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The Sun Also Rises by Ernest Hemingway
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The Sun Also Rises

by Ernest Hemingway

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Showing 1-5 of 83 (next | show all)
This may be my favorite book of all time. At any rate, it's definitely on the top ten list and by far my favorite Hemingway (and I do love some Hemingway). The first time I read this, I loved Lady Brett Ashley. Is she a bitch? Sure, but I don't think she ever intentionally sets out to hurt anyone. And it might be argued that she has reason to be one: her first true love dies in the war from dysentery (not exactly the most noble of deaths) and she's physically threatened by Lord Ashley, forced to sleep on the floor beside him and his loaded gun (and let's clarify that,no, that's not a euphemism, just in case you're a perv). Then we have the one man who might make her happy, Jake Barnes. Poor, poor Jake, who doesn't have a gun, let alone a loaded one (yup, that's a euphemism--snicker away). I think Brett is one of the most tragic figures in American literature. Disillusioned by the war and how it irrevocably changed her life, she tries to fill the void with alcohol and sex--and destroys herself in the process.

However, upon rereading the novel, I realized how eclipsed Jake had been by Brett during my first reading. I also realized how I had misinterpreted him during my first reading. I thought Jake was as lost as the rest of the "Lost Generation," but I now believe that he is the only one who is not lost (with the exception of Bill Gorton, whose line "The road to hell paved with unbought stuffed dogs" may be my favorite in the book). If there's anyone with reason to give up on life, it's Jake. Does he pine for Brett? Yes. Does he come to hate Cohn for his affair with Brett? Affirmative. Does he get over Brett and realize that, even if properly equipped for a sexual relationship, a relationship with her would end as tragically as all of her other conquests? Abso-damn-lutely. After all, Brett is Circe, according to Cohn, and anyone lured into her bed will lose their manhood. The success of the relationship between Brett and Jake hinges on the fact that Jake literally has nothing to lose in this respect. ( )
  snat | Nov 25, 2009 |
William Hurts does a fine job of reading on this recording. Hemingway writes about a drunken vacation in Spain with Brett, his requited but unrequited love. Major bull fighting.
  bilbette | Nov 22, 2009 |
Sorry, I know this is blasphemy but I just don't get Hemingway's appeal, either in prose style or content. I had tyo force myself to endure this book. ( )
  jwcooper3 | Nov 15, 2009 |
I have had very little experience with Hemingway prior to picking up this book. For some reason I had it in my head that his writing would be haughty, inaccessible and laborious to read. I was pleasantly surprised that none of my preconceptions were true.

The writing style in Sun Also Rises is fluid, simple and easy to follow. His sentences are short and easy to follow. His dialog is natural. His descriptions are straightforward and to the point.

Even though the simplicity of the style made the reading quick and easy, I quickly saw that there was a lot going on "between the lines." As terse as much of the writing is, it was apparent that what was left out was just as important (perhaps more so) than what was on the page.

As a case in point, nowhere in the book does Hemingway explicitly identify the nature of the wound that Jake received in the war. In fact, if a reader wasn't paying close attention, the importance of that wound would quickly fade into the background. However, there are plenty of clues as to the type of injury and the nature and extent that it has affected Jake's life. The injury was probably the largest case of something "not written" that was important. There were a few other instances where I felt like Hemingway was leaving out significant details while alluding to their importance.

The character development in the book was very interesting.

With the first person narrative, we only really get into Jake's head (although, as mentioned above, there's plenty of detail he leaves out even about himself) and everything is tainted by his view of life. At first his view felt fairly realistic and trustworthy but it quickly became apparent that he was jaded and cynical.

I felt like we got a pretty good feel for Cohn by the end of the novel. His character seemed to be the most straightforward and easy to understand and also seemed to follow along with the narrator's initial description of him in the opening.

Lady Brett Ashley's character was a bit more troublesome. She generally felt like a party girl who absolutely loved life and was always happy, but as the layers came back, she had more emotional depth than first expressed.

The other characters in the novel were intriguing but again it was hard to unravel their motivations and get at the heart of their character because their words and motives were often veiled by volatile or sullen behavior. The various lovers of Brett and friends of Jake were interesting but seemed to serve as reflections to play off Brett and Jake and let us gain more depth into those personalities. The drunken repartees and the random banter was funny at times, harsh at others.

The overall tone of the book was almost paradoxical. As readers, we're following around a group of expatriates as they party and travel around Europe reveling and enjoying life for all its worth. From a high level, you would think that this would be great fun. But as we drill down into the hearts and heads of these characters, the true story became rather depressive. Instead of a semi-aristocratic party crowd, in the end it felt like we were following a bunch of slovenly lounge-a-bouts who only lived for the next drink.

Both Brett and Jake had a yearning for some true emotion or passion in life but neither was able to find a clear path to that state of happiness. Instead, all of the characters lived lives of broken, or disabled, relationships. They wandered aimlessly through life spending money like water in order to try and find some sort of emotional high (or perhaps a liquor induced numbness) to detract from their otherwise unfulfilled lives.

After reading this book, I have a desire to seek out more Hemingway and read more of his stuff. I really enjoy the style he used in this book and found his characters intriguing and approachable. The story and emotions were thought provoking and effective.

Definitely recommended.

****
4 stars out of 5 ( )
  theokester | Nov 9, 2009 |
This book was beautiful, and it reads to be an incredibly lonely encounter with the world.

I recommend the book for anyone who wants to understand loneliness, who wants to see what that feels like. I don't know what it means. I don't know what anything means after this book.

The story of several people drinking and being alone with one another. ( )
  Kunzelman | Oct 12, 2009 |
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Series (with order)
Canonical Title
Original publication date
People/Characters
Important places
Important events
Awards and honors
Epigraph
"You are all a lost generation." -- Gertrude Stein in conversation
"One generation passeth away, and another generation cometh; but the earth abideth forever... The sun also ariseth, and the sun goeth down, and hasteth to the place where he arose...The wind goeth toward the south, and turneth about unto the north; it whirleth about continually, and the wind returneth again according to his circuits...All the rivers run into the sea; yet the sea is not full; unto the place from whence the rivers come, thither they return again." -- Ecclesiastes
Dedication
This book is for Hadley and for John Hadley Nicanor
First words
Robert Cohn was once middleweight boxing champion of Princeton.
Quotations
Last words
Disambiguation notice
Published under two titles:
The Sun Also Rises

Fiesta
Publisher's editors
Blurbers

References to this work on external resources.

Wikipedia in English (1)

List of fictional Jews

Book description

Amazon.com (ISBN 0743297334, Paperback)

The Sun Also Rises first appeared in 1926, and yet it's as fresh and clean and fine as it ever was, maybe finer. Hemingway's famously plain declarative sentences linger in the mind like poetry: "Brett was damned good-looking. She wore a slipover jersey sweater and a tweed skirt, and her hair was brushed back like a boy's. She started all that." His cast of thirtysomething dissolute expatriates--Brett and her drunken fiancé, Mike Campbell, the unhappy Princeton Jewish boxer Robert Cohn, the sardonic novelist Bill Gorton--are as familiar as the "cool crowd" we all once knew. No wonder this quintessential lost-generation novel has inspired several generations of imitators, in style as well as lifestyle.

Jake Barnes, Hemingway's narrator with a mysterious war wound that has left him sexually incapable, is the heart and soul of the book. Brett, the beautiful, doomed English woman he adores, provides the glamour of natural chic and sexual unattainability. Alcohol and post-World War I anomie fuel the plot: weary of drinking and dancing in Paris cafés, the expatriate gang decamps for the Spanish town of Pamplona for the "wonderful nightmare" of a week-long fiesta. Brett, with fiancé and ex-lover Cohn in tow, breaks hearts all around until she falls, briefly, for the handsome teenage bullfighter Pedro Romero. "My God! he's a lovely boy," she tells Jake. "And how I would love to see him get into those clothes. He must use a shoe-horn." Whereupon the party disbands.

But what's most shocking about the book is its lean, adjective-free style. The Sun Also Rises is Hemingway's masterpiece--one of them, anyway--and no matter how many times you've read it or how you feel about the manners and morals of the characters, you won't be able to resist its spell. This is a classic that really does live up to its reputation. --David Laskin

(retrieved from Amazon Fri, 24 Apr 2009 07:57:57 -0400)

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