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Books Of Blood 4-6 by Clive Barker
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Books Of Blood 4-6

by Clive Barker

Series: Books of Blood (Omnibus 4-6)

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Clive Barker has one of the best writing styles in literature that I know of. His stories are always mesmerizing to read, no matter what he writes. That is one of the things that has elevated his "Books of Blood" series into a legendary status among horror enthusiasts.

These latter Books of Blood are a bit uneven storywise. Interestingly, the best stories of the omnibus seem to be condensed into the fifth book of blood. There we find the dense and amazing "The forbidden", which was to become the movie "Candyman", the weird, sexual, and agonizing "The Madonna", the unsually funny "Babel's Children" (Barker shows his humorous side, which is too often buried), and "In the Flesh", the strongest tale of the book, which manifests all of Barker's fortes: The weird, the psychological, and the mundane turned evil.

The other two books of blood are not quite up to the par of the fifth, but are interesting reads nonetheless. ( )
  JapaG | Nov 24, 2008 |
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People/Characters
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Important events
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Epigraph
Dedication
To Alec and Con
First words
Whenever he woke, Charlie George's hands stood still.
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Canonical titleBooks Of Blood 4-6
Original publication date1988
SeriesBooks of Blood (8|Omnibus 4-6)
Awards and honorsWorld Fantasy Award Nominee (Anthology / Collection, 1986)
DedicationTo Alec and Con
First wordsWhenever he woke, Charlie George's hands stood still.
Last words(Click to show. Warning: May contain spoilers.)
Book description

Amazon.com (ISBN 075151022X, Paperback)

"Everybody is a book of blood; wherever we're opened, we're red." For those who only know Clive Barker through his long multigenre novels, this one-volume edition of the Books of Blood is a welcome chance to acquire the 16 remarkable horror short stories with which he kicked off his career. For those who already know these tales, the poignant introduction is a window on the creator's mind. Reflecting back after 14 years, Barker writes:

I look at these pieces and I don't think the man who wrote them is alive in me anymore.... We are all our own graveyards I believe; we squat amongst the tombs of the people we were. If we're healthy, every day is a celebration, a Day of the Dead, in which we give thanks for the lives that we lived; and if we are neurotic we brood and mourn and wish that the past was still present.

Reading these stories over, I feel a little of both. Some of the simple energies that made these words flow through my pen--that made the phrases felicitous and the ideas sing--have gone. I lost their maker a long time ago.

These enthusiastic tales are not ashamed of visceral horror, of blood splashing freely across the page: "The Midnight Meat Train," a grisly subway tale that surprises you with one twist after another; "The Yattering and Jack," about a hilarious demon who possesses a Christmas turkey; "In the Hills, the Cities," an unusual example of an original horror premise; "Dread," a harrowing non-supernatural tale about being forced to realize your worst nightmare; "Jacqueline Ess: Her Will and Testament," about a woman who kills men with her mind. Some of the tales are more successful than others, but all are distinguished by strikingly beautiful images of evil and destruction. No horror library is complete without them. --Fiona Webster

(retrieved from Amazon Fri, 24 Apr 2009 07:57:55 -0400)

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