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Oliver Twist by Charles Dickens

Oliver Twist

by Charles Dickens

Other authors: See the other authors section.

MembersReviewsPopularityAverage ratingMentions
17,095173165 (3.85)729
  1. 31
    Jack Dawkins by Charlton Daines (Anonymous user)
    Anonymous user: Unauthorised sequel about the life of the Artful Dodger as an adult when he returns to England.
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    The Adventures of Huckleberry Finn by Mark Twain (Leishai)
  3. 11
    Tom Jones by Henry Fielding (swampygirl)
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    The Great Train Robbery by Michael Crichton (Waldstein)
    Waldstein: Another look at Victorian corruption and crime. More comprehensive and more sinister.
  5. 11
    The Good Thief by Hannah Tinti (derelicious)
  6. 12
    The Adventures of Nathaniel Swubble: The Story of a Parish Boy's Childhood by Lilian Margaret Spencer (millylitre)

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Showing 1-5 of 156 (next | show all)
A classic expose on cultural beliefs and attitudes. Do we have some today which are as shameful? Dickens had an uncanny ability to evoke the most of evil and good in people with an intricate story. I love reading his lessons of social consciousness based in bare Christian values. The story is gripping, exciting and flows with easy prose. Everyone should read this book and I am glad I finally did. ( )
  DonaldPowell | Feb 5, 2019 |
This review is written with a GPL 4.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at WordPress, Blogspot & Librarything by Bookstooge’s Exalted Permission

Title: Oliver Twist
Series: ----------
Author: Charles Dickens
Rating: 4 of 5 Stars
Genre: Classic
Pages: 508
Format: Digital Edition


Oliver Twist is born in a work house to a single mother who immediately expires. He grows up with other workhouse orphans and when he reaches the age of 8 or 9, is apprenticed out. The authority's at the workhouse try to pawn him off onto a chimney cleaner, who has gone through several apprentices. Oliver is scared of the man and begs the civil magistrate to not make him go with him. This puts the workhouse Authorities in a bad light and they hold a grudge against Oliver for the rest of the book.

Eventually he is apprenticed to a coffin maker and funeral director. He is liked by the man and treated well, but the other apprentice and the wife both turn against Oliver and make his life miserable. The older apprentice makes some disparaging remarks about Oliver's mother and Oliver attacks him. He is locked in a room and the workhouse Authorities sent for. The wife and apprentice spin a tale about Oliver trying to kill them and the coffin maker has no choice but to believe their story. Oliver is locked up for a week. This decides him on running away to London.

On his way to London he meets up with a boy named Jack Dawkins, or the Artful Dodger. Artful hooks Oliver up with food and shelter and introduces to him to Fagin, a jew of apparent ill-repute. It becomes apparent to Oliver that he has fallen in with thieves and during one caper is mistaken for a thief himself. This puts him in the way of Mr. Brownlow.

Mr Brownlow takes pity on Oliver and takes him into his house. He begins to educate him and bring him back to full health. Fagin, however, knows something about Oliver and won't let him go. He sends his minions all over London searching for him and eventually a bullish brute named Sikes and his woman Nancy find Oliver. They kidnap him off the streets by pretending he is a runaway. Fagin begins working on corrupting Oliver so as to make him a common thief like his other kids.

Oliver is sent on a job with Bill Sikes and another man to rob a house filled with silver plate. Oliver intends to give the alarm once he is in the house but is shot by the butler instead. Sikes grabs him and all 3 make their getaway. Oliver is left to fend for himself in a ditch and returns to the house next morning seeking aid. He is presumed dead by Sikes.

Oliver tells his tale and Mrs Maylie and her adopted niece take pity on him. He has a long recovery time and once better they contact Mr Brownlow. Unfortunately, he has left for India and no one knows when he will be back.

During all of this Fagin has been in communication with a fellow named Monks and rages against Sikes losing Oliver. Lots of drama ensues and Sikes ends up killing his lover Nancy and goes on the run. Fagin and Monks are confronted by Mr Brownlow and it turns out that Monks is Oliver's older half-brother and that Oliver is supposed to inherit everything. Oliver and Monks split the inheritance, Monks heads off to the new world and Fagin and his crew are all chased down. Sikes ends up hanging himself while attempting escape and Fagin is hung in Newgate, the Old Bailey, where ever it is that criminals are hung.

Mrs Maylie's adopted niece turns out to be Oliver's aunt and she marries Mrs Maylie's only son. All the good people live happily ever after, the bad are killed and the in-between either reform or become very bad people and meet a just end.

My Thoughts:

This was a good Dickens book but by no means could I rank it as a favorite. I certainly wouldn't recommend it as a starting place.

For whatever reason, the “serial”ness of this story really hit me. In the books I've read so far I've not noticed that even though they too were all written serially. I can't point to anything that caused that notice but the more I read the more irritated (not really the right word, but that's the best approximation I can think of right now) I became. But really, that's about the only complaint I have about the book.

Well, I have to admit I didn't understand why Bill Sikes was so freaked out, and everybody else, by his murdering Nancy. Didn't murder go on all the time? So why would the populace be in such an uproar about it, especially for a whore? It would be nice to know murder statistics for London at that time as say opposed to now. I don't care enough to go do “research” though. * shivers *

Whenever Dickens uses a child as a main character, they tend to be rather passive in the story. Everybody else around them is doing everything and makes the story. Oliver was no Little Nell (from The Old Curiosity Shop) but he was not kicking ass and taking names. Pretty much he just recovered from being starved, shot, kidnapped, being sick, etc. He was the center spoke about which the whole wheel of the story revolved.

In his introduction Dickens states that he set out to show that the criminal element were not the jolly swags portrayed in some stories. He was afraid of evil being shown as wonderful and nifty and enticing the young people into a life of sordid squalor and death. Huh, evil being portrayed as good, sounds familiar doesn't it? Some things really don't change. Dickens does a fantastic job of showing just how vile the life of crime is. Between the cringing of Fagin to the bombastically violent Sikes, you see that crime isn't being Robin Hood and His Merry Band, not even close.

I also simply love Dickens' writing. You can tell he is being paid by the word, as some of his sentences, when boiled down, say something like “And the sun was shining” but he'll end up using several comma separated thoughts with an semi-colon to string things along. Normally that kind of padding bothers me and in other books I'll excoriate the writer to within an inch of their life, but when it comes to Dickens I'm not just ok with it, but I LIKE it. Weird, isn't it?

Man, this review has gone on way longer than I thought. So, I really enjoyed this book with a few caveats. Start somewhere else with Dickens and work your way towards this.

★★★★☆ ( )
1 vote BookstoogeLT | Jan 9, 2019 |
Written in 1837, during Dickens' astronomical rise to success, Oliver Twist is his third major work, second novel, and the negative counterpart to its exact contemporary, The Pickwick Papers. One could argue it's still the work that has had the greatest impact on the public psyche: Dodger, Fagin, Nancy, and Bill loom large in the collective cultural consciousness, don't they? Who can forget Oliver asking for more, or the climactic tightrope walk? In truth, this is not a brilliant work. Only Fagin has any sparks of internal life, and he's an unfortunate anti-Semitic caricature common to the era. Oliver Twist, carrying the torch from some of Dickens' sentimental Sketches is a rather lifeless little twig. What works in the story is the vividness of "low" culture, and Dickens' already fierce moral stance on the inhumanity of much of 19th century English culture. Certainly a worthwhile read, but possibly the least of Dickens' "Big Fifteen". The relatively straightforward Twist will give way to the diffuse, picaresque Nicholas Nickleby, and then the real Dickens will be formed. ( )
1 vote therebelprince | Oct 30, 2018 |
Don't miss out on reading a Dicken's novel in your life. No matter how many movie adaptations you may have seen of his works, nothing compares to reading them. Dickens takes you back into Victorian London. Witty, tragic and brilliant.
  wunderlong88 | Sep 14, 2018 |
  AdrianaGarcia | Jul 10, 2018 |
Showing 1-5 of 156 (next | show all)
Oliver Twist, a meek, mild young boy, is born in the workhouse and spends his early years there until, finding the audacity to ask for more food, he is made to leave. Apprenticed to an undertaker by Mr Bumble, Oliver runs away in desperation and falls in with Fagin and his gang of thieves where he begins his new life in the criminal underworld.

Under the tutelage of the satanic Fagin, the brutal Bill Sikes and the wily Artful Dodger, Oliver learns to survive, although he is destined not to stay with Fagin but to find his own place in the world.

With its terrifying evocation of the hypocrisy of the wealthy and the depths to which poverty pushes the human spirit, Oliver Twist is both a fascinating examination of evil and a poignant moving novel for all times.
added by letonia | editPenguin Popular Classics

» Add other authors (291 possible)

Author nameRoleType of authorWork?Status
Charles Dickensprimary authorall editionscalculated
Allen, Walter ErnestPrefacesecondary authorsome editionsconfirmed
Cruikshank, GeorgeIllustratorsecondary authorsome editionsconfirmed
Fairclough, PeterEditorsecondary authorsome editionsconfirmed
Ghiuselev, IassenIllustratorsecondary authorsome editionsconfirmed
Hayens, KennethIntroductionsecondary authorsome editionsconfirmed
Heilig, Matthias R.abridged bysecondary authorsome editionsconfirmed
Hoppé, E.O.Cover artistsecondary authorsome editionsconfirmed
Horne, PhillipEditorsecondary authorsome editionsconfirmed
House, HumphryIntroductionsecondary authorsome editionsconfirmed
Howe, IrvingIntroductionsecondary authorsome editionsconfirmed
Jarvis, MartinNarratorsecondary authorsome editionsconfirmed
Johnson, EdgarIntroductionsecondary authorsome editionsconfirmed
Kelk, C.J.Translatorsecondary authorsome editionsconfirmed
Le Comte, EdwardAfterwordsecondary authorsome editionsconfirmed
Lee, JohnNarratorsecondary authorsome editionsconfirmed
Leopoldo de Verneuil, EnriqueTranslatorsecondary authorsome editionsconfirmed
Méndez Herrera, JoséTranslatorsecondary authorsome editionsconfirmed
Mahoneij, J.Illustratorsecondary authorsome editionsconfirmed
Margolyes, MiriamNarratorsecondary authorsome editionsconfirmed
May, NadiaNarratorsecondary authorsome editionsconfirmed
Muller, JillIntroductionsecondary authorsome editionsconfirmed
Nix, GarthIntroductionsecondary authorsome editionsconfirmed
Oddera, BrunoTranslatorsecondary authorsome editionsconfirmed
Slater, MichaelIntroductionsecondary authorsome editionsconfirmed
Smith, Lawrence BeallIllustratorsecondary authorsome editionsconfirmed
Tillotson, Kathleensecondary authorsome editionsconfirmed
Vance, SimonNarratorsecondary authorsome editionsconfirmed
Wilson, AngusIntroductionsecondary authorsome editionsconfirmed

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Among other public buildings in a certain town, which for many reasons it will be prudent to refrain from mentioning, and to which I will assign no fictitious name, there is one anciently common to most towns, great or small: to wit, a workhouse; and in this workhouse was born; on a day and date which I need not trouble myself to repeat, inasmuch as it can be of no possible consequence to the reader, in this stage of the business at all events; the item of mortality whose name is prefixed to the head of this chapter.
Please, sir, I want some more.
If the law supposes that, the law is a ass-- a idiot.
What have paupers to do with soul or spirit? It's quite enough that we let 'em have live bodies.
"We have none of us long to wait for Death. Patience, patience! He'll be here soon enough for us all."
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Amazon.com Product Description (ISBN 0141439742, Paperback)

The story of the orphan Oliver, who runs away from the workhouse only to be taken in by a den of thieves, shocked readers when it was first published. Dickens's tale of childhood innocence beset by evil depicts the dark criminal underworld of a London peopled by vivid and memorable characters—the arch-villain Fagin, the artful Dodger, the menacing Bill Sikes and the prostitute Nancy. Combining elements of Gothic Romance, the Newgate Novel and popular melodrama, Dickens created an entirely new kind of fiction, scathing in its indictment of a cruel society, and pervaded by an unforgettable sense of threat and mystery. 

(retrieved from Amazon Thu, 12 Mar 2015 18:12:01 -0400)

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Tells the story of a poor orphan's adventures in the criminal underworld of mid-nineteenth-century London.

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Penguin Australia

6 editions of this book were published by Penguin Australia.

Editions: 0141439742, 0451529715, 0141031719, 0141322438, 0141192496, 0141198885

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