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Waiting for Godot: a tragicomedy in two acts…

Waiting for Godot: a tragicomedy in two acts (original 1952; edition 1988)

by Samuel Beckett

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8,780106344 (3.92)242
Title:Waiting for Godot: a tragicomedy in two acts
Authors:Samuel Beckett
Info:London, Faber & Faber, 1988
Collections:Your library

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Waiting for Godot by Samuel Beckett (1952)

  1. 102
    Rosencrantz and Guildenstern Are Dead by Tom Stoppard (guyalice)
    guyalice: Stoppard's play's been called "Waiting for Hamlet," as both are existentialist plays featuring a pair of clueless (yet tragic) idiots.
  2. 20
    Incidences by Daniil Kharms (ateolf)
  3. 20
    Rhinoceros by Eugène Ionesco (interference)
    interference: Ebenfalls ein Klassiker des Absurden Theaters.
  4. 10
    The Woman in the Dunes by Kōbō Abe (christiguc)
  5. 03
    Beatrice and Virgil by Yann Martel (Othemts)

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» See also 242 mentions

English (95)  French (5)  Dutch (2)  German (1)  Spanish (1)  Portuguese (Brazil) (1)  All languages (105)
Showing 1-5 of 95 (next | show all)
Story is like doing laundry. Watching the drier go round. Knowing it will happen again next week.

Supposedly means 'Waiting for God." They wait and wait.

Hey maybe i have this confused with No Exit by Sartre. By gum i do. Existentialism is dull. ( )
  Bruce_Deming | Feb 5, 2016 |
I love this play. I teach it every year and it never gets boring. My students and I never come to the same conclusion of the story, and my conclusion changes all the time. ( )
  caseybp | Jan 19, 2016 |
It's very different reading this play when you're 15 as compared to when you're 50. In my high school drama class, we loved doing scenes from Godot because it was absurd, but I doubt very much we understood the show's complexity. It features existential banter and dark comedic turns. I think all I got out of it was that the characters were stuck and petulant and clownish. But now at 50 I am starting to get the subtleties that went completely over my head at 15. Plus, I recently saw an excellent production of it which, of course, brought the characters to life. ( )
  louis.arata | Jul 31, 2015 |
  kutheatre | Jun 4, 2015 |
I absolutely, unabashedly love Waiting for Godot!

I first read it in college, having discovered this and Rosencrantz and Guildenstern are Dead around the same time. Both plays have that beautiful existentialism that involves two characters having no idea what is happening around them and trying to make sense of their world. And failing miserably.

What can be said? What needs to be said? I can't really think of much to say other than it's wonderfully, madly absurd. ( )
  regularguy5mb | Apr 17, 2015 |
Showing 1-5 of 95 (next | show all)
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» Add other authors (59 possible)

Author nameRoleType of authorWork?Status
Samuel Beckettprimary authorall editionsconfirmed
Andrade, Fabio de SouzaTranslatorsecondary authorsome editionsconfirmed
Brée, GermaineEditorsecondary authorsome editionsconfirmed
Duckworth, ColinEditorsecondary authorsome editionsconfirmed
Eriksson, Göran O.Translatorsecondary authorsome editionsconfirmed
Eriksson, Lill-IngerTranslatorsecondary authorsome editionsconfirmed
Ouředník, PatrikTranslatorsecondary authorsome editionsconfirmed
Schoenfeld, EricEditorsecondary authorsome editionsconfirmed
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Estragon, sitting on a low mound, is trying to take off his boot. He pulls at it with both hands, panting. He gives up, exhausted, rests, tries again. As before. Enter Vladimir
ESTRAGON: (giving up again) Nothing to be done.
"Don't talk to me. Don't speak to me. Stay with me."
ESTRAGON: Nothing happens, nobody comes, nobody goes, it's awful!
ESTRAGON: We've lost our rights?
VLADIMIR: [Distinctly.] We got rid of them.
VLADIMIR: That passed the time.
ESTRAGON: It would have passed in any case.
VLADIMIR: Yes, but not so rapidly.
VLADIMIR: Abortion!
ESTRAGON: Morpion!
VLADIMIR: Sewer-rat!
ESTRAGON: [With finality.] Crritic!
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Amazon.com Product Description (ISBN 0802130348, Paperback)

A seminal work of twentieth-century drama, Waiting for Godot was Samuel Beckett’s first professionally produced play. It opened in Paris in 1953 at the tiny Left Bank Theatre de Babylone, and has since become a cornerstone of twentieth-century theater.

The story line revolves around two seemingly homeless men waiting for someone—or something—named Godot. Vladimir and Estragon wait near a tree on a barren stretch of road, inhabiting a drama spun from their own consciousness. The result is a comical wordplay of poetry, dreamscapes, and nonsense, which has been interpreted as a somber summation of mankind’s inexhaustible search for meaning. Beckett’s language pioneered an expressionistic minimalism that captured the existentialism of post-World War II Europe. His play remains one of the most magical and beautiful allegories of our time.

(retrieved from Amazon Thu, 12 Mar 2015 18:22:07 -0400)

(see all 5 descriptions)

Two old tramps wait on a bare stretch of road near a tree for Godot.

(summary from another edition)

» see all 5 descriptions

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