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Jack Maggs by Peter Carey
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Jack Maggs: A Novel

by Peter Carey

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799105,395 (3.68)47
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Vintage (1999), Paperback, 368 pages

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An homage to Dickens by one of our best English-language writers. Funny, deft, and ultimately satisfying. Maybe not a classic, but definitely good. ( )
  sonyau | Jul 14, 2009 |
Very enjoyable; not quite a classic, though. The characters were excellent and the writing was well done. ( )
  lindawwilson | Mar 5, 2009 |
A post-colonial reworking of the story of Great Expectations, Jack Maggs is the tale of a transported convict who returns secretly to England to see Henry Phipps, the adopted son whose education he has financed. Unlike Great Expectations however, the convict's story is the central narrative of the book, rather than that of the young gentleman he has secretly fostered. Jack Maggs has known very little kindness in his life and this does not change when he finally meets up with Henry. He returns to Australia after the meeting having witnessed the destruction of the dream he had nourished for so many years.

Running parallel to the narrative of Jack Maggs is the story of the novelist, Tobias Oates, clearly based on Charles Dickens, who encounters Maggs by chance in the household of a friend. Entangled in a relationship with his wife's sister, struggling to survive financially, and always looking for new material, Oates becomes fascinated withjthe convict's violent history, almost to his own undoing.

I never find Peter Carey an easy read. Nonetheless, this is a richly textured book, full of resonance. The language is muscular, the voice compelling and the whole thing seems to be attended by a dark energy that brings the story and the characters to life with startling clarity. ( )
  BrianK | Jan 31, 2009 |
This book pretty much baffles me. I've read it twice and while I got more out of it the second time than I did the first, it still is a mystery what Carey is trying to portray. I've read other Carey novels that I enjoyed but this one is just a little too unavailable for me. ( )
1 vote texanne | Jul 1, 2008 |
The year is 1837. The place, London. Enter the brooding presence of Jack Maggs, recently arrived from New South Wales. He becomes a footman in order to be close to the house of Henry Phipps, and through his job he comes into contact with Tobias Oates, author and amateur hypnotist, who 'steals' his secrets. The novel features a cast of memorable characters, including Jack's employer, Percy Buckle, a former grocer who suddenly finds himself a wealthy 'gentleman', and Jack's foster mother who prepares abortifacient sausages and pills. We learn about Jack's past, and follow him in his quest to find Henry Phipps. In the story we see many kinds of 'love', as Jack finally learns where his true loyalties lie. [August 2004] ( )
  scarletslippers | Jan 6, 2008 |
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For Alison
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It was a Saturday night when the man with the red waistcoat arrived in London.
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Jack Maggs

Book description

Amazon.com (ISBN 0679760377, Paperback)

As a novelist, Peter Carey is hardly a stranger to the 19th century: his Oscar and Lucinda was a veritable treasure-trove of Victoriana. In this novel, however, Carey has set himself an even more complicated task--reimagining not only a vanished era but one of that era's masterpieces. Jack Maggs is a variation on Great Expectations, in which Dickens's tale is told from the viewpoint of Australian convict Abel Magwitch. The names, it's true, have been tinkered with, but the book's literary paternity is unmistakable. So, too, is the postcolonial spin that Carey puts on Dickens's material: this time around, the prodigal Maggs is perceived less as an invading alien than a righteous (if not particularly welcome) refugee.

Of course, rewriting a page-turner from the past offers some major perils, not the least of them being comparisons to the original. Carey, however, more than withstands the test of time, alluding to the formality of Victorian prose without ever bending over backward to duplicate it. In addition, his eye for physical detail--and the ways in which such details open small or large windows onto character--is on par with that of Dickens. Here, for example, he pins down both the body and soul of a household servant: "Miss Mott was lean and sinewy and there was nowhere much for such a violent shiver to hide itself. Consequently it went right up her spine and disappeared inside her little white cap and then, just when it seemed lost, it came out the other side and pulled up the ends of her thin mouth in a grimace." Throw in a wicked mastery of period slang, a subplot about Victorian mesmerism (of which Dickens was, in fact, a practitioner), and an amazing storytelling gift, and you have a novel which meets and exceeds almost any expectation one might bring to it.

(retrieved from Amazon Fri, 24 Apr 2009 07:57:53 -0400)

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