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Loading... The Hindu Art of Love: The Classic Companion to the Kama Sutraby Kalyana Malla
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Sign up for LibraryThing to find out whether you'll like this book. No current Talk conversations about this book. 8402038085 This treatise on sexual technique, properly titled Ananga Ranga, is more interesting than Vatsyayana, but still not as entertaining as Nafzawi's Perfumed Garden. Although the introduction insists that "every Shloka (stanza) of this work has a double signification, after the fashion of the Vedanta, and may be interpreted in two ways, either mystical or amatory" (10), it is hard to imagine what mystical significance could reside in some of the long inventories of physical types and postures. A great deal of information is conveyed in tabular form, including auspicious hours for lovemaking, as well as ones suited to particular techniques, data for synastry, etc. I was intrigued by the emphasis on unguiculation in Chapter VIII, but I fail to see its esoteric dimension. This particular edition is one of Sir Richard Francis Burton's translations of the Eastern classics of erotic instruction. Some of the best contents in fact consist of Burton's annotations. His explanation of the "various abominations" performed in order to ensure amatory attraction by secretly administering bodily fluids in the subject's food is worthy of remark (55), as is his observation that "most English women" have never learned the real delight of carnal copulation but that Ananga Ranga provides effective remedies for the situation (75). Of purushayitabandha, the category of coital positions with the woman superior, Burton notes that it "is held in great horror by Muslims, who commonly say, 'Cursed be he who makes himself earth and woman heaven!'" (106) (And thus it has come to be known in some quarters as the "Thelemic missionary position.") The original text is dedicated to the god Panduranga (i.e. Vithoba), an avatar of Vishnu. It assures the reader that its purpose is to ensure the durability of marriage, by providing the necessary information to promote variety in conjugal activities. So mote it be. no reviews | add a review
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Thank you for checking out this book by Theophania Publishing. We appreciate your business and look forward to serving you soon. We have thousands of titles available, and we invite you to search for us by name, contact us via our website, or download our most recent catalogues. The mountain-goddess of many names, wife of Shiva, thethird person of the Hindu Trinity, who is here termedShambhu for Swayambhu, the Self-Existent. The invocationis abrupt and does not begin with the beginning, Ganesha(Janus), Lord of Incepts, who is invariably invoked by theHindu, that he may further the new undertaking. This god isworshipped under the form of a short stout man, with anelephant's trunk and protuberant belly. (See Vol. III, P. 38,"A View of the History, Literature, and Mythology of theHindus," by William Ward, of Serampore, London, 1832.)The loves of Krishna and the sixteen thousand milkmaidsare recorded in the Bhagavat; this eleventh incarnation ofVishnu is a dark-blue man, playing with both hands uponthe pipe, whilst Radha, his wife, stands his left side.Kamadeva, or the Hindu Cupid, the son of Bramha, isrepresented as a beautiful youth, the most lovely of all thegods, holding a bow and flower-tipped arrow, with which,while wandering through perfumed glades, accompanied byRati, his spouse, he wounds the hearts of the inhabitants ofthe Triloka or Three Worlds. Sir William Jones says thathe appears to correspond with the Greek Eros and theRoman Cupido, but that the Indian description of hisperson and arms, his family, attendants and attributes hasnew and peculiar beauties. Sambar' A'sura was one of theRakshasas, gigantic and diabolical beings, whom Kama slew. No library descriptions found. |
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