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Busman's Honeymoon by Dorothy L. Sayers
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Busman's Honeymoon: A Lord Peter Wimsey Mystery with Harriet Vane (original 1937; edition 1995)

by Dorothy L. Sayers

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2,515462,206 (4.21)99
Member:jarmstrong
Title:Busman's Honeymoon: A Lord Peter Wimsey Mystery with Harriet Vane
Authors:Dorothy L. Sayers
Info:HarperTorch (1995), Mass Market Paperback, 416 pages
Collections:to read
Rating:****
Tags:None

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Busman's Honeymoon by Dorothy L. Sayers (1937)

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English (44)  German (1)  Swedish (1)  All languages (46)
Showing 1-5 of 44 (next | show all)
Busman's Honeymoon is much more about the characters than about the murder mystery. I don't recommend you read it without reading the rest of the series -- at least reading Strong Poison, Have His Carcase and Gaudy Night, to get to know Harriet and Peter and their romance.

There's some very fun banter, and some glorious romantic scenes, and a tad more of the story about Peter and Bunter. There was no sign of Lady Mary and Parker, really, which was disappointing, but the large quantities of Bunter rather made up for it.

For a reader who's in love with Lord Peter and Harriet Vane, this book is lovely. If you're just looking for a murder mystery, though, not this one. ( )
  shanaqui | Apr 9, 2013 |

The end of the Wimsey stories, and again, Harriet 1, Peter 0. ( )
  veracite | Apr 5, 2013 |
Always enjoyable. ( )
  comixminx | Apr 5, 2013 |
This novel is really much more of a love story than a mystery, as Dorothy L Sayers herself acknowledged. But for readers who followed the story of Peter Wimsey and Harriet Vane through the three previous novels which featured both characters, it is a most satisfying love story and a welcome culmination to the years of Peter's patient courtship and Harriet's determined resistance. Tbere's enough of a mystery to make it worthy of being called a mystery novel, but no more than that. Apart from the love story and the mystery, Busman's Honeymoon is an interesting reflection of the era in which it was written, with its depiction of English attitudes to class and race (not critical, but descriptive and not the less interesting for that). There's a lot of French in it, which is ok for me because I am reasonably fluent in that language, but it must be a trial for readers who are not. I know how they feel, because there's a bit of Latin in there as well, the meaning of which I can only guess at. (I have an old edition of Busman's Honeymoon - probably printed in the 1970s - with no translations or notes: possibly more recent editions translate the bits which aren't in English?) Anyway, even if it could be considered pretentious by today's standards, I love the French and the Latin...and the poetry with which each chapter starts and which characters quote with abandon. They don't write mysteries like this anymore, more's the pity! ( )
  KimMR | Apr 2, 2013 |
Immediately before this I read a love story masquerading as a war novel; this was a love story masquerading (albeit not very stealthily) as a murder mystery.

Harriet and Peter's beautiful, complex, deeply human relationship pretty much steals the show; rather than a happily-ever-after, their romance is all about working through the past. The book is haunted - from the actual dead body in the basement of their honeymoon home (in Harriet's home village no less) to the brilliant ending which brings Peter back to his war experiences in a manner similar to the very first Wimsey novel, Whose Body.

Also there is a lot of Bunter! He's so important in this novel that I was beginning to find him a bit frustrating - he's so obviously a real person with a personal life, yet he accepts that it is for some reason his job, not Peter's, to deal with the muck of life. But by the end of this novel we completely understand why he has deigned Peter worthy of his awesomeness, and love him all the more for it.

The mystery was merely okay, the literary references perhaps a bit thick, but generally a great ending to a captivating series.

Oh! I should complain a bit, though, about the excessive use of French. Did Sayers actually expect her readers to know the language? She used it in previous novels, but not to the extent she did in this one, since whenever the characters start to talk about sex in this one they switch into French (I'm honestly not joking). I think she (and the characters) were being intentionally silly, but I'm honestly not sure. Luckily I could understand at least some of it....

Finally there's merely a brief moment when Peter and Harriet allude to their statuses as corpse magnets, when in fact they should be completely amazed that this keeps happening to them... but whatever, it's a murder mystery. ( )
  raschneid | Mar 31, 2013 |
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Author nameRoleType of authorWork?Status
Dorothy L. Sayersprimary authorall editionsconfirmed
Bleck,CathieCover artistsecondary authorsome editionsconfirmed
Carmichael, IanNarratorsecondary authorsome editionsconfirmed
George, ElizabethIntroductionsecondary authorsome editionsconfirmed
Juva, KerstiTranslatorsecondary authorsome editionsconfirmed
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Epigraph
That will ask some tears in the true performing of it: if I do it, let the audience look to their eyes; I will move storms, I will condole in some measure. . . . I could play Ercles rarely, or a part to tear a cat in, to make all split . . . a lover is more condoling.
Shakespeare: A Midsummer-Night's Dream.
Dedication
TO MURIEL ST. CLARE BYRNE,
HELEN SIMPSON AND
MARJORIE BARBER

Dear Muriel, Helen, and Bar,
With what extreme of womanly patience you listened to the tale of Busman's Honeymoon while it was being written, the Lord He knoweth. I do not like to think how many times I tired the sun with talking--and if at any time they had told me you were dead, I should easily have believed that I had talked you into your graves. But you have strangely survived to receive these thanks.
You, Muriel, were in some sort a predestined victim, since you wrote with me the play to which this novel is but the limbs and outward flourishes; my debt and your long-suffering are all the greater. You, Helen and Bar, were wantonly sacrificed on the altar of that friendship of which the female sex is said to be incapable; let the lie stick i' the wall!
To all three I humbly bring, I dedicate with tears, this sentimental comedy.
It has been said, by myself and others, that a love-interest is only an intrusion upon a detective story. But to the characters involved, the detective-interest might well seem an irritating intrusion upon their love-story. This book deals with such a situation. It also provides some sort of answer to many kindly inquiries as to how Lord Peter and his Harriet solved their matrimonial problem. If there is but a ha'porth of detection to an intolerable deal of saccharine, let the occasion be the excuse.
Yours in all gratitute,
Dorothy L. Sayers
First words
Prothalamion:
MARRIAGES
WIMSEY-VANE.
Chapter I:
Mr. Mervyn Bunter, patiently seated in the Daimler on the far side of Regent's Park, reflected that time was getting on.
Quotations
... May I express the hope that the present union may happily exemplify that which we find in a first-class port---strength of body fortified by a first-class spirit and mellowing through many years to a noble maturity. [Bunter's wedding toast]
Last words
(Click to show. Warning: May contain spoilers.)
(Click to show. Warning: May contain spoilers.)
Disambiguation notice
Note: Busman's Honeymoon subtitled A Love Story with Detective Interruptions is a novel by Dorothy L. Sayers. It should not be confused with Busman's Honeymoon subtitled A Detective Comedy in Three Acts, a play, which was penned by Dorothy L. Sayers and M[uriel] St. Clare Byrne.
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Amazon.com Product Description (ISBN 0061043516, Mass Market Paperback)

Murder is hardly the best way for Lord Peter and his bride, the famous mystery writer Harriet Vane, to start their honeymoon. It all begins when the former owner of their newly acquired estate is found quite nastily dead in the cellar. All too quickly, what Lord Peter had hoped would be a very private and romantic stay in the country has turned into a most baffling case, with a misspelled "notise" to the milkman at its center and a dead man who's been discovered in a most intriguing condition: with not a spot of blood on his smashed skull and not a penny less than six hundred pounds in his pocket.

(retrieved from Amazon Thu, 14 Feb 2013 13:50:09 -0500)

(see all 3 descriptions)

When Lord Peter and his bride arrive at their honeymoon cottage in the country, everything seems perfect. Though the owner of the house is nowhere to be found, Lord Peter and Harriet settle down, first to an elegant dinner and then to sleep in a soft goosefeather bed. All is splendid until the owner of the house turns up-- in the cellar, very dead.… (more)

(summary from another edition)

» see all 2 descriptions

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