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Loading... The White Company (1891)by Arthur Conan Doyle
None. Hilarious! - but surely not meant to be taken seriously as a historical novel. Substance: A romance of the old style, with a naive young man released from the monastery where he was raised to spend a year in the world before taking vows, if he still chooses. It is clear from this story of war and love that he won't. Barring a few instances where transitions from peril to safety lack some essential continuity, most of the episodes are entertaining. Style: Doyle throws around terms of heraldry and history with mad abandon. He does not gloss over the unseemly aspects of life in the Middle Ages, but stays on the high ground. A mild humor (also evident in the Holmes canon) runs as an undercurrent throughout the work. A very fun adventure of two men who leave a monastery (one in disgrace and one in triumph) and end up joining a company of archers on its way to France. For most of the book, we follow the group in good-hearted encounters, only culminating in dramatic battle. Quite an enjoyable book. Very good audio book from Librivox no reviews | add a review Has the adaptation
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(retrieved from Amazon Tue, 19 Apr 2011 12:21:09 -0400)
In 1366, while England is at war with Spain, young Alleyne Edricson becomes a squire to Sir Nigel Loring and travels to France to join a bold band of archers known as the White Company.
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The story Doyle tells straddles a strange line, for while there are parts that read like an idyllic paen to the simpler and purer days of yore, he does not shy away from presenting hard truths regarding the savagery, poverty, and tyranny that were also pervasive at the time. One is often left wondering whether Doyle wanted to praise or berate the era, to simplify it or acknowledge its complexities, but perhaps he simply felt that, like any other age, there was equal measure of both praise and blame to be given to it. Alleyne’s relative innocence and inexperience with the world outside of abbey walls allows him to be an excellent stand-in for the reader, as he experiences for the first time the realities of the wider medieval world. As though immersed in a kind of Canterbury Tales Alleyne meets pardoners, friars, palmers, hucksters, knights, peasants, franklins and soldiers allowing the reader to experience a veritable cross-section of medieval society in all of its varied glory. Sometimes this can come across as a bit too pat, as Doyle manages to have Alleyne cross paths with nearly every segment of medieval society on his journeys along the highways and byways of England and France.
The characters of Alleyne, with his wide-eyed innocence, and Sir Nigel Loring, with his almost simplistically quixotic belief in the tenets of chivalry, give Doyle the chance to indulge in elements of chivalric romance, while the more hard-bitten archer Samkin Aylward and his less idealistic comrades in the White Company allow for a more pragmatic look at medieval warfare to be examined. Still, for all of the historical detail that Conan Doyle may have laden his story with, it definitely seems to come down on the side of idealistic chivalry; for despite its acknowledgment of the unending warfare with the goal of plunder that turned half of France into a wasted no-man’s land, sly allusions to the inherent naiveté of many of the ideals of chivalry through the literally and figuratively myopic Sir Nigel, and various references to the downtrodden peasantry (including a scene in which a tyrannical seigneur’s castle is attacked and destroyed by a starving peasant mob) the novel still often reads like the Middle Ages as produced by Metro-Goldwyn-Mayer.
It was still an enjoyable read and further goes to show me Conan Doyle’s range as a writer. (