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Lies Across America: What Our Historic Sites…
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Lies Across America: What Our Historic Sites Get Wrong (original 1999; edition 2000)

by James W. Loewen

MembersReviewsPopularityAverage ratingMentions
1,0611419,177 (3.77)2
"Lies Across America looks at more than one hundred sites where history is told on the landscape, including historical markers, monuments, outdoor museums, historic houses, forts, and ships. Loewen uses his investigation of these public versions of history, often literally written in stone, to correct historical interpretations that are profoundly wrong, to tell neglected but important stories about the American past, and, most importantly, to raise questions about what we as a nation choose to commemorate and how."--Jacket.… (more)
Member:Melody1801
Title:Lies Across America: What Our Historic Sites Get Wrong
Authors:James W. Loewen
Info:Touchstone (2000), Edition: 1st Touchstone Ed, Paperback, 480 pages
Collections:Your library
Rating:***
Tags:American history, Adult nonfiction

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Lies Across America: What Our Historic Sites Get Wrong by James W. Loewen (1999)

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Showing 1-5 of 14 (next | show all)
Note: I accessed a digital review copy of this book through Edelweiss.
  fernandie | Sep 15, 2022 |
00014019
  lcslibrarian | Aug 13, 2020 |
The "Lies" are mostly lies of omission. It's more about what is left out of information on historical sights. It amused me to find out that a horse an a statue had to be male (even though the man's favorite mount was a mare) to protect the subject's dignity. ( )
  nx74defiant | Jun 3, 2020 |
As an avid landmark snarfer, you can imagine my excitement at finding this book on what our historical markers, memorials, and monuments get wrong - and, occasionally, right. Some of it made me very sad. After all, much of American history can be summarized as "white people ruin everything," but there were some bright spots. And some very funny ones, like the woman in Indiana who is only remembered for moving there sans a body part. It certainly opened my eyes when reading markers and visiting monuments, and gave me new questions to ask and points to ponder. I'd never even heard of the Philippines-American war, for example, and my education about Reconstruction was much less thorough (and more biased) than I'd realized. Now I have a whole new list of places I'd like to visit and events and people I want to learn more about. Definitely recommended for anyone interested in American history, especially if you like to visit historic sites. ( )
  melydia | Nov 3, 2014 |
Lies of omission is a more accurate title. I found this book to be a little disappointing. Perhaps it's my fault for misinterpreting the subject matter. I had assumed it dealt with information that was undeniably wrong or untrue. Presenting things inaccurate in fact rather than too concise or limited in scope.

The majority of the entries are not so much out and out "lies" as they are lies of omission or representative of events the author feels are insufficiently recognized. An example of the latter would be the "lie" of a marker that mentions a place where a woman was lynched for the crime of killing a man. Although the woman is misrepresented as having been white when she was actually Spanish the author feels the bigger "lie" is that it bothers to mention the woman at all while many other lynchings (throughout the history of the country not as part of the same incident) involving men as victims are not commemorated at all.

There are representations of factual inaccuracies but most entries are "lies" only to the extent that they don't tell a complete version of the story. Not so much lies as edited (sanitized) versions. Maybe I'm being too optimistic or charitable to the average American's intelligence but I believe many of them are fairly obvious in their limitations and don't necessarily require someone pointing out that they tell only one side of a story.

Initially I found the writing to be dry and somewhat hard to connect with but as I got deeper into the book that became less of an issue. Either I became more accustomed to the author's style, or more engrossed in the subject matter. Or, quite possibly, I went in with some bias and resentment from the fact that I felt (and still do) the book had been misrepresented thus my first impression was simply wrong.

As far as the overly politically correct attitude, apologist or anti-white overtones that others have referenced... one could definitely interpret it that way. It has more to do with the underlying theme of presenting a larger picture that represents the entire story in my opinion. Although there are points where it certainly felt to me as though the author was beating me over the head with his personal ideology (even though I agree with most of it). I also found the semantics over what constitutes "discovery", "wilderness" and "civilization" to be condescending, and overly simplistic.

Some of the stronger -- and more interesting in my opinion -- passages in the book are actually related to the origins of the monuments themselves and the bias of those sponsoring them. Particularly the ones that relate to the various Confederate memorials throughout the country. Once I got around the 'beating a dead horse' aspect of repeating much of the same comments on racial injustices, prejudices, etc. that had been previously stated elsewhere in the book I found them to be highly informative as to the general attitudes of the people and times in which they were created.

All in all it's not a bad book. Is it heavy handed? Oh, yes, very much so in some parts. Is it informative? Absolutely. ( )
  Mike-L | Apr 8, 2013 |
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"Lies Across America looks at more than one hundred sites where history is told on the landscape, including historical markers, monuments, outdoor museums, historic houses, forts, and ships. Loewen uses his investigation of these public versions of history, often literally written in stone, to correct historical interpretations that are profoundly wrong, to tell neglected but important stories about the American past, and, most importantly, to raise questions about what we as a nation choose to commemorate and how."--Jacket.

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