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Loading... Too Brief a Treat: The Letters of Truman Capoteby Truman Capote
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Amazon.com Product Description (ISBN 0375702415, Paperback)The private letters of Truman Capote, lovingly assembled here for the first time by acclaimed Capote biographer Gerald Clarke, provide an intimate, unvarnished portrait of one of the twentieth century’s most colorful and fascinating literary figures.Capote was an inveterate letter writer. He wrote letters as he spoke: emphatically, spontaneously, and passionately. Spanning more than four decades, his letters are the closest thing we have to a Capote autobiography, showing us the uncannily self-possessed na•f who jumped headlong into the post—World War II New York literary scene; the more mature Capote of the 1950s; the Capote of the early 1960s, immersed in the research and writing of In Cold Blood; and Capote later in life, as things seemed to be unraveling. With cameos by a veritable who’s who of twentieth century glitterati, Too Brief a Treat shines a spotlight on the life and times of an incomparable American writer. (retrieved from Amazon Fri, 24 Apr 2009 07:57:53 -0400) The first test round has been closed. Visit the Open Shelves Classification group for details. |
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Books like this also make me sad, in a way, that technology has changed. I mean, who's going to want to read "The Collected E-mails of So-and-So"?
I do strongly recommend this book for Capote devotees.
Some of my favorite bits:
pp. 45,46, from a letter to Robert Linscott (his editor): I am working on the book and it is really my love and today I wrote two pages and oh Bob I do want it to be a beautiful book because it seems important to me that people try to write beautifully, now more than ever because the world is so crazy and only art is sane and it has been proven time after time that after the ruins of a civilization are cleared away all that remains are the poems, the paintings, the sculpture, the books.
p. 54, from a letter to Leo Lerman: If it were not for N. and you and my friends I would never come home. Not that I think it is so much better here, it is merely that I am better. Or maybe that is only because so far I don't understand the meanings of things too well, and am therefore not disturbed, as I would be at home, by the look of a child's face, a tone of voice, an accent, the quality of light in a street: nothing connects with memory, reverberates: do you see what I mean, how nice it is not to be pursued by desperate knowledge?
p. 102, from a letter to Andrew Lyndon: A copy of The World Next Door has reached me; have you tried to read it? Every now and then there are some good things in it--but I've never had the patience to pick raisins out of pudding--and God knows he writes a pudding prose, weak, lazy, hurried.
p. 123, from a letter to Leo Lerman: ...and I've got a start on the book that all along I should've known was the one possible book for me--because it really is mine. There is always such a tragic tendency to disregard what is one's own--just as we are often nicer to strangers than we are to our friends.
p. 398, from a letter to Alvin Dewey III: One cannot be taught to write. One can only learn to write by writing--and reading. Reading good books written by real artists--until you understand why they are good. I'm quite sure you have never done this; and you must.
p. 404, from a letter to Alvin Dewey III: However, you go out of your way to find an odd or long word, where a simpler one would do. Most beginning writers do this--apparently under the impression that good writing is fancy writing. It isn't. Strive for simplicity--the plain, everyday word is usually the best. It is how you arrange them that counts. (