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Blacklist by Sara Paretsky
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Blacklist (2003)

by Sara Paretsky

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this is the first mystery, hard boiled crime novel I've read. reading for a lit class. it's very enterining lots of details. a fast read ( )
  michaelbartley | Jan 14, 2013 |
Nach Jahren habe ich mal wieder einen V.I. Warshawski Krimi gelesen und fand den Krimi, wie die früheren Romane auch, wieder sehr gut.Wobei ich nie ganz sicher bin, wie sehr ich V.I. Warshawski selbst als Charakter mögen würde, wenn sie meine Nachbarin wäre. Sie scheint sehr angespannt zu sein. ( )
  volumed42 | Jan 27, 2012 |
Another gripping V.I. Warshawski tale of murder, mystery and intrigue. This time the story involves the very rich and priveleged, the poor black artists of the 1950's, and the secrets that intertwined their lives. Throw in a supposed Arab terrorist for current flavor and a murdered black writer and you have a story that has something of interest for everyone. ( )
  justicefortibet | Jan 28, 2011 |
11th in the V.I. Warshawski, P.I., series set in contemporary Chicago.

How to combine old witch hunts with new ones--Paretsky has managed to do that in an intriguing way in a murder plot that’s pretty thin but is an excellent raison d’etre for this off-beat look into the US penchant for letting fear override the Constitution.

Darraugh Graham is V.I.’s most important client; his retainer is the mainstay of her ability to pay her rent. so when Graham calls because he wants V.I. to more or less humor his 90-something year old mother who claims she is seeing lights on in Larchmanot, the old family mansion, V.I. obliges, although without much enthusiasm. Skulking around one midnight, trying to determine whether there is any basis to Geraldine Grahams’ claims and chasing after a teenage girl who may be connected to those lights, V.I. literally falls on top of a body in Larchmont’s filthy, neglected pool. the corpse is that of Marcus Whitby, an African-American journalist who works for a prominent African-American publishing house in Chicago.

Enriching and texturing the plot is information about the Federal Theater project of the 30’s, but from the point of view of the African-American performers who were given a chance to do more than play stereotypical Mammy or Step N Fetchit roles. Paretsky brings in the persecution of left-leaning intellectuals during the infamous HUAC years, when cynical politicians such as Joseph McCarthy seized upon American fears to boost themselves politically. Paretsky connects this beautifully to the kind of Constitution-bending, if not breaking, of the Patriot Act; V.I.,’s situation illustrates the dangers ordinary citizens face from this seizure of power by yet another set of cynical politicians 50 years after the McCarthy era.

It’s well done and informative, the way just about all of Paretsky’s books are without being preachy (no one comes out looking good), and would be much better if the plot weren’t quite so stretched. Be that as it may, it’s still a very good read for V.I. fans, and for those who like main courses with the dessert of their mystery genre. ( )
  Joycepa | Aug 24, 2010 |
The best mystery novel I've read in a couple of years. Blacklist holds a lot of political commentary, a long and complicated list of characters, and V.I. at a lovable point in her life. I appreciated the historical connections and also the frustration of the relative power of the wealthy to defeat justice. An unlikely and well-crafted villain round out the tale. Sure, the plot is complicated, but that was part of the fun for me. ( )
  metamariposa | Jun 1, 2010 |
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For Geraldine Courtney Wright, artist and writer-valiant, witty and formidable-a true grande dame:

I cannot rest from travel; I will drink to the lees . . .
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The clouds across the face of the moon made it hard for me to find my way.
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Amazon.com Amazon.com Review (ISBN 0451209699, Mass Market Paperback)

Privilege, politics, and perfidy jointly propel the circuitous plot of Blacklist, Sara Paretsky's 11th novel featuring tenacious Chicago private-eye V.I. Warshawski. By the time this story runs its course, V.I. will have harbored an alleged Arab terrorist, resurrected the ghosts of America's 1950s anti-Communist hysteria, and questioned the integrity of a man she once admired "to the point of hero worship." In other words, it's a typical case for this hard-headed, sarcastic, and perpetually sleep-deprived sleuth.

Still suffering from "exhaustion of the spirit" in the aftermath of the 9/11 attacks, V.I. is hired to find out who may be sneaking into a vacated suburban mansion. Geraldine Graham, the home's 91-year-old former owner, who still lives nearby, claims she's seen lights in the attic at night. Our heroine suspects this is simply a bid by the wealthy dowager for greater attention, but agrees to do some nocturnal prowling--only to stumble (literally) across the body of a dead black journalist, Marcus Whitby, in the estate’s ornamental pond and encounter a teenage girl fleeing the scene. The girl turns out to be Catherine Bayard, the granddaughter of Calvin Bayard, an unapologetically liberal book publisher who survived a hounding by the U.S. House Un-American Activities Committee in the '50s without being blacklisted like so many of his authors. Digging deeper, V.I. learns that Whitby was doing research for a book about an African-American dancer and anthropologist who had enjoyed Bayard's support before she too was branded a Communist. Was Whitby killed en route to visit Bayard, one of Graham's neighbors--and a man who has strangely vanished from public view? And is there any connection between this murder and the disappearance of an Egyptian dishwasher, or the recent demise of a right-wing attorney and Bayard foe, in whose apartment V.I. is attacked by an intruder?

Except for a few astounding turns of luck (including the 11th-hour discovery of a revealing audiotape left in a car's player), Paretsky rolls out a credible yarn here, enriched by meticulous character development and an agreeably ambiguous conclusion. The author's intention to link McCarthy-era abuses with post-9/11 government assaults on civil rights is obvious, without being didactic, and it adds currency to a fictional investigation that's already rife with sex, betrayal, and long-held secrets among the rich. It's good to see that V.I. the P.I. hasn't lost the compassion or righteousness that first made her attractive two decades ago, in Indemnity Only. --J. Kingston Pierce

(retrieved from Amazon Thu, 14 Feb 2013 13:45:07 -0500)

(see all 4 descriptions)

"Blacklist is a story of secrets and betrayals that stretch across four generations, but with particular resonance for today." "The secrets are many - political, social, sexual, and financial - and they all have the power to kill, as V.I. soon learns. Eager for physical action in the spirit-numbing wake of 9/11. V.I. is glad to take on a routine stake-out for her most important client, Darraugh Graham. His ninety-one-year-old mother sold the family estate when she could no longer manage it, and now that it's standing empty, Geraldine Graham keeps a fretful eye on it from a retirement apartment across the road. When the old woman sees lights on in the middle of the night, V.I. checks it out - and finds a dead man in the ornamental pond."."A reporter, it turns out, for an African-American publication, and as far as the suburban cops seem to feel, a black criminal who stumbled to a drunken death. Furious, the man's family hires V.I. to investigate - and that's when things begin to get complicated." "As she retraces the dead reporter's tracks, V.I. is sucked into the middle of a gothic tale of sex, money and power, the trail leading her back to the McCarthy-era blacklists, and forward to some of the darker aspects of the Patriot Act. As she scrambles desperately for a way to save herself and her clients, V.I. finds herself penned into a smaller and smaller space by an array of people trying to silence her, and before she can untangle the whole sordid truth, not only will two more people lie dead ... but her own life will hang in the balance."--BOOK JACKET.… (more)

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