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The Stranger by Albert Camus
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The Stranger (1942)

by Albert Camus

Other authors: See the other authors section.

MembersReviewsPopularityAverage ratingMentions
20,65621059 (3.99)230
1001 (61) 1001 books (64) 20th century (304) 20th century literature (58) absurdism (112) Algeria (249) Camus (257) classic (362) classics (300) crime (74) death (63) existential (60) existentialism (1,067) fiction (2,444) France (256) French (887) French fiction (108) French literature (629) literature (589) murder (164) Nobel Prize (84) novel (471) own (93) philosophy (663) read (313) Roman (91) to-read (139) translated (63) translation (133) unread (76)
  1. 200
    The Trial by Franz Kafka (chrisharpe, DLSmithies)
    DLSmithies: Two protagonists on trial without really understanding what they're being accused of - it's just a question of degree.
  2. 150
    Crime and Punishment by Fyodor Dostoyevsky (chrisharpe, DLSmithies, edelpao)
    DLSmithies: A compare-and-contrast exercise - Raskolnikov is all nervous energy and hypertension, whereas Meursault is detatched, calm, and won't pretend to feel remorse. Two masterpieces.
  3. 82
    No Exit and Three Other Plays by Jean-Paul Sartre (TAir, Hollerama)
    Hollerama: I read both works in French class. Though Albert Camus denied being an existentialist, both L'Étranger (The Stranger) and Huis Clos (No Exit) have some common themes and are among some of the most important 20th century French works of literature.
  4. 83
    Nausea by Jean-Paul Sartre (roby72)
  5. 73
    A Clockwork Orange by Anthony Burgess (SanctiSpiritus)
  6. 51
    Notes from Underground by Fyodor Dostoyevsky (hiddenpunk)
  7. 30
    The Man Who Watched Trains Go By by Georges Simenon (thorold)
    thorold: Respectable bourgeois discovers absurdity of life and commits motiveless crime.
  8. 30
    Barabbas by Pär Lagerkvist (Troddel)
  9. 41
    Whatever by Michel Houellebecq (sanddancer)
  10. 11
    The Family of Pascual Duarte by Camilo Jose Cela (thatguyzero)
  11. 00
    The Adversary by Emmanuel Carrère (bertilak)
  12. 01
    Cosmos by Witold Gombrowicz (Bitter_Grace)
  13. 14
    The Goalie's Anxiety at the Penalty Kick by Peter Handke (lewbs)
  14. 48
    The Picture of Dorian Gray by Oscar Wilde (SanctiSpiritus)
  15. 05
    Just Revenge by Alan Dershowitz (LCBrooks)
    LCBrooks: Complementary works that create a powerful foundation for a philosophical debate on revenge.
  16. 714
    The Catcher in the Rye by J. D. Salinger (Sylak)
    Sylak: Similar in feel and with the same sense of futility throughout.
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English (194)  French (6)  Spanish (4)  Finnish (2)  Italian (2)  Portuguese (2)  Dutch (1)  Danish (1)  All languages (212)
Showing 1-5 of 194 (next | show all)
I can't decide on a rating for this - I'm going to have to think about it some more. Definitely brilliant, I'm just not sure how I feel about it! ( )
  heterocephalusglaber | Apr 26, 2013 |
An example of absurdism, this novel and it's main character left me cold. I can usually find something to connect with, but the disconnect of the main character is so complete I can't relate to him in the slightest. ( )
  DK_Atkinson | Apr 14, 2013 |
First read this in my late teen. The 3 stars are correct. The alienation, the void of Meursault's life are what shine out for me. But the violence against women, the animal abuse, the racism even if they were in character and of the time just made me recoil. I had forgotten about them or I was too young for them to register the last time I read it. ( )
  writerlibrarian | Apr 7, 2013 |
OK, laugh all you want, but I had never heard of this book and had no idea it was so popular or influential when I read it. I just saw it and picked it up and read it. And was blown away. Certainly not the feel good book of the summer, but it did affect me strongly and I recommend it, if there is anyone else out there who hasn't read it yet. ( )
1 vote bongo_x | Apr 6, 2013 |
A character type who is often referenced in culture...most recently, Don Draper in Mad Men!!! ( )
  Merleiv | Apr 5, 2013 |
Showing 1-5 of 194 (next | show all)
It is quite a trick to write of life & death, as Camus does, in terms of an almost total social and moral vacuum. He may get philosophical satisfaction from it. Most readers will call it philosophic doodling.
added by Shortride | editTime (May 20, 1946)
 
"The Stranger,” a novel of crime and punishment by Albert Camus, published today, should touch off in this country a renewed burst of discussion about the young French writers who are at the moment making more unusual literary news than the writers of any other country.
 

» Add other authors (50 possible)

Author nameRoleType of authorWork?Status
Camus, Albertprimary authorall editionsconfirmed
Cohen, Marc J.Designersecondary authorsome editionsconfirmed
Gilbert, StuartTranslatorsecondary authorsome editionsconfirmed
Hall, BarnabyPhotographersecondary authorsome editionsconfirmed
Laredo, JamesTranslatorsecondary authorsome editionsconfirmed
Mitchell, SusanArt directorsecondary authorsome editionsconfirmed
Stolpe, JanTranslatorsecondary authorsome editionsconfirmed
Valente, José ÁngelTranslatorsecondary authorsome editionsconfirmed
Ward, MatthewTranslatorsecondary authorsome editionsconfirmed
Zevi, AlbertoTranslatorsecondary authorsome editionsconfirmed
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First words
Mother died today. (Stuart Gilbert translation)
Maman died today. (Matthew Ward translation)
Aujourd'hui, maman est morte. Ou peut-être hier, je ne sais pas.
Quotations
And I, too, felt ready to start life all over again. It was if that great rush of anger had washed me clean, emptied me of hope, and, gazing up at the dark sky spangled with its signs and stars, for the first time, the first, I laid my heart open to the benign indifference of the universe. To feel it so like myself, indeed, so brotherly, made me realize that I'd been happy, and that I was happy still.
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(Click to show. Warning: May contain spoilers.)
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Since it was first published in English, in 1946, Albert Camus's first novel, THE STRANGER (L'estranger), has had a profound impact on millions of American readers. Through this story of an ordinary man who unwittingly gets drawn into a senseless murder on a sun-drenched Algerian beach, Camus explored what he termed "the nakedness of man faced with the absurd."

Now, in an illuminating new American translation, extraordinary for its exactitude and clarity, the original intent of THE STRANGER is made more immediate. This haunting novel has been given a new life for generations to come.
Haiku summary

Amazon.com Amazon.com Review (ISBN 0679720200, Paperback)

The Stranger is not merely one of the most widely read novels of the 20th century, but one of the books likely to outlive it. Written in 1946, Camus's compelling and troubling tale of a disaffected, apparently amoral young man has earned a durable popularity (and remains a staple of U.S. high school literature courses) in part because it reveals so vividly the anxieties of its time. Alienation, the fear of anonymity, spiritual doubt--all could have been given a purely modern inflection in the hands of a lesser talent than Camus, who won the Nobel Prize in 1957 and was noted for his existentialist aesthetic. The remarkable trick of The Stranger, however, is that it's not mired in period philosophy.

The plot is simple. A young Algerian, Meursault, afflicted with a sort of aimless inertia, becomes embroiled in the petty intrigues of a local pimp and, somewhat inexplicably, ends up killing a man. Once he's imprisoned and eventually brought to trial, his crime, it becomes apparent, is not so much the arguably defensible murder he has committed as it is his deficient character. The trial's proceedings are absurd, a parsing of incidental trivialities--that Meursault, for instance, seemed unmoved by his own mother's death and then attended a comic movie the evening after her funeral are two ostensibly damning facts--so that the eventual sentence the jury issues is both ridiculous and inevitable.

Meursault remains a cipher nearly to the story's end--dispassionate, clinical, disengaged from his own emotions. "She wanted to know if I loved her," he says of his girlfriend. "I answered the same way I had the last time, that it didn't mean anything but that I probably didn't." There's a latent ominousness in such observations, a sense that devotion is nothing more than self-delusion. It's undoubtedly true that Meursault exhibits an extreme of resignation; however, his confrontation with "the gentle indifference of the world" remains as compelling as it was when Camus first recounted it. --Ben Guterson

(retrieved from Amazon Tue, 21 Sep 2010 02:00:42 -0400)

(see all 8 descriptions)

A young Algerian, Meursault, afflicted with a sort of aimless inertia, becomes embroiled in the petty intrigues of a local pimp and, somewhat inexplicably, ends up killing a man. Once he's imprisoned and eventually brought to trial, his crime, it becomes apparent, is not so much the arguably defensible murder he has committed as it is his deficient character. In the story of an ordinary man who unwittingly gets drawn into a senseless murder on a sun-drenched Algerian beach, Camus was exploring what he termed "the nakedness of man faced with the absurd". Now in a new American translation, the classic has been given new life for generations to come.… (more)

» see all 12 descriptions

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Penguin Australia

Three editions of this book were published by Penguin Australia.

Editions: 0141182504, 0241950058, 0141389583

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