Holling Hoodhood must stay with his seventh grade teacher , Mrs. Baker on Wednesday afternoons because all the other students go to religious school at that time. At first she has him cleaning out the hamster cage, but eventually Holling is reading Shakespeare. He must comply with her because Holling's father, an architect, has a business deal with Mrs. Baker's father to remodel his sporting goods store. Conflicts with a role in the community drama group, a Vietnam War demonstration, a visit from a baseball star and a bully who wants cream puffs add complexity to Holling's life. I really enjoyed the character of Holling and how he turned learning about Shakespeare into fun. A Newbery Honor Book.

A very cute book. ( )

“Toads, beetles, bats.”

Let me tell you, The Wednesday Wars Schmidt depicts the life of a Shakespeare-reading, cross-country running seventh grade boy in the Vietnam Era about as well as it’s possible to depict any historical situation through fiction. Schmidt masterfully mixes Holling Hoodhood’s personal trials and rites of passage through seventh grade with the nation and the world’s trials. Holling’s life is full of tensions of all kinds–familial, school, cultural, and religious. It is due to Holling’s religious orientation–as a Presbyterian among a class of Catholic and Jewish students–that he finds himself alone in Mrs. Baker’s classroom every Wednesday afternoon when the other kids head off to attend to their religious studies.

Wednesdays with Mrs. Baker at first seem like cruel and unusual punishment. She sets him to tasks such as reading Shakespeare, carrying cream puffs, pounding dust out of chalky erasers, and cleaning the pet rats’ cages (the rats being named Sycorax and Caliban). Yet, while Holling does suggest more than once that Mrs. Baker most definitely hates his guts, he comes to realize that there’s more to her than her teacher exterior suggests. Mrs. Baker ends up teaching him not only about Shakespeare, diagramming sentences, and proper running form but also about cultural understanding and appreciation and about caring for others outside one’s own family.

Holling’s own family come across as rather cold and distant. His father cares mainly for his architectural contracts and his status as Chamber of Commerce Businessman of 1967. His mother does a lot of cooking lima beans and submitting to his father’s mandates. His sister spends her time listening to the Beatle’s, joining campaigns, rebelling against her father’s expectations, and finding herself.

Holling’s friends, on the other hand, make sacrifices for him more than once and come through for him when he’s feeling down and out. Holling Hoodhood has an authentic seventh-grade narrative voice. At times, he appears extremely ignorant and at other times he seems wise beyond his years. The Wednesday Wars stands as a strong story about friendship, baseball, wartime, cultural differences, and the impact that caring teachers can have on the next generation. It’s a well-written book that many kids will enjoy reading…really. ( )

Gary Schmidt's The Wednesday Wars (paperback just out from Sandpiper, a Houghton Mifflin imprint) came highly recommended by my most trusted reader of all things young adult (as well as the Newbery committee, although I tend not to trust them nearly as much). It did not disappoint. Set at the height of the Vietnam War, this is the story of a young man (the improbably named Holling Hoodhood) trying to come to grips with life, which for him includes Shakespeare, seventh grade, a most unpleasant father ... and two escaped rats.

This book does it all. It's cliched to say it, but since it's true I'll say it anyway: I laughed, I cried. I had to put it down because it disturbed me, and at other times I found myself trying to read faster to find out what would happen next. As Holling finds himself learning from Shakespeare and his teacher (who, he is convinced, must hate him for making him read it), he discovers - entirely without meaning to - that there are lessons to be learned from the Bard (as well as a few good curses).

Schmidt's captured his young narrator perfectly, and there are several passages here that are among the best I've ever read, anywhere. A top-notch use of language and humor, filled with life's struggles large and small.

http://philobiblos.blogspot.com/2009/... ( )

Richie's Picks: THE WEDNESDAY WARS by Gary D. Schmidt, Clarion, June 2007, ISBN: 0-618-72483-4

"Toads, beetles, bats, light on you!"

"The local rock group down the street is trying hard to learn this song
They serenade the weekend squire who just came out to mow his lawn"
--The Monkees, "Pleasant Valley Sunday" (Goffin/King)

In September of 1967, in the suburbs of Long Island, Holling Hoodhood begins seventh grade at Camillo Junior High. Holling happens to be the only Presbyterian student in Mrs. Baker's class, and so on Wednesday afternoons, "when at 1:45 sharp, half of my class went to Hebrew School at Temple Beth-El, and, at 1:55, the other half went to Catechism at Saint Adelbert's," Mrs. Baker finds herself responsible for dealing with her one remaining student.

Holling, who believes Mrs. Baker hates him because of this situation, spends that first month's Wednesday afternoons completing classroom chores that his teacher assigns him. "The Wednesdays of September passed in a cloudy haze of chalk dust." But, after hilarious and unintended consequences result from Holling's missteps in carrying out several of his assigned tasks, Mrs. Baker decides to shift gears and spend subsequent Wednesday afternoons "doing" Shakespeare with her student.

It turns out that there are also hilarious and unintended consequences that result from this new course of action. For while Holling undertakes his experiencing of the Bard with the belief that, "Teachers bring up Shakespeare only to bore students to death," it turns out that he recognizes some terrific stories when he reads them and -- thanks to Caliban -- recognizes some great new (old) curses which he sets to practicing until, in times of great adversity, they leap as naturally from his tongue as do the phrases that are more commonly heard amongst today's young rapper wannabes:

"She put her red pen down. 'Since there are only two of us in the room -- a situation which has become very familiar to us these past months -- and since you were speaking, I assumed that you must be addressing me. What did you say?'
" 'Nothing.'
" 'Mr. Hoodhood, what did you say?'
" 'Strange stuff, the dropsy drown you.'
"Mrs. Baker considered me for a moment. 'Was that what you said?'
" 'Yes.'
" 'A curious line to repeat, especially since the combination never occurs in the play. Are you trying to improve on Shakespeare?'
" 'I like the rhythm of it,' I said.
" 'The rhythm of it.'
" 'Yes.'
Mrs. Baker considered this for a moment. Then she nodded. 'So do I,' she said, and turned back to spreading the red plague.
"That had been close."

While all of this makes for a truly delightful and zany tale, my description to this point merely scratches the surface of what Gary Schmidt has accomplished, for THE WEDNESDAY WARS is a profound story of change and of heroes, a story that hit me hard in the gut and is, unquestionably, one of the best books I have read in years.

"I remember when the answers seemed so clear
We had never lived with doubt or tasted fear
It was easy then to tell truth from lies
Selling out from compromise
Who to love and who to hate
The foolish from the wise"
--The Monkees, "Shades of Gray" (Mann/Weil)

Admittedly, some of my reaction to THE WEDNESDAY WARS results from the fact that I, like Holling Hoodhood, was a suburban Long Island seventh grader during the 1967-68 school year. This was a school year that, for me, began in innocence with my ongoing immersion in the Monkees and New York Top 40 radio at a time that the Summer of Love was happening across the country in my future home. It was a school year that began, in September 1967, at a point in my life when I'd been strongly influenced by The Church, the Boy Scouts, and the just-ended summertime days that I'd spent with the All-American, beer-drinking, blue-collar sages on Dad's construction sites.

It was a school year that came to include night after night after night of television news reports that showed shooting and bombing on the other side of the world, accompanied by body bags of American kids stacked up daily like so many cords of wood. It was a school year that ended, in 1968, with the murders of the Reverend Martin Luther King, Jr. and Bobby Kennedy.

For me and for America this was a school year of unprecedented change. And, having been there, I can state in no uncertain terms that through the ten chapters of THE WEDNESDAY WARS -- each one named for the successive months that constitute that school year -- Gary Schmidt both impeccably portrays those times and then relentlessly, and sometimes excruciatingly, injects those times into the hearts of his characters' lives:

"And that was when Mrs. Bigio came into the classroom. Actually, she didn't quite come in. She opened the door and stood leaning against the doorway, one hand up to her mouth, the other trembling on the doorknob.
"Mrs. Baker stood. 'Oh, Edna, did they find him?'
"Mrs. Bigio nodded.
" 'And is he...'
"Mrs. Bigio opened her mouth, but the only sounds that came out were the sounds of sadness. I can't tell you what they sounded like. But you know them when you hear them.
"Mrs. Baker sprinted out from behind her desk and gathered Mrs. Bigio in her arms. She helped Mrs. Bigio to her own chair where she slumped down like someone who had nothing left in her.
" 'Mr. Hoodhood, you may go home now, ' Mrs. Baker said.
"I did.
"But I will never forget those sounds."

"Businessmen, they drink my wine, plowmen dig my earth
None of them along the line know what any of it is worth"
--Bob Dylan (1967) "All Along the Watchtower"

The times also strike home for Holling as he witnesses the dinnertime war that is initiated between his father and his older, high school-attending sister when she appears at the dinner table with a flower painted on her face and fresh ideas of peace and love planted in her mind. Hollings' father, whose rationale for virtually everything he says and does is governed by his strategizing to gain new contracts for his architectural firm, will stand for nothing of the sort:

" 'Thank you, Miss Political Analyst,' said my father. 'Now analyze this: The person to whom you are now speaking is a candidate for the Chamber of Commerce Businessman of 1967. This is also an honor that will lead to larger, more profitable ventures than he has yet seen. It is not an honor that is awarded to a man who has a daughter who calls herself a flower child. So go wash your face.' "

For Holling Hoodhood, the 1967-68 school year is a time of old heroes (and fat rats) falling and new heroes ascending. Four decades later, reverberations of that year's events are still keenly felt in America's politics and cultural wars. In THE WEDNESDAY WARS, Gary Schmidt provides readers with an unlikely young hero and an unmatched taste of a time that a-changed everything.

Richie Partington
http://richiespicks.com
http://www.myspace.com/richiespicks
BudNotBuddy@aol.com ( )