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Rebellion: A Novel by Joseph Roth
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Rebellion: A Novel

by Joseph Roth

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Recently added bypeterdj, skizelo, IraSandperlLibrary, private library, rosielee, ealbamb, ColinG2012

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Ma dio era ancora dio se poteva sbagliarsi? ( )
  TheAuntie | Aug 23, 2012 |
Having recently read Joseph Roth's fine short novel, Job (1930), I decided to turn to an even earlier work by him, Rebellion (Die Rebellion), from 1924. It was originally serialized in the German Socialist newspaper "Vorwarts" (Forward), and published in the same year, 1924. This novel along with The Spider's Web and Hotel Savoy make up what is considered Roth's early period.
Rebellion is the story of young Andreas Pum, a veteran of the Great War who lost a leg but gained a medal for his service. He is a simple man who lives with his friend Willi and plays a hurdy-gurdy. He soon marries the recently widowed Fraulein Blumlich, who, in a scene of melodramatic pathos, deftly elicits his request for her hand in marriage. It is a marriage for which they must wait four weeks to avoid appearing improper; a portent of future disappointments for Andreas. His fortunes take a sudden turn for the worse, set off by a chance altercation with a typical bourgeoisie, Herr Arnold. Andreas soon finds himself facing time in jail. His wife reacts to this by leaving him; he loses his license to perform music, and he even loses his friendly mule(sold by his wife). In jail he experiences a quixotic desire to feed the birds outside his window, but the State, to whom he makes a formal request, will not allow this exception to the rules. The prison doctor who examines him tells him that he should not philosophize: "You should have faith, my friend!"
Things change for the better for his friend Willi whose entrepreneurial instincts awaken and lead him out of poverty; but Andreas is doomed for a bad end. In one of its best moments, the story ends with a dream-like sequence where we experience Andreas' last feelings. He is facing the confusion of the after-life and the wonderment expressed: "Andreas began to cry. He didn't know if he was in Heaven or Hell."
The novel suggests a more radical thinker than Roth would become in his great novels, Job and The Radetzky March. Yet, there are signs of the later Roth, and having recently read Job I see suggestions of the musings of Mendel Singer in the thoughts of young Andreas. Both men have seemingly been betrayed by their God and are trying to deal with their life in his apparent absence. In Andreas' case the rebellion has a resonance with the rebellion so finely depicted in Dostoevsky (esp. The Brothers Karamazov). The result for the reader is a short novel that is long on provocative ideas that linger in the mind. ( )
2 vote jwhenderson | Dec 3, 2008 |
World War veteran's self-righteous peg-leggedness propels the drama. The protagonist is not a sage, but he does play a barrel organ while he finds out about the other side of the coin. This novel is somewhat akin to Kafka's Trial in its theme but it is more mundanely anchored as a story. It is also more sympathetic. Rebellion is not the masterpiece that is Roth's Radetzky March, but nevertheless it hints at the author's ability to write that masterpiece eight years later. Roth's writing is self-effacingly elegant as always. ( )
  vaellus | Jun 15, 2007 |
I struggled for many years to remember the name of this book; then I found What's That Book? and within forty-five minutes I was told.

The story concerns a world war one veteran, a man who has lost his leg. He is given a permit to play music on a hurdy-gurdy on a street corner, and eventually marries a recently-widowed lady in his apartment block. However, things go completely wrong for him when he gets into an argument with a man of higher class on a tram; his permit is revoked, his wife begins an affair and kicks him out of the house, and he ends up living with a thief friend.

It's a sad tale, as you can guess, but not sentimental, and is scathing of the society of the time - the book was written in the early 1920s. ( )
  soylentgreen23 | Feb 21, 2007 |
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Joseph Rothprimary authorall editionsconfirmed
Colorni, RenataTranslatorsecondary authorsome editionsconfirmed
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Amazon.com Amazon.com Review (ISBN 031226383X, Paperback)

Readers of Joseph Roth's entre-les-guerres masterpiece The Radetzky March might reasonably take him for a peculiar kind of royalist. Again and again the author declares his nostalgia for the Austro-Hungarian Empire, which had gone down in flames in 1918, even as he lampoons the regime's stodginess and casual cruelty. In his youth, however, he was an ardent man of the left, who earned the nickname der rote Roth: Red Roth. And his third novel, Rebellion, is perhaps the closest thing he ever wrote to an engagé work of fiction. Chronicling the trials (literal and figurative) of a downtrodden prole, Roth seems sincerely indignant--and he even allows his protagonist a fiery speech in the final pages, during which the Almighty Himself gets an effective spanking: "How impotent You are in your omnipotence! You have billions of accounts, and make mistakes in individual items? What kind of God are you?"

Prior to this point, Andreas Pum hasn't exactly been a model of biblical eloquence. After losing a leg in World War I, he's made his living as a beggar with a hurdy-gurdy, soliciting coins from passersby. This pious lamebrain does have the luck to marry a voluptuous widow, and for a brief moment he partakes of "a new and numbing blissfulness, which armors us against the offenses and hurts of the world." But a quarrel with a middle-class snob on a tram soon deprives Andreas of his wife, his beggar's license, and his freedom.

Thus begins his descent, which Roth narrates in such a rapid-fire style that this Viennese Job seems to hit bottom almost overnight. Perhaps Andreas's final jeremiad--and indeed, his transformation into a quasi-anarchist--betrays the hand of an ideological stage manager. Yet Roth was far too brilliant a novelist to dabble in social realism, and even his portrait of Andreas's sentencing judge is deliciously equivocating:

The judge himself was clean-shaven. He had an impassive face of granite majesty, like a dead emperor's. It was gray as weathered sandstone.... It was a face that might have looked heartless and implacable, had the middle of its powerful masculine chin not held an appealing, almost childlike dimple.
For this diehard fan of the Dual Monarchy, of course, the comparison to a dead emperor was the highest of compliments. But it was the novelist in Roth, not the left-leaning polemicist, who decided to add the dimple. --James Marcus

(retrieved from Amazon Thu, 14 Feb 2013 13:44:42 -0500)

(see all 2 descriptions)

A 1924 German novel on destiny. The hero is a one-legged veteran of World War I, earning his living by playing a barrel organ. A run-in with a wealthy man sends him to prison, he loses his musician's license and his wife leaves him.

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