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The Golden Bowl by Henry James
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The Golden Bowl

by Henry James

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I love Henry James' work -- I can think of no other writer that glares so mercilessly and relentlessly into the human soul. The Golden Bowl of the title is a metaphor for every person and situation in the novel: a seemingly perfect and priceless object that contains a subtle, but debilitating flaw.

Anyone who has ever watched a friend in the midst of an affair will feel heartbreak at the desperation, connivance, and manipulation of Prince Amerigo and Charlotte Stant. Anyone who has for a moment felt the power of those with money will recognize the insouciant cruelty of Adam Verner. And anyone who has known a person who is young and careless and privileged will spot the innocent ruthlessness of Maggie Verner.

I've read "The Golden Bowl" several times and as I get older, it becomes more and more fascinating and nuanced. To everyone who is giving it a try for the first time, please don't give up on it. It's true it is not an easy book, but it is also a novel that rewards you a hundred fold for the effort you put into it. As only a truly great book can, it makes you see the world -- and yourself -- in a new, if not entirely flattering, light. ( )
  ElizabethChapman | Oct 25, 2009 |
This is why he was called 'The Master.' ( )
  jasonwryan | May 18, 2009 |
3180. The Golden Bowl, by Henry James. (read 7 Apr 1999) I had enjoyed James in the past, including what is generally considered, I thought , his most "difficult" novel, The Ambassadors, so when I saw this book was no. 32 on the Modern Library panel's 100 best I rather looked forward to reading it. James' style requires unremitting concentration, but he doesn't find much to say in this book that interested me. The plot of this novel I thought so thin, and the conclusion struck me as lame. I conclude that I approached it too lazily. ( )
  Schmerguls | Dec 6, 2007 |
Only Henry James can take a beguiling idea like quasi-incestuous adultery, add an Italian prince, a billionaire art collector, and exotic foreign travel, and make a story so tedious that it is a true chore to read.

James writes in wisps of ideas, continually layering these wisps until there is a shimmery, translucent image that gives an idea of what he is trying to get at. These literary holograms are sometimes pretty, often interesting up to a point, but there is no substance to them. By the time the image emerges from the wisps, all I can think is, “So what?”

I can appreciate the talent it took to write an entire novel without saying anything directly. James definitely had a skill that he developed to the utmost. But while I admire the talent, I have no desire to make it a part of my life. I appreciate James’s talent the way I appreciate that of the artists who can paint the face of Jesus on a grain of rice. Impressive, but I’m not going to collect a gallery of rice portraits. ( )
3 vote ggchickapee | Jul 29, 2007 |
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The Prince had always liked his London, when it had come to him; he was one of the modern Romans who find by the Thames a more convincing image of the truth of the ancient state than any they have left by the Tiber.
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Amazon.com Book Description (ISBN 0140432353, Paperback)

This story of the alliance between Italian aristocracy and American millionaires is "a work unique among all [James's] novels: it is [his] only novel in which things come out right for his characters ...he had finally resolved the questions, curious and passionate, that had kept him at his desk on his inquiries into the process of living. He could now make his peace with America--and he could now collect and unify the work of a lifetime."

(retrieved from Amazon Fri, 24 Apr 2009 07:57:53 -0400)

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