HomeGroupsTalkZeitgeist
Big news! LibraryThing is now free to all! Read the blog post and discuss the change on Talk.
dismiss
This site uses cookies to deliver our services, improve performance, for analytics, and (if not signed in) for advertising. By using LibraryThing you acknowledge that you have read and understand our Terms of Service and Privacy Policy. Your use of the site and services is subject to these policies and terms.
Hide this

Results from Google Books

Click on a thumbnail to go to Google Books.

American Gods by Neil Gaiman
Loading...

American Gods (2001)

by Neil Gaiman

Other authors: See the other authors section.

Series: American Gods (1)

MembersReviewsPopularityAverage ratingConversations / Mentions
28,86777966 (4.08)12 / 1421
Shadow is a man with a past. But now he wants nothing more than to live a quiet life with his wife and stay out of trouble. Until he learns that she's been killed in a terrible accident. Flying home for the funeral, as a violent storm rocks the plane, a strange man in the seat next to him introduces himself. The man calls himself Mr. Wednesday, and he knows more about Shadow than is possible. He warns Shadow that a far bigger storm is coming. And from that moment on, nothing will ever he the same.… (more)
  1. 260
    Fragile Things: Short Fictions and Wonders by Neil Gaiman (Anonymous user, moonstormer)
    Anonymous user: It's a great collection all around but the kicker is this collection includes a novella about Shadow a couple years after the events of American Gods
    moonstormer: Fragile Things contains a short story with the same character as is in American Gods. Both are highly recommended.
  2. 252
    Neverwhere by Neil Gaiman (WilliamPascoe)
    WilliamPascoe: Phenominally brilliant fantasy .
  3. 232
    Anansi Boys by Neil Gaiman (infiniteletters)
  4. 111
    Night Watch by Sergei Lukyanenko (citygirl)
    citygirl: When the supernatural collides with modern life. One in Moscow, one in the US.
  5. 177
    Small Gods by Terry Pratchett (MyriadBooks)
    MyriadBooks: For the necessity of belief.
  6. 100
    Fables, Vol. 1: Legends in Exile by Bill Willingham (sbuehrle)
  7. 102
    The Master and Margarita by Mikhail Bulgakov (klarusu)
    klarusu: The same sense of unreality layered over a real-world setting, the same undercurrent of humour but this time it's the Devil that lands in Moscow
  8. 71
    Last Call by Tim Powers (grizzly.anderson, MyriadBooks)
    grizzly.anderson: Both are about old world gods making their place in the new world.
    MyriadBooks: For aspiring to win in a bargain with gods.
  9. 72
    Un Lun Dun by China Miéville (bertyboy)
    bertyboy: Alternative London for alternative fantasy. Have a go!
  10. 94
    The Stand {1978} by Stephen King (clif_hiker)
  11. 61
    King Rat by China Miéville (Runkst)
  12. 62
    Eight Days of Luke by Diana Wynne Jones (guyalice)
    guyalice: Neil Gaiman was surprised to discover that the concept of Eight Days of Luke was very similar to what he had initially planned for the plot of American Gods. He dropped the day-theme to avoid too many similarities and gave props to Wynne Jones.
  13. 40
    The Wood Wife by Terri Windling (Larkken)
  14. 117
    The Long Dark Tea-Time of the Soul by Douglas Adams (WoodsieGirl)
  15. 30
    The Bone Clocks by David Mitchell (sturlington)
    sturlington: The Bone Clocks reminded me strongly of Neil Gaiman and David Mitchell has said that Gaiman was an influence.
  16. 52
    The Lost Continent: Travels in Small-Town America by Bill Bryson (rockhopper_penguin)
    rockhopper_penguin: I read these two books one after another. It wasn't a deliberate decision, but the two did seem to work well together. The books visit a few of the same places, and it's interesting to note how differently they are portrayed in each.
  17. 30
    Angelmaker by Nick Harkaway (BookshelfMonstrosity)
  18. 30
    Someplace to be Flying by Charles de Lint (MyriadBooks)
  19. 41
    Rivers of London by Ben Aaronovitch (Chricke)
  20. 42
    Lamb: The Gospel According to Biff, Christ's Childhood Pal by Christopher Moore (andomck)
    andomck: Religion, realism, fantasy, humor, low brow, etc. Makes sense to me.

(see all 46 recommendations)

Loading...

Sign up for LibraryThing to find out whether you'll like this book.

English (754)  Spanish (4)  German (4)  Dutch (3)  Italian (2)  French (2)  Finnish (2)  Portuguese (1)  Portuguese (Brazil) (1)  Swedish (1)  Norwegian (1)  Catalan (1)  All languages (776)
Showing 1-5 of 754 (next | show all)
I made it 30% of the way through. It was a tough decision to not continue. Gaiman is a wonderful writer but that's why he gets away with so much - so much was happening yet NOTHING was happening. I have too much on my tbr to stick with it right now. ( )
  erinrita | May 28, 2020 |
Look, I really, REALLY liked the first quarter or so; it was extremely surreal but fascinating. But then the storyline slowed the fuck down and after that it wasn't anywhere near as gripping. It was still interesting, just very slow. To be honest, I found I found the main plot – the conflict between the gods – kind of boring. I vastly preferred the more human subplots, like Shadow's relationship with his wife, or the goings-on in Lakeside. I guess it turned out that the goings-on in Lakeside did pertain to the gods, but only at the very end so I won't count that! As an exploration of "America" and its culture and traditions it was also interesting – I generally liked the flashbacks. I also appreciated that the traditional woman killed in the first 10% of the book to fuel the male protagonist's growth didn't actually go away, although there was still something that vaguely bothered me about the characters. After reading some other reviews, I think it's just that I was never really invested in most of them. Like I said, the human characters were more relatable, but the gods (and Shadow himself a lot of the time) were really detached and blasé about everything, which got boring.

So yeah, I did like this book, but mostly on the strength of the beginning. Admittedly, I was reading the longer "author's cut" rather than the somewhat slimmed-down version that was originally published, and maybe I should have read that one, even if the author himself prefers it longer. I don't know what parts were actually cut out in the original edition, so I don't know! But I do *suspect* that it might have progressed a bit faster, and been a bit more compelling to read. ( )
  Jayeless | May 27, 2020 |
This was a really long novel that I might categorize as a saga or quest with some sprinkles of fantasy. The writing is rich, but feels like it goes on forever without ever getting anywhere. I enjoyed Coraline, Ocean at the End of the Lane and Graveyard Book, but American Gods was a huge disappointment as nothing in it was relatable to me. ( )
  niquetteb | May 26, 2020 |
It's in the trunk. It was always in the trunk.

This is a book about a man, and some gods - but it was much, much beyond that. It was a journey, an experience, and above all, a work of art.
Every encounter, though not awe-inspiring at the first sight, made a lasting impression, and for that I am grateful; for this book and for the time I spent reading it. ( )
  MahiShafiullah | May 25, 2020 |
In many ways, I don't think this is a book one likes. It can be important, and meaningful, and beautiful, and sad, and real. But one doesn't just like it.

I also felt like the book was depressed. It didn't make me sad, but it made me feel like it was sad. I've never got the impression that a book had emotions before, but I did with this one.

This is an odd book. It is incredibly well written. There are so many layers to the story, the characters, the world. I found it fascinating, but I also found it occasionally boring. The writing got so lovely, so intense, that it became mundane. You know how Mr. Ibis said that life and death are two sides of the same coin? In a sense this book was like that. I liked it; I didn't like it. It interested me; it bored me. Two sides of the same coin. ( )
  ca.bookwyrm | May 18, 2020 |
Showing 1-5 of 754 (next | show all)
i have my one perspective about this, this is beyond my imagination, that this book is quite awsome!
 
This is a fantastic novel, as obsessed with the minutiae of life on the road as it is with a catalogue of doomed and half-forgotten deities. In the course of the protagonist Shadow's adventures as the bodyguard and fixer of the one-eyed Mr Wednesday, he visits a famous museum of junk and the motel at the centre of the US, as well as eating more sorts of good and bad diner food than one wants especially to think about.
added by mikeg2 | editThe Independent, Roz Kaveney (Jul 18, 2001)
 
Part of the joy of American Gods is that its inventions all find a place in a well-organised structure. The book runs as precisely as clockwork, but reads as smoothly as silk or warm chocolate.
added by stephmo | editThe Independent, Roz Kaveney (Jul 18, 2001)
 
Gaiman's stories are always overstuffed experiences, and ''American Gods'' has more than enough to earn its redemption, including a hero who deserves further adventures.
 
"American Gods" is a juicily original melding of archaic myth with the slangy, gritty, melancholy voice of one of America's great cultural inventions -- the hard-boiled detective; call it Wagnerian noir. The melting pot has produced stranger cocktails, but few that are as tasty.
added by stephmo | editSalon.com, Laura Miller (Jun 22, 2001)
 

» Add other authors (17 possible)

Author nameRoleType of authorWork?Status
Gaiman, Neilprimary authorall editionsconfirmed
Boutsikaris, DennisNarratorsecondary authorsome editionsconfirmed
Guidall, GeorgeNarratorsecondary authorsome editionsconfirmed
Jones, SarahNarratorsecondary authorsome editionsconfirmed
Kivimäki, MikaTranslatorsecondary authorsome editionsconfirmed
Mcginnis, RobertCover artistsecondary authorsome editionsconfirmed
McKean, DaveIllustratorsecondary authorsome editionsconfirmed
McLarty, RonNarratorsecondary authorsome editionsconfirmed
Oreskes, DanielNarratorsecondary authorsome editionsconfirmed
You must log in to edit Common Knowledge data.
For more help see the Common Knowledge help page.
Series (with order)
Canonical title
Original title
Alternative titles
Original publication date
People/Characters
Important places
Important events
Related movies
Awards and honors
Epigraph
One question that has always intrigued me is what happens to demonic beings when immigrants move from their homelands. Irish-Americans remember the fairies, Norwegian-Americans the nisser, Greek-Americans the vryókolas, but only in relation to events remembered in the Old Country. When I once asked why such demons were not seen in America, my informants giggled confusedly and said, "They're scared to pass the ocean, it's too far," pointing out that Christ and the apostles never came to America.
—Richard Dorson, "A Theory For American Folklore", American Folklore and the Historian
The boundaries of our country sir? Why sir, on the north we are bounded by the Aurora Borealis, on the east we are bounded by the rising sun, on the south we are bounded by the procession of the Equinoxes, and on the west by the Day of Judgement
—The American Joe Miller's Jest Book
They took her to the cemet'ry
In a big ol' cadillac
They took her to the cemet'ry
But they did not bring her back.
—old song
Dedication
For absent friends—Kathy Acker and Roger Zelazny, and all points between
First words
Shadow had done three years in prison.
Quotations
Fiction allows us to slide into these other heads, these other places, and look out through other eyes. And then in the tale we stop before we die, or we die vicariously and unharmed, and in the world beyond the tale we turn the page or close the book, and we resume our lives.
"A town isn't a town without a bookstore. It may call itself a town, but without a bookstore it knows it's not fooling a soul."
When people came to America they brought us with them. They brought me, and Loki, and Thor, Anansi and the Lion-God, Leprechauns and Kobalds and Banshees, Kubera and Frau Holle and Ashtaroth, and they brought you. We rode here in their minds, and we took root. We travelled with the settlers to the new lands across the ocean.
The land is vast. Soon enough, our people abandoned us, remembered us only as creatures of the old land, as things that had not come with them to the new. Our true believers passed on, or stopped believing, and we were left, lost and scared and dispossessed, only what little smidgens of worship or belief we could find. And to get by as best we could.
'So that's what we've done, gotten by, out on the edges of things, where no-one was watching us too closely.'
Gods die. And when they truly die they are unmourned and unremembered. Ideas are more difficult to kill than people, but they can be killed, in the end.
All we have to believe with is our senses, the tools we use to perceive the world: our sight, our touch, our memory. If they lie to us, then nothing can be trusted. And even if we do not believe, then still we cannot travel in any other way than the road our senses show us; and we must walk that road to the end.
There's never been a true war that wasn't fought between two sets of people who were certain they were in the right. The really dangerous people believe they are doing whatever they are doing solely and only because it is without question the right thing to do. And that is what makes them dangerous.
Last words
(Click to show. Warning: May contain spoilers.)
Disambiguation notice
There are at least two different editions of this book.   The original was published in 2001, and the tenth anniversary edition (Author's preferred text)  was published in 2011.   Please do not combine.
Publisher's editors
Blurbers
Publisher series
Information from the Italian Common Knowledge. Edit to localize it to your language.
Original language
Canonical DDC/MDS

References to this work on external resources.

Wikipedia in English (3)

No library descriptions found.

Book description
The book follows the adventures of ex-convict Shadow, who is released from prison a few days earlier than planned on account of the death of his wife, Laura, in a car accident. Shadow finds work as the escort and bodyguard of the confidence man Mr. Wednesday, and travels across America visiting Wednesday's colleagues and acquaintances. Gradually, it is revealed that Wednesday is an incarnation of Odin the All-Father (the name Wednesday is derived from "Odin's (Woden's) day"), who in his current guise is recruiting American manifestations of the Old Gods of ancient mythology, whose powers have waned as their believers have decreased in number, to participate in an epic battle against the New American Gods, manifestations of modern life and technology (for example, the Internet, media, and modern means of transport). Laura comes back in the form of a sentient animated corpse due to a special coin Shadow had placed in her coffin, and is instrumental in eliminating several of the New Gods' agents.

AR 5.3, 28 Pts
Haiku summary
New gods, and old ones
All across America
- A storm is coming

(Jannes)
Gods, starving, lose faith;
Easy marks for Odin's scheme.
Shadow holds his breath.

(one-horse.library)
Shadow, with help from
wife, finds fickle gods and beats
them at their own game.
(legallypuzzled)

Quick Links

Popular covers

Rating

Average: (4.08)
0.5 14
1 99
1.5 22
2 383
2.5 104
3 1440
3.5 424
4 3236
4.5 428
5 3510

Recorded Books

An edition of this book was published by Recorded Books.

» Publisher information page

Is this you?

Become a LibraryThing Author.

 

About | Contact | Privacy/Terms | Help/FAQs | Blog | Store | APIs | TinyCat | Legacy Libraries | Early Reviewers | Common Knowledge | 146,522,668 books! | Top bar: Always visible