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The Cream of the Jest by James Branch Cabell
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170334,912 (4.08)8
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Wildside Press (2001), Paperback

Member:johnpkane
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Cabell's prose is a wonder, I smiled and even laughed aloud at various turns, and marked worthy aphorisms almost every third page. The tale is ironic and witty, and while on the surface it prompts some good-natured eye-rolling, really it hides a satisfyingly solid account of life and myth. The metaphysics and esotericism are not spelled out, but there nevertheless.

The premise is an author, Felix Kennaston, writes an accomplished fantasy novel and ends up "dreaming" his way to that world, stepping into the role of his protagonist, Horvendile. It is literally dreaming, though: Kennaston does not step through another dimension or find himself bodily in another world. In fact, Kennaston takes pains to afford himself eight hours of sleep each night so as to better visit the other world, and even ends up writing a second novel based on the "stories" he dreams himself into. There is a framing device that complicates this a bit, but in general it affords Cabell an ideal forum for social commentary and metaphysical exploration. Done with whimsy & wit throughout, the plots of the two worlds intertwine until the very end.

Cabell's writing is often categorised as fantasy. It is that, I suppose, but not like Tolkien or his hordes of imitators. There's an ironic distance, and the plot reminds me of a Homer Pyle adventure. There are sprites and goblins, but related the way Shakespeare might, not in a deliberately realist fashion.

Cabell uses leitmotifs in the way of a film score: a melody punctuates certain situations, and often closes a chapter or scene. One is the phrase "the universe would seem to fold about him, just as a hand closes", used whenever Horvendile exits a dream. Another refers to Ettarre's "innumerable evasions", and Kennaston says "we touch mystery everywhere" at least twice, though both occur near the end of the book.

The title is a pun, and also another leitmotif: the phrase deliberately surfaces throughout the book, usually by the protagonist. The pun comes in at the end, when Kennaston's inspiration for the Sigil of Scoteia is revealed.

Though this is part of the Biography of Manuel series, it was the first I've read, and the series is not one of serialised adventure so much as a thematic meditation on myth. Definitely, I will read others. ( )
2 vote elenchus | Jul 11, 2009 |
One of my favorite books. ( )
  Eleusis | May 22, 2009 |
Highly recommended to ambitious fans of fantasy, as it contains the best meta-discussion of fantasy writing I've ever seen. It's also a good conclusion/summation of Cabell's novels overall. ( )
  selfnoise | Oct 13, 2005 |
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Epigraph
"Le pays ou je voulais aller, tu m'y as mene en songe, cette nuit, et tu etais belle ... ah! que tu etais belle! ... Mais, comme je n'ai aime que ton ombre, tu me dispenseras, chere tete, de remercier ta realite."
Dedication
To LOISA NELSON
"At me ab amore tuo diducet nulla senectus"
First words
Much has been written critically about Felix Kennaston since the disappearance of his singular personality form the field of contemporary writers; and Mr. Froser's Biography contains all it is necessary to know as to the facts of Kennaston's life.
Quotations
Perhaps ... man must simply go on striving to gain a little money, food, and sleep, a trinket or two, some moments of laughter, and at the last a decent bed to die in. (1927/166)
Misery was about them, death awaited without: and it did not matter a pennyworth. (1927/195)
I want to be happy. And that is impossible, because there is no happiness anywhere in the world. [...] For there are but three desirable things in life -- love and power and wisdom: and I, the king, have sounded the depths of these, and in none is happiness. (1927/202)
Fate, as always frugal of display, used simple tools. (1927/218)
People marry through a variety of other reasons, and with varying results: but to marry for love is to invite inevitable tragedy. (1927/229)
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Book description

Amazon.com Product Description (ISBN 0766194892, Paperback)

1917. Today, some recognize Cabell as one of the first contemporary writers from the South. Like his friend and fellow Richmond writer Ellen Glasgow, Cabell was not afraid to satirize what he saw as the South's contradictions. Others, noting Cabell's unique blending of classic myths and legends with his own imagination, consider him a pioneer of fantasy writing. The Cream of the Jest is an absurdist, aesthetic heroic fantasy, one of the finest and central works of heroic fantasy as a distinct genre. See other titles by this author available from Kessinger Publishing.

(retrieved from Amazon Fri, 24 Apr 2009 07:58:00 -0400)

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