

|
Loading... The Sixth Lamentation (original 2003; edition 2004)by William Brodrick
Work detailsThe Sixth Lamentation by William Brodrick (2003)
None. I had heard a lot about this novel and several of my friends had recommended it (indeed, a couple positively raved about it). I was, therefore, rather disappointed. While the basic plot about an alleged war criminal seeking sanctuary in an old monastery was promising, I just couldn't make myself interested in any of the characters. A group known as The Round Table tries to save Jewish children during the Nazi occupation in France. Something goes wrong and they are arrested. Years later, the alliances and consequences of the Round Table become the elements of the trial of a Nazi war criminal. Who betrayed the group? Are people really who they are presumed to be? There is a common thread that links them all : Agnes Aubret. Father Anselm tries to put the pieces together and find out exactly what had happened years before. Interesting plot with many twists and turns. This was one of those books where I just wanted to keep reading to find out what really happened but I actually needed to sleep. It is complicated and keeps the reader on their toes. Fantastic read. Written several years before Sarah's Key, The 6th Lamentation is also the story of two generations whose lives have been impacted (or destroyed) by the Vel d'Hiv round up of Jews in Paris. Much longer than Sarah's Key, the 6th Lamentation is a complicated mystery story. Brodrick adds the interesting angle of a barrister-turned-monk, Father Anselm, as the main character. I was surprised by the frank picture of monastic life: Brodrick himself was once a monk and is now a barrister. Could the book have been shorter? Yes. Fewer coincidences? Yes. But the characters are not stereotypical, as in Sarah's Key, and the book's scope is a tragedy written much larger.
This first-time novelist was an Augustinian friar before becoming a barrister; his chief protagonist, Father Anselm, was a barrister before becoming a monk. The two vocations offer fitting keys--logic and compassion--to unlock the doors of this labyrinthine tale. A suspected Nazi war criminal, Eduard Schwermann, asks for sanctuary at Anselm's home, Larkwood Priory. When the Vatican asks Anselm to investigate on its behalf, Anselm finds reason to suspect the church itself may have been complicit in Schwermann's long-ago escape to England. In nearby London, dying Holocaust survivor Agnes Aubret shares a secret with her granddaughter, Lucy: Agnes was part of a French Resistance ring broken by Schwermann. Schwermann's trial begins with both Anselm and Lucy still hurrying to make sense of the past. Sticky strands of deceit, loss, and betrayal bind together a large cast of characters, and untangling them is both difficult and painful. Though Brodrick builds tension slowly (he's better at foreshadowing than planting clues), he's mapped his plot masterfully, and his approach to the thorny issues of justice and punishment is thoughtful and complex.
References to this work on external resources.
|
Google Books — Loading...
Popular coversRatingAverage: (3.47)
Is this you?Become a LibraryThing Author. |
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Elderly Agnes Aubret lived through the German occupation of Paris and the persecution of its Jewish citizens but now time is running out for her as she is dying from motor neurone disease. At Father Anselm's monastery a man has just claimed sanctuary as he has been exposed as an SS officer and alleged war criminal.
This is the premise of the Sixth Lamentation which weaves a huge cast of characters spread over three generations and their interconnecting stories, through German occupied Paris to modern day London.
The only thing wrong with it was my own doing. Where I went wrong was listening to it as an audio book whilst driving… as the first third of the book introduces layer upon layer of story, endless characters and to make it worst I found out after that the hard copy had a list of characters at the beginning for reference!. I think if I had know this I would have read it instead of listening to it as I found it hard to engage with as I was, up until about one third of the way in, struggling with the vast cast and the French, German, Italian names.
I really admired the way the author managed this labyrinthine story with its twists and turns and revelations. The historical attention to detail was superb and as the author states 'I did not want to record a single detail that was not supported by a contemporaneous record.'
This is a novel that requires time and patience to fully appreciate it and I would imagine that it is a remarkable reading experience.
I haven’t been put off and intent reading A Whispered Name by the same author (