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Get Shorty by Elmore Leonard
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Get Shorty (original 1990; edition 2005)

by Elmore Leonard

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Member:sycoraxpine
Title:Get Shorty
Authors:Elmore Leonard
Info:(2005), Paperback
Collections:Your library, To read
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Get Shorty by Elmore Leonard (Author) (1990)

1001 (24) 1001 books (19) 20th century (12) American (15) American literature (10) California (8) Chili Palmer (9) crime (98) crime fiction (40) detective (14) ebook (8) fiction (205) film (9) first edition (13) Hollywood (23) humor (46) Los Angeles (12) made into movie (11) movie (12) movies (8) mystery (82) novel (30) own (6) paperback (8) read (26) suspense (10) thriller (34) to-read (25) unread (14) USA (8)
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English (12)  Swedish (1)  All languages (13)
Showing 1-5 of 12 (next | show all)
Have you read the gritty crime thriller, [b:The Hunter|618399|The Hunter (Parker, #1)|Richard Stark|http://d.gr-assets.com/books/1328724284s/618399.jpg|3948439], by Richard Stark? This is not that kind of mob story. Instead of an angry protagonist, we get the laid back Chili Palmer who sets off for Vegas to collect an unpaid debt, and ends up in L.A. While there is a revenge element to this story, the misunderstanding between Chili and Ray Bones begins with a disagreement about a coat. But you know how things can escalate...before you know it, somebody is getting shot.

Leonard does a great job spoofing mob stereotypes, as well as the Hollywood machine and its key players. I'll definitely be checking out the next book in this series. ( )
  KatLowe | Apr 3, 2013 |
Chili Palmer is a loan shark in Miami. When one of his collection subjects skips town and goes to L.A. Chili follows.

Since he was going to L.A.. a Las Vegas casino asks him to check out Harry Zimm, a Hollywood producer whose debt hasn't been paid.

When Chili does, he learns about the film industry and the money to be made. He decides he wants to go into the film business himself.

Chili is a likable character and it's easy for the reader to root for his success.

Leonard's depiction of the Hollywood scene is right on. ( )
  mikedraper | Mar 10, 2013 |
Chili Palmer is on a run of bad luck. He's just found out that one of his clients that owe him money isn't as dead as he was led to believe. He's also just got a new boss that has a grudge or two against him. Chili's new boss tells him to find the runner or make the payment himself so off he sets to Los Angeles via Las Vegas following the leads left behind. While he's in LA he gets mixed up in the movie business and hooks up with Harry Zimm, an independent film-maker, who seems to think he has a dynamite script that's just waiting to get made. He's trying to get A-List actor Michael Weir interested and then he can go to a major studio and get it into production as he doesn't have anywhere near the finances to do it himself. Chili agrees to help Harry out with his previous financiers, local gangsters that use Harry's films to launder their drug money, in exchange that Harry will show Chili his way around the movie business.

As with all of Elmore Leonard's books, the plot is not quite as straightforward as it seems, each character's involvement complicates things just that bit more. The dialogue is snappy and the leading man is cooler than ice. From what I can remember of the movie adaptation I'd say the book has a harder edge to it but a re-watch will be in order probably after I've read the sequel, Be Cool. ( )
1 vote AHS-Wolfy | Jul 23, 2011 |
Before writing Get Shorty, Elmore Leonard had written about cities such as Detroit, Miami, and Atlantic City. After writing screen plays for Hollywood (Joe Kidd, 52 Pick-Up) he decided to make Hollywood the setting for Get Shorty. His main theme is - there is a lot about Hollywood that is not that much different from what a loan shark has to deal with in Miami.

By a quirk of fate, Leo Devoe does not get on a plane that crashes into the Everglades. Leo owes the mob money and his apparent death is a God send for him; then on top of that his wife gets paid $300,000 in insurance money for his death. Leo takes the money, leaves his wife behind, changes his name, and heads for Las Vegas.

Chili Palmer is the collector for the mob. By a quirk of bad luck, his boss dies at about the same time as Leo escapes death. Chili's new boss doesn't like Chili because of a disagreement with Chili 12 years earlier. He tells Chili that he needs to collect the money that is owed the mob from Leo's wife. He gives Chili a very bad haircut to make sure he understands. Chili goes and talks to Leo's wife. She is not very happy with Leo for leaving her and taking all the money. So she tells Chili the whole story. Chili recognizes a great story when he hears one. He leaves Miami lookng for Leo in Las vegas and then in L. A. All the time knowing that he needs to find a new job. All the time knowing that he isn't going back to Miami to be a shylock anymore. And he has a good story that he thinks maybe he can turn into a movie if he can find the right people. And finding the right people is what Chili Palmer does for a living.

So begins Get Shorty. Elmore Leonard does a great job of making a complicated plot stick together and not just be believable but also seem plausible. The dialogue is the thing that holds everything together but it is also Chili that makes the story work. What Chili does in every situation is what makes you believe in the story. The only part of Get Shorty that seems weak is the ending and again it is Chili that is dead-on with his observation regarding his own movie, "Fuckin endings man, they aren't as easy as they look." ( )
2 vote markatread | Jun 26, 2011 |
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  nocto | Dec 15, 2010 |
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For Walter Mirisch, one of the good guys
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When Chili first came to Miami Beach twelve years ago they were having one of their off-and-on cold winters: thirty-four degrees the day he met Tommy Carlo for lunch at Vesuvio's on South Collins and had his leather jacket ripped off.
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Amazon.com Amazon.com Review (ISBN 0060777095, Paperback)

Nobody writes openings like Elmore Leonard. Case in point: "When Chili first came to Miami Beach twelve years ago they were having one of their off-and-on cold winters: thirty-four degrees the day he met Tommy Carlo for lunch at Vesuvio's on South Collins and had his leather jacket ripped off." You need to know about this because you need to know why there's bad blood between Chili Palmer and Ray Bones, the guy who stole his coat and is now his boss--and has ordered him to collect $4,200 from a dead guy. Except the guy didn't die; he went to Las Vegas with $300,000. So Chili goes to Las Vegas, one thing leads to another, and pretty soon he's in Los Angeles, hanging out with a movie producer named Harry Zimm and learning what it takes to be a player in Hollywood.

Get Shorty is classic Elmore Leonard: While other people write "crime fiction," Leonard's come up with a masterful social comedy that happens to be about criminals (and other fast operators). He's a master of snappy dialogue and dizzying plot twists. The best parts of Get Shorty move along so briskly you almost forget there's somebody with a firm control over the story. And you'll be rooting for Chili to get the money, the girl, and the studio deal. --Ron Hogan

(retrieved from Amazon Sat, 05 Jan 2013 12:19:53 -0500)

(see all 8 descriptions)

"Loan shark Chili Palmer didn't say anything when Ray Bones stole his leather jacket from Vesuvio's in Miami. He just went to Ray's house, broke his nose, took the jacket, and left. Twelve years later, on account of his boss getting whacked, Chili finds himself working for Bones and ordered to collect on a bad debt from Leo Devoe, a guy who died in a plane crash. But it turns out Leo isn't dead; he's in Las Vegas with the $300,000 the airline paid to his wife. So Chili follows him to Vegas and then on to Hollywood, where he hooks up with movie producers, actors, and studio execs. Getting Leo becomes a movie pitch unfolding in a city where every move you make is a potential scene, and making it big isn't all that different from making your bones. You gotta know who to pitch, who to hit, and how to knock 'em dead."--BOOK JACKET.… (more)

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