Hide this

Results from Google Books

Click on a thumbnail to go to Google Books.

A Passage to India by E. M. Forster

A Passage to India (original 1924; edition 1999)

by E. M. Forster

MembersReviewsPopularityAverage ratingMentions
8,13088389 (3.78)411
Title:A Passage to India
Authors:E. M. Forster
Info:Amereon Ltd (1999), Hardcover
Collections:Read but unowned
Tags:Classics, British Lit, College

Work details

A Passage to India by E. M. Forster (1924)

  1. 50
    The Raj Quartet: The Jewel in the Crown, The Day of the Scorpion (Everyman's Library) by Paul Scott (FemmeNoiresque)
    FemmeNoiresque: Scott's The Raj Quartet, and particularly the relationship between Daphne Manners and Hari Kumar in the first novel, The Jewel In The Crown, is a revisioning of the charge of rape made by Adela Quested to Dr Aziz. Race, class and empire are explored in the aftermath of this event, in WWII India.… (more)
  2. 50
    Where Angels Fear to Tread by E. M. Forster (li33ieg)
    li33ieg: Same author, different setting, same core themes
  3. 41
    Maurice by E. M. Forster (li33ieg)
    li33ieg: The man is brilliant! One should read all of his books!
  4. 20
    The Poisonwood Bible by Barbara Kingsolver (lucyknows)
    lucyknows: You could use the theme of colonialism to pair The Poisonwood Bible by Barbara Kingsolver with Passage to India by E. M. Forster.
  5. 21
    The Jewel in the Crown by Paul Scott (Cecrow)
    Cecrow: These two novels bear close relationship in setting and circumstance.
  6. 10
    Shantaram by Gregory David Roberts (Booksloth)
  7. 00
    The God of Small Things by Arundhati Roy (WildMaggie)
  8. 00
    Staying On by Paul Scott (KayCliff)
  9. 00
    Major Pettigrew's Last Stand by Helen Simonson (kiwiflowa)
  10. 00
    Slowly Down the Ganges by Eric Newby (John_Vaughan)
  11. 00
    Hindoo Holiday: An Indian Journal by J. R. Ackerley (SomeGuyInVirginia)
  12. 23
    The jewel in the crown : the complete series ; contains 14 episodes over 4 discs by Christopher Morahan (li33ieg)
    li33ieg: Similar period and themes

Sign up for LibraryThing to find out whether you'll like this book.

No current Talk conversations about this book.

» See also 411 mentions

English (82)  Spanish (3)  Dutch (2)  Italian (1)  Hebrew (1)  All languages (89)
Showing 1-5 of 82 (next | show all)
A disturbing novel that challenges prejudices you may not realize that you possess. A crime is committed - that is for sure - but what crime? A fraud perpetrated upon an innocent man or an attempted rape? You never read which was committed but reach your own conclusion. An engaging novel, well written - India becomes a character in the book and Imperial Britain the antagonist. ( )
  JVioland | Jul 14, 2014 |

Forster’s novel details the conflict between the colonizers and the colonized, England and India respectively, with narrow brushstrokes. We learn about how this tension infects through personal relationships between men and women, men and men, English and Indians, Muslims and Hindus. We also are made to contemplate if this conflict can be overcome even on a personal level, much less a diplomatic one. The short answer to both is a hesitant denial.

The relationships in the book rest on uneven ground. The adoration and admiration between Aziz and Mrs. Moore or later Aziz and Fielding are thrown into doubt when muddled by the conflict and suspicion birthed by Aziz’s trial. The remainder of the book seeps with uneasiness and doubt regarding the validity and sincerity of Fielding and Aziz’s bond, with Aziz erroneously believing Fielding is to marry Adela. The first half of the book builds on Adela’s uncertainty in marrying Ronny, her state of mind eventually leading to Aziz’s trial when she falsely accuses him of assault.

Alison Sainsbury asserts that the impossibility of of a bond between England and India hinges on the sentiment of the book’s final line: “‘they said in their hundred voices, No, not yet, and the sky said ‘not there’” (362). Sainsbury notes that Forster “illustrates how imperial rule distorts human relations”. This is evident in Aziz’s and FIelding’s last conversation where they sportingly debate about colonization, each espousing a distaste for the other’s country and its inhabitants. Fielding thinks, “Aziz was a memento, a trophy, they were proud of each other, yet they must inevitably part” (358). These two examples highlight how relations between the two countries and peoples have been constructed by imperialism, and how to divert from that specific mentality is to create a psychic disturbance whereby any bonds of friendship are inherently distorted and personal communication poisoned by historical prejudice. It is almost impossible for Aziz and Fielding to not see each other as specifically tied to the historicism of English and Indian, respectively, once other voices such as Ronny Heaslop or Hamidullah intervene and reassert the the venom of historical conflict. To say that this conflict can be overcome by individual friendships, or even that such friendships can thrive, is to assert the possibility that such venom will fade, and even though nearly a century has passed since Forster’s novel was published, tensions linger and such a reality is questionable. ( )
  poetontheone | Apr 27, 2014 |
I liked but did not love this book. I’m slightly disappointed; I’ve been meaning to read it for years after hearing repeatedly that it is one of the greatest (relatively) modern novels in literature. I am constantly confusing Forster with Maugham, both being British males who wrote around the same time, and whose novels and short stories occasionally featured British people traveling and being embarrassed and confused by the passionately emotional natives.

In a nutshell: Two naïve English women, newly arrived to India, are taken on a tour by their equally naïve Indian friend to see the Marabar Caves in an attempt to explore the “real India”. Needless to say, this trip backfires tremendously.

Forster certainly takes his sweet time developing the action, and it is incredibly slow-going at times, but his depictions of the landscape and the climate are evocative and his nuanced depictions of both British and Indian characters was remarkable, considering it was written in the 1920s, quite some time before India became independent. There are stereotypes to be sure, but most of the main characters are complicated, multi-dimensional people. Both Dr. Aziz and Miss Quested have good intentions, but their mutual naiveté and cultural misunderstandings lead to disastrous results.

I’m not sure exactly why I didn’t love it. I don’t mind slow-paced plots, but I just found this a bit of a struggle to get through. Occasionally, while reading, I thought maybe it just wasn’t the right time for me to fully appreciate the story, but I am glad to have read it. ( )
  amy_marie26 | Apr 23, 2014 |
This book is slow. Lots of description very little action. There is a deeper social commentary or race and religion. I listened to it on audio... I'm not sure I would have made it through just reading it. ( )
  steadfastreader | Mar 18, 2014 |
This was the March selection of my book club. By some happy accident, the copy I read -- purchased years ago at a Friends of the Library sale -- was marked through, underlined, annotated, etc. for a literature class, which was a little distracting at first, and then helped me to appreciate literary themes and elements (the significance of repeated mentions of snakes, wasps, unity, the divine etc.) that I would otherwise have missed. Funny enough, my last read was Light in August, which I'm glad I read, but didn't particularly enjoy. I was filled with an irritation for the southern characters -- so backward! so racist! so religion-crazed! Lo and behold, another classic novel gripped by racial tension and conflict, this time perpetuated by the enlightened, secular, highly educated rulers of the British Raj of early 20th century India.

The first third of the book was hard to get into -- tedious, even, while the last two-thirds were unputdownable. The author describes misunderstandings, both willful and innocent, between English characters, and the native and English-educated Muslim and Hindu characters, with slights on both sides both immaterial and devastating. The story centers around a muslim doctor, Aziz, who befriends the English educator Cyril Fielding, and makes the acquaintance of two visiting British ladies, Miss Quested and Mrs. Moore. On an sightseeing excursion to the Marabar caves, Dr. Aziz is accused of assaulting Miss Quested in one of the caves. The ensuing uproar, trial, and resolution leave the entire community and all concerned individuals changed forever. I found it beautiful, thought-provoking, and infuriating at times. I wondered a lot about "the real India" -- as Miss Quested and Mrs. Moore did, though the "real" India is an undefinable, enigmatic entity utterly changed by the British and their rule -- and departure.
2 vote AMQS | Mar 15, 2014 |
Showing 1-5 of 82 (next | show all)
no reviews | add a review

» Add other authors (71 possible)

Author nameRoleType of authorWork?Status
Forster, E. M.primary authorall editionsconfirmed
Magadini, ChristopherIllustratorsecondary authorsome editionsconfirmed
Sanders, Scott RussellAfterwordsecondary authorsome editionsconfirmed
Stallybrass, OliverEditorsecondary authorsome editionsconfirmed
You must log in to edit Common Knowledge data.
For more help see the Common Knowledge help page.
Series (with order)
Canonical title
Original title
Alternative titles
Original publication date
Important places
Important events
Related movies
Awards and honors
To Syed Ross Masood and to the seventeen years of our friendship
First words
Except for the Marabar caves--and they are twenty miles off--the city of Chrandrapore presents nothing extraordinary.
"We must exclude someone from our gathering, or we shall be left with nothing."
Last words
(Click to show. Warning: May contain spoilers.)
Disambiguation notice
Publisher's editors
Publisher series
Original language

References to this work on external resources.

Wikipedia in English (2)

Book description
A mysterious incident at the Marabar caves, involving Adela Quested, newly arrived from England, and the presumed guilt of charming and mercurial Dr. Aziz, are at the centre of Forster's magnificent novel of India during the Raj. Topical now, as in 1924, in its evocation of the dangers and ambivalences inherent in colonialism, as Forster said, it is 'about something wider than politics, about the search of the human race for a more lasting home, about the universe as embodied in the Indian earth and the Indian sky, about the horror lurking in the Marabar caves...'
Haiku summary

No descriptions found.

In this hard-hitting novel, first published in 1924, the murky personal relationship between an Englishwoman and an Indian doctor mirrors the troubled politics of colonialism. Adela Quested and her fellow British travelers, eager to experience the "real" India, develop a friendship with the urbane Dr. Aziz. While on a group outing, Adela and Dr. Aziz visit the Marabar caves together. As they emerge, Adela accuses the doctor of assaulting her. While Adela never actually claims she was raped, the decisions she makes ostracize her from both her countrymen and the natives, setting off a complex chain of events that forever changes the lives of all involved. This intense and moving story asks the listener serious questions about preconceptions regarding race, sex, religion, and truth. A political and philosophical masterpiece.… (more)

(summary from another edition)

» see all 12 descriptions

Quick Links

Popular covers


Average: (3.78)
0.5 2
1 25
1.5 5
2 93
2.5 22
3 312
3.5 105
4 537
4.5 71
5 313


Four editions of this book were published by Audible.com.

See editions

Penguin Australia

Two editions of this book were published by Penguin Australia.

Editions: 014144116X, 0143566385

Is this you?

Become a LibraryThing Author.


Help/FAQs | About | Privacy/Terms | Blog | Contact | LibraryThing.com | APIs | WikiThing | Common Knowledge | Legacy Libraries | Early Reviewers | 94,001,490 books! | Top bar: Always visible