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Eugénie Grandet by Honoré de Balzac
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1193. Eugenie Grandet, by Honore de Balzac (read 2 Nov 1972) I found this absorbing reading, especially the first 2/3rds of the novel. Grandet is a miser, who tyrannizes over his wife and daughter. The daughter falls in love with her cousin, gives him her money, he takes off for the Indies--leaving Eugenie to face her father's wrath. In retrospect the story seems slight, but I enjoyed it greatly. ( )
  Schmerguls | Apr 14, 2009 |
French Novel
  Budz888 | May 31, 2008 |
Difficile au début, mais il faut persévérer! ( )
  Cecilturtle | May 16, 2006 |
Despite the undeniable quality of the writing and the fact that we're dealing with a classic, I never liked Balzac. This one was no exception. Balzac's style is extremely "diluted", spreading over endless descriptions which have always managed to keep me from getting into the books. Clearly a matter of personal taste, though.
  crazybutsound | Jan 11, 2006 |
I studied Eugenie Grandet for a French "A" level and ended up liking it and Balzac a lot. He's got a great feeling for people giving them plenty of space to develop. Eugenie is completely memorable as her dreams of freedom turn into an emptiness when freedom finally arrives. ( )
  Miro | Oct 11, 2005 |
Showing 5 of 5
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In some country towns there exist houses whose appearance weighs as heavily upon the spirits as the gloomiest cloister,the most dismal ruin, or the dreariest stretch of barren land.
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Amazon.com Product Description (ISBN 014044050X, Paperback)

(Book Jacket Status: Not Jacketed)

Many people (among them Henry James) have considered Balzac to be the greatest of all novelists. Eugenie Grandet, his spare, classical story of a girl whose life is blighted by her father's hysterical greed, goes a long way to justifying that opinion. One of the most magnificent of his tales of early nineteenth-century French provincial life, this novel is the work of a writer on whom nothing was lost, and who represents most fully the ability of the human animal to understand and illuminate its own condition.

Translated By Ellen Marriage With An Introduction By Fredric R. Jameson

Fredric R. Jameson is William A. Lane, Jr. Professor of Comparative Literature at Duke University in North Carolina. His publications include Sartre: The Origins of a Style, Signatures of the Visible, and Post-modernism, or, The Cultural Logic of Late Capitalism, with Aesthetics of the Geopolitical forthcoming.

(retrieved from Amazon Fri, 24 Apr 2009 07:58:22 -0400)

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