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Possession by A. S. Byatt
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Possession (1990)

by A. S. Byatt

Other authors: See the other authors section.

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8,982171308 (4.06)467
1001 (64) 1001 books (58) 19th century (90) 20th century (164) academia (120) Booker (89) Booker Prize (191) Booker Prize Winner (79) British (185) British literature (110) contemporary fiction (52) England (171) English (55) English literature (95) fiction (1,684) historical (79) historical fiction (278) literary fiction (87) literature (199) love (73) mystery (106) novel (298) own (60) poetry (206) poets (56) read (130) romance (359) to-read (147) unread (95) Victorian (132)
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Showing 1-5 of 158 (next | show all)
Two 20th century Victorian literature scholars research the works and complex relationship of two Victorian writers. This was my world.

It's my favourite book. Nuff said. ( )
1 vote Angela.Kingston | May 1, 2013 |
Recommended to me as a literary detective story across the centuries - I sort of assumed it would have some supernatural elements - ghost story style - but it has not. Nevertheless I was completely drawn in to the story and characters despite a little apprehension at the start at the thought of dusty academics studying Victorian poets. I even read (most of) the poetry! Thoroughly recommended. ( )
  SChant | Apr 26, 2013 |
I have to figure out what the deal is with this book.
  beabatllori | Apr 2, 2013 |
I loved this book. But then, the Victorians were my college focus, and what could be better than a novel that combines love, detection, and mysterious poets of the presumed past. Byatt is witty and wonderful. I am forever recommending this book to customers, but I have learned to check in just a bit (some fools report it is "so wordy"). Why yes, yes it is. Delicious. ( )
  jarvenpa | Mar 31, 2013 |
I'm very conflicted over this one. It's a venture out of my usual territory, as I tend to avoid romances that are overtly focused on romance.

The writing style tends to alternate between overwrought and beautiful. I'd like to read more of the fictional poets - that much I'm willing to grant. But I'm finding a bit hard to keep interest in the multitude of characters - and this is coming from someone who reads multi-volume histories.

Some parts are well done, however - the crushing and navel-gazing world of academia, as well as a nod to the pleasure of reading and libraries in general. It's not an overtly bad book, but one that's overreaching a bit. ( )
  HadriantheBlind | Mar 30, 2013 |
Showing 1-5 of 158 (next | show all)
This is a romance, as the subtitle suggests, but it's a romance of ideas — darkly intricate Victorian ideas and modern academic assembly-line ideas. The Victorian ideas get the better of it.
 
Shrewd, even cutting in its satire about how literary values become as obsessive as romantic love, in the end, “Possession” celebrates the variety of ways the books we possess come to possess us as readers.
 
I won't be so churlish as to give away the end, but a plenitude of surprises awaits the reader of this gorgeously written novel. A. S. Byatt is a writer in mid-career whose time has certainly come, because ''Possession'' is a tour de force that opens every narrative device of English fiction to inspection without, for a moment, ceasing to delight.
added by stephmo | editNew York Times, Jay Parini (Oct 21, 1990)
 

» Add other authors (25 possible)

Author nameRoleType of authorWork?Status
A. S. Byattprimary authorall editionsconfirmed
Alfsen, MereteTranslatorsecondary authorsome editionsconfirmed
Alopaeus, MarjaTranslatorsecondary authorsome editionsconfirmed
Dugdale, RowenaIllustratorsecondary authorsome editionsconfirmed
Johansen, KnutTranslatorsecondary authorsome editionsconfirmed
Lehto, LeeviTranslatorsecondary authorsome editionsconfirmed
Nyqvist, SannaAfterwordsecondary authorsome editionsconfirmed
Polvinen, MerjaAfterwordsecondary authorsome editionsconfirmed
Walz, MelanieTranslatorsecondary authorsome editionsconfirmed
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Epigraph
When a writer calls his work a Romance, it need hardly be observed that he wishes to claim a certain latitude, both as to its fashion and material, which he would not have felt himself entitled to assume, had he professed to be writing a Novel. The latter form of composition is presumed to aim at a very minute fidelity, not merely to the possible, but to the probable and ordinary course of man's experience. The former -- while as a work of art, it must rigidly subject itself to laws, and while it sins unpardonably so far as it may swerve aside from the truth of the human heart -- has fairly a right to present that truth under circumstances, to a great extent, of the writer's own choosing or creation. ... The point of view in which this tale comes under the Romantic definition lies in the attempt to connect a bygone time with the very present that is flitting away from us. -- Nathaniel Hawthorne, Preface to The House of the Seven Gables
Dedication
For Isobel Armstrong
First words
The book was thick and black and covered with dust.
Quotations
The book was thick and black and covered with dust. Its boards were bowed and creaking; it had been maltreated in its own time. It spine was missing,

or rather protruded from amongst the leaves like a bulky marker. It was bandaged about and about with dirty white tape, tied in a neat bow. … it had been exhumed from …
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(Click to show. Warning: May contain spoilers.)
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Book description
"Literary critics make natural detectives," says Maud Bailey, heroine of a mystery where the clues lurk in university libraries, old letters, and dusty journals. Together with Roland Michell, a fellow academic and accidental sleuth, Maud discovers a love affair between the two Victorian writers the pair has dedicated their lives to studying: Randolph Ash, a literary great long assumed to be a devoted and faithful husband, and Christabel La Motte, a lesser-known "fairy poetess" and chaste spinster. At first, Roland and Maud's discovery threatens only to alter the direction of their research, but as they unearth the truth about the long-forgotten romance, their involvement becomes increasingly urgent and personal. Desperately concealing their purpose from competing researchers, they embark on a journey that pulls each of them from solitude and loneliness, challenges the most basic assumptions they hold about themselves, and uncovers their unique entitlement to the secret of Ash and La Motte's passion.
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Amazon.com Amazon.com Review (ISBN 0679735909, Paperback)

"Literary critics make natural detectives," says Maud Bailey, heroine of a mystery where the clues lurk in university libraries, old letters, and dusty journals. Together with Roland Michell, a fellow academic and accidental sleuth, Maud discovers a love affair between the two Victorian writers the pair has dedicated their lives to studying: Randolph Ash, a literary great long assumed to be a devoted and faithful husband, and Christabel La Motte, a lesser-known "fairy poetess" and chaste spinster. At first, Roland and Maud's discovery threatens only to alter the direction of their research, but as they unearth the truth about the long-forgotten romance, their involvement becomes increasingly urgent and personal. Desperately concealing their purpose from competing researchers, they embark on a journey that pulls each of them from solitude and loneliness, challenges the most basic assumptions they hold about themselves, and uncovers their unique entitlement to the secret of Ash and La Motte's passion.

Winner of the 1990 Booker Prize--the U.K.'s highest literary award--Possession is a gripping and compulsively readable novel. A.S. Byatt exquisitely renders a setting rich in detail and texture. Her lush imagery weaves together the dual worlds that appear throughout the novel--the worlds of the mind and the senses, of male and female, of darkness and light, of truth and imagination--into an enchanted and unforgettable tale of love and intrigue. --Lisa Whipple

(retrieved from Amazon Wed, 02 Jan 2013 18:39:21 -0500)

(see all 8 descriptions)

As a pair of young scholars researching the lives of two Victorian poets uncover their letters, journals, & poems, & trace their movements from London to Yorkshire-and from spiritualist seances to the fairy-haunted far west of Brittany-an extraordinary counterpoint of passions & ideas emerges. Annotation. An exhilarating novel of wit and romance, an intellectual mystery, and a triumphant love story. This tale of a pair of young scholars researching the lives of two Victorian poets became a huge bookseller favorite, and then on to national bestellerdom. Winner of England's Booker Prize, a coast-to-coast bestseller, and the literary sensation of the year, Possession is a novel of wit and romance, at once an intellectual mystery and a triumphant love story. Revolving around a pair of young scholars researching the lives of two Victorian poets, Byatt creates a haunting counterpoint of passion and ideas.… (more)

» see all 4 descriptions

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