Years ago Carolyn Heilbrun, a long-time feminist (
Writing a Woman's Life) who also writes mysteries as Amanda Cross (
The James Joyce Murder), decided to leave before age dragged her down by committing suicide at 70. Fortunately, she reneged, and chose instead to chronicle moments from her 60s. Always erudite, often deliciously wry, if sometimes pretentious, Heilbrun hits the mark more often than not in this book of essays. She speaks of "unmet friends" whose lives have paralleled her own and blessed deliverance from the academic bustle and backstabbing of Columbia University, the tyranny of memory, and foolish feminine clothes. Throughout, her sense of renewal is as welcome as her determination to go against the grain.
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