amazon: Jack Vance began to publish SF in 1945, and his 1950 science- fantasy classic The Dying Earth established him as a master of exotic, ironic style--still the hallmark of his 1990s novels. Emphyrio dates from 1969 and is perhaps his best handling of a favourite theme, a young boy's rebellion against a fossilized and unfair society. Ambroy, on the far world Halma, is a city of fine craft-workers where quiet tyranny wears the smiling face of a welfare state. Social workers with draconian powers enforce strict laws against mechanical duplication (each work of art must be unique), while priests of the absurd state religion go from door to door being loftily officious. Dissatisfied young Ghyl Tarvoke more or less prankishly runs for Mayor of Ambroy under the name of legendary hero Emphyrio--a quixotic act which leads indirectly to his master-craftsman father's tragic punishment and death, to despairing involvement in his wild friends' spaceship hijack plan, and to shocking revelations about Ambroy's real rulers. Legend says that Emphyrio long ago brought peace to Halma by uncovering truth, at the cost of his life. After colourful adventures Ghyl finds himself similarly placed: the truth can redeem the city he loves but means great personal loss. A fine, strangely underrated novel, now reissued as #19 in the Millennium SF Masterworks series. --David Langford

Part of the SF Masterworks series.
From bookhopper.co.uk

Yet again I am delighted to have encountered (through the Gollancz SF Masterworks series) a book I would never otherwise have read.

Ghyl Tarvoke is a curious young man, who drifts aimlessly through his young world, allowed by his father the freedom to live somewhat outside the strictures of society. When his father is killed for contradicting the simplistic understanding of the police and judiciary, Ghyl rises beyond his childhood dreams of star flight and adventure to uncover truths worth sharing.

The story unfolds slowly, with a tempo that only gradually rises in the second act, and which finally hits its stride well into the third act. Vance takes the time to build the environment of his characters in lavish (but never tiring) detail. Thus, we care when Ghyl makes his break from polite society, and delight when the rough cloth of his society finally shows signs of unraveling.

This is a very good book, well worth the time to read. ( )

Impressive style, interesting ideas and a melancholy atmosphere: this is probably Vance's finest singleton. ( )

An outstanding coming-of-age story, by one of the real pros. Vance, as usual, seems like he's spent about 1000 times as much energy on a realistic back story than anyone else bothers to spend on a whole book. Possible the first author since J.R.R.Tolkien to appreciate the importance of historical depth in making a story believable and memorable. Emphyrio is one of the best examples of how to do this right. ( )