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A Passage to India by E. M. Forster
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A Passage to India

by E. M. Forster

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4,49141391 (3.78)88
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Showing 1-5 of 38 (next | show all)
"Marriage is too absurd in any case." ( )
artelsj | Jun 10, 2009 |  
Why I would say "read it": The book's descriptions of the difficulties that arise out of "cultures colliding" because of Imperialism (and to some extent within India itself), as well as the descriptions of British racism, which comes out subtly at times and quite overtly at others. Written in 1924, the book is ahead of its time and foreshadows the events that took place in 1947.

Why I didn't like it as much as others: the story was not all that interesting to me, and I thought the book could have been pared down. I also don't think the book is particularly well-written; among other things the descriptions of India's religious ceremonies were muddled and confusing.

Favorite quotes:
Persian grave inscription:
"Alas, without me for thousands of years
The Rose will blossom and the Spring will bloom,
But those who have secretly understood my heart -
They will approach and visit the grave where I lie."

"Trying to recover his temper, he said, 'India likes gods.'
'And Englishmen like posing as gods.'"

"....a poem should touch the hearer with a sense of his own weakness, and should institute some comparison between mankind and flowers."

"The train in its descent through the Vindyas had described a semicircle round Asirgarh. What could she connect it with except its own name? Nothing; she knew no one who lived there. But it had looked at her twice and seemed to say: 'I do not vanish.'" ( )
gbill | May 30, 2009 | 1 vote
This 1924 classic by a friend of Virginia Woolf gave me nightmares; Dr. Aziz (Moslem), Cecil Fielding, and Adela Quested, English visitor, meet at the Marabar Caves for misunderstanding compounded upon misunderstanding in Hindu India; well written with great characterization and understanding that India cannot be understood by westerners. ( )
bordercollie | Mar 19, 2009 |  
The tone is set for Forster's novel of social and racial disconnection in the opening paragraphs with a beautiful description of the fictional Indian town of Chandrapore. In the lowlands, near the river, the bazaars teeming with trash and filth obscure the view of anything else. All of its construction, whether temple or shanty, is in a state of near total decocmposition, with any thought of decoration or repair two hundred years gone. On top of a hill, protected by palm and neem trees, not only from the eyes of the lower town citizens, but also from any distasteful view of the lower town, lies the British civil station and settlement. Carefully ordered and lush with greenery, the enclave even features a sky which is painted with vivid and beautiful colors not found below. In the distance, rising up from the unyieldingly flay desert, the Marabar caves menace the whole town, both British and Indian alike.

Bound together by the politics of the day, the Bitish and the Indian peoples ache to break free from one another. Indeed, the various Inidian sects , Hindu, Moslem, and Christian, are united in one thing only, their hatred, fear, and envy of the ruling British class. This antipathy is particularly difficult or those who bridge the gap between the two socities, slippling back and forth for jobs in service to one another. Dr Aziz and Fielding are two such souls, set somewhat adrift between allegiance to their own and individual feelings of wonder and warmth for some of the people whom they serve. Aziz and Fielding attempt to build a friendship and reach out across the void that separates them. Given the deeply entrenched barriers between them, however, the efforts of Aziz and Fielding do not proceed without consequence. It is in the consequences of their friendship, of their individual efforts at reconciliation and understanding, that the message of Forster's novel rests. Is it possible to bridge such gaps? Is it possible to change group thought through individual action? And how is the individual who takes such action affected?

Forster's novel is not kind to either the ruling British class nor the Indian people, though he shines more affection on the latter. He seems genuinenly fascinated with India, its people, its culture, and its landscape. This is one of the reasons why the novel is so captivating. Aside from any deeper message, the book is a beautiful tribute to the diverse Indian world and the people who populate it. On another level, though, Forster's story is a subtle and detailed comment on disconnection, those that flow from all kinds of differences, differences in race, status, and religion. Though Forster's story is carefully constructed, his overarching message is rather blunt: human disconnectedness is largely a function of indvidual ego.

Highly recommended. Read this book for any of the previous reasons; read it for Forster's skillful writing; read it for his portrayal of India; read it for his deeper message. For all of these reasons, the book is well placed among the best literature available and well worth your time. ( )
blackdogbooks | Feb 16, 2009 | 2 vote
Racism and the status quo crush the best of intentions. Sigh. Well written, though, and the movie was good as well and true to the book for the most part. ( )
bfertig | Jan 30, 2009 |  
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Epigraph
Dedication
To Syed Ross Masood and to the seventeen years of our friendship
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Except for the Marabar caves--and they are twenty miles off--the city of Chrandrapore presents nothing extraordinary.
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(Click to show. Warning: May contain spoilers.)
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Amazon.com (ISBN 0156711427, Paperback)

What really happened in the Marabar caves? This is the mystery at the heart of E.M. Forster's 1924 novel, A Passage to India, the puzzle that sets in motion events highlighting an even larger question: Can an Englishman and an Indian be friends?

"It is impossible here," an Indian character tells his friend, Dr. Aziz, early in the novel.

"They come out intending to be gentlemen, and are told it will not do.... Why, I remember when Turton came out first. It was in another part of the Province. You fellows will not believe me, but I have driven with Turton in his carriage--Turton! Oh yes, we were once quite intimate. He has shown me his stamp collection.

"He would expect you to steal it now. Turton! But red-nosed boy will be far worse than Turton!

"I do not think so. They all become exactly the same, not worse, not better. I give any Englishman two years, be he Turton or Burton. It is only the difference of a letter. And I give any Englishwoman six months. All are exactly alike."

Written while England was still firmly in control of India, Forster's novel follows the fortunes of three English newcomers to India--Miss Adela Quested, Mrs. Moore, and Cyril Fielding--and the Indian, Dr. Aziz, with whom they cross destinies. The idea of true friendship between the races was a radical one in Forster's time, and he makes it abundantly clear that it was not one that either side welcomed. If Aziz's friend, Hamidullah, believed it impossible, the British representatives of the Raj were equally discouraging.
"Why, the kindest thing one can do to a native is to let him die," said Mrs. Callendar.
"How if he went to heaven?" asked Mrs. Moore, with a gentle but crooked smile.
"He can go where he likes as long as he doesn't come near me. They give me the creeps."
Despite their countrymen's disapproval, Miss Quested, Mrs. Moore, and Mr. Fielding are all eager to meet Indians, and in Dr. Aziz they find a perfect companion: educated, westernized, and open-minded. Slowly, the friendships ripen, especially between Aziz and Fielding. Having created the possibility of esteem based on trust and mutual affection, Forster then subjects it to the crucible of racial hatred: during a visit to the famed Marabar caves, Miss Quested accuses Dr. Aziz of sexually assaulting her, then later recants during the frenzied trial that follows. Under such circumstances, affection proves to be a very fragile commodity indeed.

Arguably Forster's greatest novel, A Passage to India limns a troubling portrait of colonialism at its worst, and is remarkable for the complexity of its characters. Here the personal becomes the political and in the breach between Aziz and his English "friends," Forster foreshadows the eventual end of the Raj. --Alix Wilber

(retrieved from Amazon Fri, 24 Apr 2009 07:58:04 -0400)

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