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The Scarlet Letter by Nathaniel Hawthorne
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The Scarlet Letter

by Nathaniel Hawthorne

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12,47510071 (3.45)246
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CreateSpace (2009), Paperback, 130 pages

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Showing 1-5 of 95 (next | show all)
This was one of those classics that my school literature class did their best to ruin for me by making us tear apart and analyse the symbolism on every... single... page.I hated this book in school.It was after I watched the movie, The Scarlet Letter with Meg Foster as Hester Prynne that I wanted to read the book again. Given my own time to read the book, I was able to fully enjoy the tale and I understood it much better when I was able to just read and not stop every chapter and dissect it.Hawthorne, as a writer, is a tough read because he does use a lot of words to convey a conversation, or to get something across. What I do like about his writing is that it is interesting to read what an author wrote like in a time before I was born. ( )
  jaynedArcy | Dec 29, 2009 |
This was one of those classics that my school literature class did their best to ruin for me by making us tear apart and analyse the symbolism on every... single... page.I hated this book in school.It was after I watched the movie, The Scarlet Letter with Meg Foster as Hester Prynne that I wanted to read the book again. Given my own time to read the book, I was able to fully enjoy the tale and I understood it much better when I was able to just read and not stop every chapter and dissect it.Hawthorne, as a writer, is a tough read because he does use a lot of words to convey a conversation, or to get something across. What I do like about his writing is that it is interesting to read what an author wrote like in a time before I was born. ( )
  jaynedArcy | Dec 29, 2009 |
The Scarlet Letter by Nathaniel Hawthorne investigates the human condition in a very compelling way.

Set in Puritan Boston it explores what happens to the very souls of primarily three individuals when as sin is committed and discovered. It also criticises early Americans for their views on sin and who has committed it.

The three individuals at the centre of the story are Hester Prynne, Reverend Arthur Dimmesdale and Roger Chillingworth. At the beginning of the novel it is revealed that married Hester Prynne has committed adultery and as an adulteress she is forced to wear the Scarlet Letter "A" at her bussom. The story then goes on to show how she uses her sin to do good. As the story progresses we find out that her partner in crime is the Reverend Arthur Dimmesdale who does not confess to his part in the crime. He is then eaten up from the inside by his guilt. Roger Chillingworth is Hester Prynns estranged much older husband who does not addmit to this to the population in Boston but passes himself off as a doctor who treats Reverened Dimmesdale as he becomes physically ill from his guilt.

Hawthorne makes use of extensive symbols and metaphores in the telling of his story. Perhaps the most important of these symbols is the Scarlet letter itself which becomes and outward symbol of Hester's sin but also comes to symbolise her making of herself. As the novel progresses it is remarked that the "A" has now come to symbolise Able as Hester helps around the society in a way other women cannot. In the end the symbol becomes so much a part of her that her own daughter will not come to her if she wears it.

I thuroughly enjoyed this book. I found it had a lot to say about how we make ourselves into who we are. I suppose it is the American in me that feels that it is far more important what the sum total of us is rather than one or two outward symbols. It is what we do with those symbols that matters. ( )
  Zommbie1 | Dec 12, 2009 |
From my blog: htttp://weelittleactress.blogspot.com

"I have often wondered...why high school kids almost invariably hate the books they are assigned to read by their English teachers."
-Stephen King

Recommended tea: The Republic of Tea's Dream by the Fire Red Tea

If the picture above isn't instantly recognizable to you, you obviously didn't read The Scarlet Letter in high school. I remember cracking that book open, spending hours trying to read it, wishing that I could be watching The Real World instead.

When we talked about it in class, nothing jumped out at me. Nothing about it seemed extraordinary. To me, it was a long, overly verbose book that a teacher made me read to make me suffer and to learn to do what I was told, no matter how painful.

Years and a college degree later, I heard a segment on NPR. It was a part of their incredible "In Character" series, which explores the most influential and memorable characters in American fiction. Some of these were Harriet the Spy, Cookie Monster, Darth Vader, and Hester Prynne.

Now, some of you might be thinking "WHY would they talk about cookie monster?"

I hate to admit, MY honest reaction was "WHY would they talk about boring ole Hester Prynne?"

And then, they read a selection from the book:

...she took off the formal cap that confined her hair; and down it fell upon her shoulders, dark and rich, with at once a shadow and a light in its abundance and imparting the charm of softness to her features.

Not too shabby, huh? Actually, to be specific, in the NPR segment they had John Updike read this selection, which he recited from memory, and which, he said, still makes him cry.

"Well, maybe I should try reading that sucker again," I thought to myself. Then, I saw that The Scarlet Letter was going to be released with a new cover:



You can't tell in this photo, but the "A" actually GLEAMS in the light.

I decided that it was time to give Hester and Mr. Hawthorne another chance. I gave away my old high school copy in favor of the new gleamy version, deciding that it was vital to see it with completely new eyes.

I was surprised by how instantly I fell in love with it. Actually, it was this specific moment in the first chapter that made me fall in love with it. Hawthorne describes the prison, saying:

The rust on the ponderous ironwork of its oaken door looked more antique than any thing else in the new world. Like all that pertains to crime, it seemed never to have known a youthful era... But, on the one side of the portal, and rooted almost at the threshold, was a wild rose-bush, covered, in this month of June, with its delicate gems, which might be imagined to offer their fragrance and fragile beauty to the prisoner as he went in, and to the condemned criminal as he came forth to his doom, in token that the deep heart of Nature could pity and be kind to him.

Holy crap. Our high school teachers were right!

This isn't the first time I've re-read a book that I hated in high school. When I read To Kill A Mockingbird in school, it went through and over my head. This year I read it again, laughing and sobbing my way through it. Now, it's one of my favorite books, and I think of Scout as one of my best fictional friends.

But, let's not forget that when I read it in school, I hated it. And I'd venture to say that most of us did. Something doesn't seem right about this picture. Am I alone on this one? Teachers were literally showering us with beautiful language and amazingly human stories. In one ear, out the other, to the back of our dusty closets.

Why do we hate the books that we were forced to read in high school? Maybe the keyword there is "forced." Is it because we were told to read them, and being a teenager means hating being made to do anything? Is it because we weren't mentally or emotionally developed enough to appreciate them? Is it because our teachers didn't take the time to help us understand WHY these books are important?

Most (NOT ALL) of my experiences with reading in high school were like this:

Teacher: Read this.
Student: Why?
Teacher: Because it's important.
Student: Why is it important?
Teacher: Because I said so.
Student: Is it good? Will I enjoy it?
Teacher: That's not the point. The point is it's a classic and that means you need to read it so that you can get into a good college.

This, of course, is probably not even close to what actually happened. But for some strange reason, when you're in high school, that's the way it feels - like someone is trying to force you to appreciate something antiquated that has nothing whatsoever to do with who you are.

You lose the wonder that reading gave you as a child and all of a sudden reading is a chore.

How is it possible that all of this amazing literature was before our very eyes, and we were completely blind to its beauty?

Maybe you can't be forced to appreciate art. Art's beauty lies in its ability to entice you, to draw you in, to make you look twice and ask questions. Art speaks to you in its own time, when you're ready to listen to it. But Art loses it's power when it is shoved under your nose. The whisper of a painting or a novel is much louder than the shout of the lesson plan or the report card.

Also, in high school you might feel sorry for a character like Hester Prynne, but you lack the hindsight - the memories, the scars, the good and bad choices you've made - to be able to meet Hester and ache WITH her.

As a child, I looked at Hester and thought "The moral of this story is that we shouldn't judge anyone. The End. Give me my test score."

As an adult, I look into Hester's eyes and realize that we are the same. She isn't a character - she is my friend, my sister, my neighbor.

Hester is me. Hester is you. Hester is all of us.

Take a moment to consider all of those classics you skimmed through at the last minute, the night before the test - Great Expectations, Moby Dick, Oliver Twist, Huckleberry Finn, Wuthering Heights - a whole treasure trove of books screaming, "Please, give me another chance! I promise that I have something valuable to say! We can relate to each other!"

Without the test looming after you reach the last page, these books have a new, alluring, shiny glow. Dig them out of the closet, approach them with newer, wiser eyes, and learn why your English teacher gave them to you in the first place.

...and then, give your English teacher the opportunity to say, "I told you so!" ( )
1 vote weelittleactress | Nov 29, 2009 |
The worst book ever written. Dull, boring, preachy. Just horrible. ( )
  jwcooper3 | Nov 15, 2009 |
Showing 1-5 of 95 (next | show all)
No one who has taken up the Scarlet Letter will willingly lay it down till he has finished it; and he will do well not to pause, for he cannot resume the story where he left it. He should give himself up to the magic power of the style, without stopping to open wide the eyes of his good sense and judgment, and shake off the spell; or half the weird beauty will disappear like a dissolving view. To be sure, when he closes the book, he will feel very much like the giddy and bewildered patient who is just awaking from his first experiment of the effects of sulphuric ether. The soul has been floating or flying between earth and heaven, with dim ideas of pain and pleasure strangely mingled, and all things earthly swimming dizzily and dreamily, yet most beautiful, before the half shut eye. That the author himself felt this sort of intoxication as well as the willing subjects of his enchantment, we think, is evident in many pages of the last half of the volume. His imagination has sometimes taken him fairly off his feet.
 
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A throng of bearded men, in sad-colored garments and gray, steeple-crowned hats, intermixed with women, some wearing hoods, and others bareheaded, was assembled in front of a wooden edifice, the door of which was heavily timbered with oak, and studded with iron spikes.
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Anne Abbott

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The Scarlet Letter

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Amazon.com Product Description (ISBN 0142437263, Paperback)

Set in the harsh Puritan community of seventeenth-century Massachusetts, this tale of an adulterous entanglement resulting in an illegitimate birth engendered the first true heroine of American fiction.

Introduction by Nina Baym
Notes by Thomas E. Connolly

(retrieved from Amazon Fri, 24 Apr 2009 07:58:10 -0400)

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