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Loading... Great Fortune: The Epic of Rockefeller Centerby Daniel Okrent
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Amazon.com (ISBN 0670031690, Hardcover)Those of us who love New York tend to love the city passionately, for its past as well as its present. Daniel Okrent's Great Fortune: The Epic of Rockefeller Center is a book for New Yorkers from Ashtabula to Zimbabwe: a study of ambition, audacity, and deal-making on a grand scale that led to the construction of some of the most famous skyscrapers in the world. The cast of characters includes not only the many and diverse members of the Rockefeller family, but other powerful New York institutions such as Columbia University, the Metropolitan Opera, the Museum of Modern Art, and The New York Times--not to mention the radical Mexican artist Diego Rivera, the New Yorker cartoonist William Steig, the Marx Brothers, and a bevy of "Rockettes." Okrent's narrative neatly balances the epic and the intimate; he offers both authoritative pronouncements on modern architecture and reams of good gossip. Like New York itself, Great Fortune contains multitudes: densely packed, it remains surprisingly--and welcomingly--commodious. --Tim Page(retrieved from Amazon Fri, 24 Apr 2009 07:58:03 -0400) The first test round has been closed. Visit the Open Shelves Classification group for details. |
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For example, the land Rockefeller Center is built upon was originally the "Upper Estate" of Columbia University, something of an albatross on the university's neck especially after it moved further uptown. The university collected rent from the Rockefellers into the 1980's. The plan for Rockefeller Center was originally to construct a new opera house for the Metropolitan Opera, a plan that fell through as the greater plan for a commercial development stormed through into the Great Depression. There were scandals of the Communist Diego Rivera painting a mural in the RCA building, and the Facist Benito Mussolini giving his blessing to a building for Italian commerce. The most famous element of Rockefeller Center - the skating rink - was something of an afterthought to bail out a failed plan for a shopping plaza. The opening of Radio City Music Hall was an overlong, over-the-top bomb that resulted in the venue being used as a movie theater for the next four decades.
Okrent also weaves in the biographies of the various characters involved in creating Rockefeller Center. Most obvious of course are the Rockefeller family including the introspective John D. Rockefeller, Jr. who spent his life trying to atone for Senior's greedy excess, and Nelson Rockefeller a steamroller of a personality who took charge of the Center in the later years of development. Architects, designers, artists, corporate executives & businessmen all get their fair share as well. Okrent writes of these people sympathetically without being adulatory, and shows their warts (not to mention having a few laughs at their expense) without it being a hatchet piece.
This is a very enjoyable historical work which I believe does a good job of capturing an era through the myriad people who worked on and at Rockefeller Center. (