The Road and No Country for Old Men Delusione. McCarthy - a mio parere - è uno dei più grandi scrittori viventi. Nei suoi libri ci sono semptre una padronanza perfetta della materia narrativa, un assoluto controllo del linguaggio, un uso sapiente delle parole, dosate e spesso centellinate ma proprio per questo ancora più incisive. In questo libro queste caratteristiche - invece di produrre un congegno letterario a orologeria - hanno dato vita a una narrazione che spesso mi pare gratuita e priva di mordente. I first "read" this book as an audiobook years ago. I loved it then, but I have to say, I loved reading it much more. McCarthy has some incredibly large, beautiful sentences throughout this book. His sense of feeling and detail permeates even the most rough scenes in the story. This will truly sit in my rereading list. A few noteworthy observations (spoiler alert!!): The character Lacey Rawlins clearly holds Jimmy Blevins in contempt at the beginning of the book; this is witnessed repeatedly and John Grady Cole is the voice of reason and caring. It struck me late in the book, after Jimmy is no longer around, how it becomes clear that Lacey really did care and felt the weight of sadness and guilt on the way life unfolded for him. McCarthy captures these feelings with a minimum of text and a maximum of power.
You can’t just nip at darkness, so when you read this book, from page one you feel a threat following you, some animistic urging that keeps you going by the way McCarthy manipulates your demonic love of the sounds of speech. All the Pretty Horses may indicate McCarthy's desire to come in out of the cold of those Tennessee mountain winters, but his imagination is at its best there with Arthur Ownby or with the monstrous Judge of Blood Meridian drowning dogs. He is best with what nature gives or imposes, rather than with the observations of culture. The magnetic attraction of Mr. McCarthy's fiction comes first from the extraordinary quality of his prose; difficult as it may sometimes be, it is also overwhelmingly seductive. Powered by long, tumbling many-stranded sentences, his descriptive style is elaborate and elevated, but also used effectively to frame realistic dialogue, for which his ear is deadly accurate.
Amazon.com (ISBN 0679744398, Paperback)Part bildungsroman, part horse opera, part meditation on courage and loyalty, this beautifully crafted novel won the National Book Award in 1992. The plot is simple enough. John Grady Cole, a 16-year-old dispossessed Texan, crosses the Rio Grande into Mexico in 1949, accompanied by his pal Lacey Rawlins. The two precocious horsemen pick up a sidekick--a laughable but deadly marksman named Jimmy Blevins--encounter various adventures on their way south and finally arrive at a paradisiacal hacienda where Cole falls into an ill-fated romance. Readers familiar with McCarthy's Faulknerian prose will find the writing more restrained than in Suttree and Blood Meridian. Newcomers will be mesmerized by the tragic tale of John Grady Cole's coming of age.(retrieved from Amazon Fri, 24 Apr 2009 07:58:12 -0400) The first test round has been closed. Visit the Open Shelves Classification group for details. |
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McCarthy’s lyrical style takes a few pages to adapt to, yet the effort is worthwhile. His description of the Texan landscape and Mexican villages is realistic and leaves readers feeling as if they are riding alongside the main characters. McCarthy’s depiction of old Mexico is honest—harsh and raw, yet hopeful and full of beauty. Readers who enjoyed McCarthy’s The Road or are looking for a memorable story/series (Border Trilogy) will enjoy All the Pretty Horses. (