Eliot Bliss can certainly write- this has some really evocative and lyrical passages.
I didnt really believe in any of the characters, especially as it moved on from Louie's childhood- surrounded by aunts and uncles- to her adult life.
It's all very stream of consciousness.
Not for me. ( )

Saraband is a beautifully wrought and sensitively told coming of age story, set in early 20th century London.

Louie is a quiet and imaginative child, growing up in her grandmother’s house, surrounded by aunts and uncles. She perceives her father as a distant figure, her mother as completely focused on her much younger brother, and her grandmother as the centre of her world.

She loves being out in the world, and her story is scattered with her feelings about the world as the seasons change.

“All along the road from the river the frost made patterns on the ground, and how beautifully the air smelt . . . The sharp air hung over one’s head like the blade of a knife, she imagined it saying ‘Behold you shall be cold, behold you shall be cold . . .’ Winter had a most exciting smell, it made one think of people whom one knew and yet had never met, places where at one time or other one felt sure one must have lived and yet could not remember. Frost hung on the trees, it made them look as if they had gone white during the night from fear, it gave them a very queer stark look.”

She knows that the world is full of possibilities:

‘Whenever she went out for a walk by herself, smelling the cold air all along the road, with the trees stark and white on either side, the exciting feeling took hold of her, the feeling that at any moment she was going to meet somebody or something. She had had it for years ….’

I had to love her. And identify with her.

Louie’s world changes when her cousin Tim comes to stay. She expects to hate him, because he is a boy, because he will occupy the room that was the centre of her imaginary kingdom; but she doesn’t. She is smitten with a sensitive boy who can do something quite magical. Tim can make music.

That brings Louie joy, but it also draws out her underlying insecurity:

“To be beautiful and a musician seemed the height of human achievement. She looked upon him as a work of art, he was something marvelous and holy, something she could never be.”

Her relationship with Tim is a constant as her life changes, and it influences her other relationships. When she is sent to school she is drawn to the bold girl, who questions and breaks the rules. When she goes to secretarial college she becomes friends with a bohemian young woman who disappears long before the end of the course.

This isn’t a plot-driven book; it is a book that tracks the progress of a life. Louie is often passive; reacting to drama rather that creating them. She hadn’t expected to have to earn her own living, but her father lost his life and her family lost its fortune in the Great War. Secretarial college was a sensible step, and it chimed with her idea that she might one day be a writer.

The writing has a lovely clarity and lyricism as it captures Louie’s observation of the people, the places and the happenings in her life. The perspective is always hers.

I understood, and I cared.

I saw the influence of Dorothy Richardson – a friend of the authors – on her writing; but I found Eliot Bliss’s style to be simpler and more accessible. Louie remembered and considered things; I was particularly taken with passages late in the book where she remembered stories her grandmother had told her about her youth, as the end of grandmother’s life was drawing near.

That death, and its consequences for her family, was a turning point in Louie’s life. And not long after that she found herself in a situation where she had to stand up for a friend who could not stand up for herself.

That was her real coming of age. The end of this book but the beginning of a whole new story.

Eliot Bliss didn’t write that story; she wrote very little else. One more known novel, one lost novel, diaries and poems over a period of fifty years.

On the strength of this book, I would be happy to read them.

This is a quiet book, but it is both lovely and profound.

Louie’s thoughts and emotions are utterly real, her world is vividly painted, and Eliot Bliss caught and understand the nuances of her story so well. ( )

Saraband was one of those chance Virago finds. I knew nothing about the book, and nothing about the author. Now all I know about the author is the small amount gleaned from Wikipedia and the introduction to my VMC edition can tell me.

Sadly, Eliot Bliss published only two novels – her second novel Luminous Isle is described as extraordinary by Paul Bailey in his introduction. Her poetry was discovered after her death, and Wikipedia cites the possibility of a third novel which can now not be traced. Eliot Bliss was born Eileen Norah Lees Bliss at a Jamaican army garrison, later she changed her name to Eliot out of respect for George Eliot and T.S Eliot. Both her novels are said to be heavily autobiographical.

“There was a long mirror in the room, and she went to it. Stood in front of it. And very slowly she saw her soul emerge out of the flesh. Smiling; more so. A truer edition of herself. A light, intensely delicate thing.”

Saraband is the coming of age story of Louie Burnett, who grows up with her mother, younger brother and adored grandmother Lulu, surrounded by a confusing number of aunts and uncles. She acknowledges to herself that she loves her mother less than her grandmother, her father Byng is another adored figure, though largely absent due to the First World War. She is a sensitive, thoughtful young girl, so much goes on in her mind, she’s imaginative and inventive.

‘Whenever she went out for a walk by herself, smelling the cold air all along the road, with the trees stark and white on either side, the exciting feeling took hold of her, the feeling that at any moment she was going to meet somebody or something. She had had it for years ….’

Upstairs in her grandmother’s house there’s a spare room, which Louie has had exclusive use of, here she can explore her magical kingdom, Pomoroyal; a private world of her own invention. She has already decided she loathes boys, following an unfortunate incident with a boy at her day school who smashed her much loved doll. So, the news that a boy cousin will be coming to live with them – following his mother’s death – is very unwelcome. Particularly as Tim will have to be given the room that to her is Pomoroyal.

Tim, is not the boy that Louie had imagined, instead of a rough, bully Tim turns out to be a finely dressed polite boy and about as unlike the horrid boy who broke her doll as can be imagined. Tim, is musical, his talent impresses Louie, and saddens her too, as she imagines she will never be able to do anything so wonderful herself. Louie and Tim become great friends, it is a relationship that will teach Louie a lot about friendship, one that will last the changing years that lie ahead.

Louie is sent to a convent school, here she meets the fabulous spirited Zara, who breaks the rules. Zara is the first of three important female friends, each of them unusual, who help Louie see the world differently. It is while she is at school, that Tim brings her news of her father’s death in the war. It is a wonderfully poignant scene, Eliot Bliss depicting an overwhelming grief perfectly.

“In that moment she was swung out into space and the world seemed to cease to exist. She was leaning against iron-grey railings on the deck of a man-of-war in mid ocean. There was a high wind blowing and a grey swell on the sea and the ship pitched. There was nothing at all in sight but sea, the grey sea it was. Byng had told her to stay there and he would come to her in a minute, and so she would stay, although it was extremely cold. The wind seemed to scrape one’s cheeks. She moved her knee against something and found it to be the hard, raised pattern of the piano seat, and that she was looking at the picture of the Vatican which hung inside its velvet frame over the piano. Tim came across the room to her and put his hands on her shoulders.”

Following her father’s death, the family finances have changed to the point that Louie knows she may have to earn her own living. So, she enrols at a secretarial college – the college is portrayed brilliantly by Bliss, with it’s terrifying sounding exercises. One had to work one’s way from the top floor to the bottom in order to finally graduate. And while Louie is still very much coming to terms with the strictures of room one, she meets Jonquil, another interesting, free spirited young woman.

Another dear friend is Barty, a woman who lives in a house near Lulu’s summer country home. Barty, Miss Berringer lives alone with a lady-housekeeper – of whom the village postmistress certainly doesn’t approve. Neither does Louie, recognising her to be a very unpleasant woman. Barty lives under this woman’s quiet tyranny, and there comes a day when Louie feels she must stage a very crucial intervention.

Saraband is a lovely, slow-moving novel, there is frequently a dreamlike quality to it, the prose poetic and emotional. ( )

Saraband is one of Virago Modern Classics’s lesser-known reprints, and therefore often overlooked. I didn’t even know about it until I accidentally stumbled across a copy in a local bookstore. I'm glad i did, because I thought that this novel was wonderful. The story of this book follows the childhood and young adulthood of Louie, an intensely imaginative young girl who lives with her grandmother in the years leading up to WWI. When her cousin Tim comes to stay, Louie imagines that she’ll hate him; but instead, they become very dear friends. Their friendship sustains them through Louie’s time at convent school and secretarial college.

At heart this is one of those coming-of-age stories; Eliot Bliss’s style is very similar to that of Antonia White, who wrote about many of the same subjects (convent school and all of that). Saraband focuses on descriptions of places and people, which can bog the plot down a bit. Everything we see while reading the novel is through the eyes of Louie, an observer rather than a player in the drama of her life.

Louie’s sensitive nature is completely at odds with the attitude exhibited at the secretarial school she attends, which is hell-bent on turning students out in the least amount of time. Even the death of another student causes little comment in the school; but it has a profound effect on Louie, who learns through the experience that it’s accidents like this that most upset one’s sense of well-being. I love that Eliot Bliss gets her point across in a poignant and subtle way. It’s a very slow-moving book, much like the “saraband” of the title, but well-written, sometimes lyrical in style. It’s hard to believe that the author was just my age, 28, when this book was published; and that she only wrote one other novel. ( )