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Loading... Storytelling in Film and Televisionby Kristin Thompson
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will love Sign up for LibraryThing to find out whether you'll like this book. A collection of four lectures delivered at Oxford. One on the validity of appreciating "television studies" as an independent field; one on screenplay structure; one on the ways narratives function when divided up among sequels and serials; and one on "art televison," including "Twin Peaks" and "The Simpsons." All are engaging although also relatively breezy: they seem designed for a general audience and so don't push much beyond some basic observations. no reviews | add a review
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Derided as simple, dismissed as inferior to film, famously characterized as a vast wasteland, television nonetheless exerts an undeniable, apparently inescapable power in our culture. The secret of television's success may well lie in the remarkable narrative complexities underlying its seeming simplicity, complexities Kristin Thompson unmasks in this engaging analysis of the narrative workings of television and film.
After first looking at the narrative techniques the two media share, Thompson focuses on the specific challenges that series television presents and the tactics writers have devised to meet them--tactics that sustain interest and maintain sense across multiple plots and subplots and in spite of frequent interruptions as well as weeklong and seasonal breaks. Beyond adapting the techniques of film, Thompson argues, television has wrought its own changes in traditional narrative form. Drawing on classics of film and television, as well as recent and current series like Buffy the Vampire Slayer, The Sopranos, and The Simpsons, she shows how adaptations, sequels, series, and sagas have altered long-standing notions of closure and single authorship. And in a comparison of David Lynch's Blue Velvet and Twin Peaks, she asks whether there can be an "art television" comparable to the more familiar "art cinema."
(retrieved from Amazon Fri, 24 Apr 2009 07:58:15 -0400)
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