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Death Dance (2006)

by Linda Fairstein

MembersReviewsPopularityAverage ratingMentions
9322122,636 (3.24)10
New York Times bestselling author Linda Fairstein takes readers behind the scenes of New York City's theater world -- from Lincoln Center to the lights of Broadway -- in a riveting new novel, rich with her trademark blend of cutting-edge legal issues, skillful detective work, and heart-stopping suspense. Teaming up with longtime friends -- NYPD's Mike Chapman and Mercer Wallace -- Assistant DA Alex Cooper investigates the disappearance of world-famous dancer Natalya Galinova, who has suddenly vanished backstage at Lincoln Center's Metropolitan Opera House -- during a performance. The three colleagues are soon drawn into the machinations of New York City's secretive theatrical community, where ambition takes many forms, including those most deadly. Among Galinova's lovers is Joe Berk, the colorful, strong-willed boss of the Berk Organization, one of four family companies that own all the legitimate theaters on Broadway. The aging ballerina was using Berk to help revive her career at the time of her disappearance. Cooper, Chapman, and Wallace go underground and backstage at the Met, explore Berk's unusual apartment on top of the Belasco Theatre with its rumored ghostly resident, and then discover bizarre circumstances at City Center, which has a peculiar history not one of them knew about until now. Within the glamorous but sordid inner sanctums of the Broadway elite, the team confronts the ruthless power brokers who control both the stars and the stages where they appear. They meet Joe's niece Mona Berk, who is mounting a vicious campaign to extract her share of the family fortune, and stunning starlet Lucy DeVore, whose beauty may be her fatal undoing. Chet Dobbis is the artistic director of the Metropolitan Opera, and therefore privy to the most scandalous exploits among its famous inhabitants. He also knows every inch of the labyrinthine building into which the ballerina disappeared... Meanwhile, Alex is working on a very different case, using a creative technique to nab a physician who has been drugging women in order to assault them. As Dr. Selim Sengor eludes capture, Alex must navigate the new investigative world of DFSA -- drug-facilitated sexual assault -- intent on proving him guilty. Complicating her quest is the explosive legal and ethical dilemma of using the existing DNA databank to solve new cases. Can Alex convince a judge to let her prosecute a man for a violent crime using DNA that was collected for a prior case in which he was never charged? Or do the suspect's civil rights prevent law enforcement from keeping his DNA on file to be used against him at any future time? Death Dance is a spellbinding thriller combining a former prosecutor's fresh insight into hot-button legal issues with the unique history and spectacle of New York theater, and its shocking twists make this novel Linda Fairstein's most chilling adventure yet.… (more)
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» See also 10 mentions

English (20)  German (1)  All languages (21)
Showing 1-5 of 20 (next | show all)
Crime
  BooksInMirror | Feb 19, 2024 |
I love all of Linda Fairstein's New York City mysteries. Each gives you a little history on the city and its great buildings and locales. This was not one of my favorites, however. The mystery involves a murdered prima ballerina, Broadway producers, and a young actress. We get to learn a lot about Lincoln Center and Broadway. It is a solid mystery, which keeps you guessing, and the character develop is, as always, thorough and engaging. I think I just wasn't too fond of the focus of this particular book. ( )
  DrApple | Nov 21, 2016 |
This is another in the series of Alexandra Cooper. She is investigating the apparent suicide of a ballerina at the NY Met. Unfortunately, she isn't someone the reader cares about, nor are the incidental characters. Most are flat and uninteresting, although there is some interest in a few of the interactions.

The book opened with a drug-rape scene and its ensuing courtroom actions. The judge was a mysogenist, although way over the top. He was too extreme to be believable as a character. Although probably within the realm of reality, he was too much for a book. This plot line was more interesting and more appropriate for Alexandra. Unfortunately it was a subplot and happened in the background and was resolved without much interest.

Overall the story felt flat. It wasn't a bad mystery, but just barely held my interest. ( )
  Nodosaurus | Jan 30, 2016 |
I started reading Fairstein's books with the first of the series. I am at the point now where I will continue to read them because I am involved with the characters and want to see where their lives take them. However, the books are becoming a little cookie cutter. On a positive note NYC is one of my favourite places to visit and her books, up to now, have all taken place at various venues in that city. Through reading them I have had the pleasure of visiting some places in NYC I may not have gone to (the Cloisters, for instance), except that her books made them sound interesting and they were.
( )
  ChristineEllei | Jul 14, 2015 |
Alexandra Cooper, Mike and Mercer solve the murder of a ballerina at the Met. The relationship between the three main characters was more interesting than the crime. Had the usual elements -- threat to Alex, protection, chase. Just not as good as the others in the series. ( )
  Kathy89 | Mar 9, 2014 |
Showing 1-5 of 20 (next | show all)
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About, about, in reel and rout
The death fires danced at night.

—Samuel Taylor Coleridge
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Matthew and Alexander Zavislan
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"You think we've got a case?" Mercer Wallace asked me.
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(Click to show. Warning: May contain spoilers.)
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New York Times bestselling author Linda Fairstein takes readers behind the scenes of New York City's theater world -- from Lincoln Center to the lights of Broadway -- in a riveting new novel, rich with her trademark blend of cutting-edge legal issues, skillful detective work, and heart-stopping suspense. Teaming up with longtime friends -- NYPD's Mike Chapman and Mercer Wallace -- Assistant DA Alex Cooper investigates the disappearance of world-famous dancer Natalya Galinova, who has suddenly vanished backstage at Lincoln Center's Metropolitan Opera House -- during a performance. The three colleagues are soon drawn into the machinations of New York City's secretive theatrical community, where ambition takes many forms, including those most deadly. Among Galinova's lovers is Joe Berk, the colorful, strong-willed boss of the Berk Organization, one of four family companies that own all the legitimate theaters on Broadway. The aging ballerina was using Berk to help revive her career at the time of her disappearance. Cooper, Chapman, and Wallace go underground and backstage at the Met, explore Berk's unusual apartment on top of the Belasco Theatre with its rumored ghostly resident, and then discover bizarre circumstances at City Center, which has a peculiar history not one of them knew about until now. Within the glamorous but sordid inner sanctums of the Broadway elite, the team confronts the ruthless power brokers who control both the stars and the stages where they appear. They meet Joe's niece Mona Berk, who is mounting a vicious campaign to extract her share of the family fortune, and stunning starlet Lucy DeVore, whose beauty may be her fatal undoing. Chet Dobbis is the artistic director of the Metropolitan Opera, and therefore privy to the most scandalous exploits among its famous inhabitants. He also knows every inch of the labyrinthine building into which the ballerina disappeared... Meanwhile, Alex is working on a very different case, using a creative technique to nab a physician who has been drugging women in order to assault them. As Dr. Selim Sengor eludes capture, Alex must navigate the new investigative world of DFSA -- drug-facilitated sexual assault -- intent on proving him guilty. Complicating her quest is the explosive legal and ethical dilemma of using the existing DNA databank to solve new cases. Can Alex convince a judge to let her prosecute a man for a violent crime using DNA that was collected for a prior case in which he was never charged? Or do the suspect's civil rights prevent law enforcement from keeping his DNA on file to be used against him at any future time? Death Dance is a spellbinding thriller combining a former prosecutor's fresh insight into hot-button legal issues with the unique history and spectacle of New York theater, and its shocking twists make this novel Linda Fairstein's most chilling adventure yet.

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