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Anna Karenina by Leo Tolstoy
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Anna Karenina (1877)

by Leo Tolstoy

Other authors: See the other authors section.

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  1. 132
    Crime and Punishment by Fyodor Dostoyevsky (Booksloth, luzestrella)
    luzestrella: when I got to the middle of the book I was shocked. It seens like the climax of all the main conclicts were already there. Why didn't the author cut the novel right there with that happy ending? Unnusual for a ficcion novel indeep. But for that particular reason, for me it has it's charm. The other half of the novel goes on describing what happened with the characters after they got what they wanted.… (more)
  2. 101
    Madame Bovary by Gustave Flaubert (roby72)
  3. 60
    The Princesse de Cleves by Madame de La Fayette (andejons)
    andejons: Similar premises: married, upper class women fall in love with men of less than perfect moral standing. The outcomes are very different though.
  4. 60
    The Age of Innocence by Edith Wharton (roby72)
  5. 51
    The Crimson Petal and the White by Michel Faber (pingdjip)
    pingdjip: Like Tolstoy, Faber goes under his characters' skin, ponders their social manoeuvering, and follows the pitfalls and triumphs of their lives. Difference: Faber is funny and sometimes provocative and teasing in a "postmodern" way.
  6. 41
    Emma by Jane Austen (roby72)
  7. 20
    Buddenbrooks by Thomas Mann (Henrik_Madsen)
    Henrik_Madsen: To romaner af murstensstørrelse der analyserer og beskriver overklassefamiliernes komplicerede liv.
  8. 42
    The Unbearable Lightness of Being by Milan Kundera (alalba)
  9. 10
    La Regenta by Leopoldo Alas (alalba)
  10. 21
    What Happened to Anna K.: A Novel by Irina Reyn (sparemethecensor)
    sparemethecensor: Irina Reyn updates the classic _Anna Karenina_ to the Russian diaspora of New York City.
  11. 10
    Eirelan by Liam O'Shiel (allthesepieces)
    allthesepieces: Both books build complex stories that delve into the nature of loyalty in relationships.
  12. 11
    The Maias by Eca de Queiros (Anonymous user)
  13. 13
    Eine Frage der Schuld: Roman - Mit der «Kurzen Autobiographie der Gräfin S. A. Tolstaja»: Anläßlich der "Kreutzersonate" von Lew Tolstoi. Mit einem Nachwort von Ursula Keller by Sophia Tolstaya (Monika_L)
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Showing 1-5 of 314 (next | show all)
Joy! ANNA has been the ideal summer reading. I've had months of complete immersion in Tolstoy's Moscow and St. Petersburg--an experience I almost never get with contemporary fiction. Which leads me to puzzle: What makes this book work?

Tolstoy follows very few of the "rules" of modern fiction. He takes us on prolonged digressions into rural politics and farming theory and social etiquette. He makes no effort to get every detail to bear weight, that is, keep the plot moving forward. And yet I'm willing to linger with him, perhaps because he's evoking an entire world and I'm both interested in that world and interested in his take on it.

I'm also flabbergasted--and delighted--by how very Christian this book is. Levin has become my favorite character of all time. I love his bumbling, practical-minded, logical perspective, his unwillingness to accept easy or acceptable answers, and his drive to find meaning behind his life. Tolstoy's Christianity is by no means in keeping with church doctrine, but it is very much in keeping with natural order and a deep need for human morals. I find it interesting that Levin's conversion becomes the book's climax, and stands in sharp contrast to Anna's pitiful end.

What heartens me most about ANNA KARENINA is seeing quite clearly that Tolstoy was working out a philosophy through the life of his characters--which is exactly what I like to do when I write. This may not be very hip or publishable these days. But it's certainly worthwhile. ( )
  ElizabethAndrew | May 13, 2013 |
Of all writers, Tolstoy is the greatest. And Anna Karenina the best read anyone can find. There is no other novel which even comes close to this work of art by the greatest of all Russian authors. ( )
  UrsulaTillmann | May 7, 2013 |
"All happy families resemble one another, each un happy family is unhappy in its own way." A fantastic opening line for a book about the complexities of people and relationships and all the ways they are joyful and miserable at the same time.

Anna is an interesting character, not necessarily a good person, but someone with whom I can sympathize due to her position as a woman in that world. In many ways she was trapped by her situation without and easily way out, though perhaps if she had a different temperament, she might have made better peace with it.

Levin was interesting, too, in the way he tries so hard to be good and do good. He's an easily distracted personality, who changes his opinion as he tries to figure out what the truth of the world is. He's moved by his love for Kitty and is astounded by the momentousness of marriage and children, while being heartily confused by politics and the intrigues of city life.

Several times I was fascinated by the way Tolstoy presented the complexities of his characters and their relationships with each other, as well as the hypocrisies of life (which seemed to have been one of the major themes of the book).

This is one of those books that I enjoy in an intellectual way, without much of an emotional connection to the story and characters. There were parts that I plowed through quickly, not wanting to put the book down, and parts that dragged along slowly. It was enjoyable, but didn't quite love it. ( )
  andreablythe | May 1, 2013 |
I can't believe it took me so long in getting around to read this novel, I couldn't put it down! You can read my review of Anna Karenina over at my blog (major spoilers ahead!): http://www.rulethewaves.net/blog/?p=2360 ( )
  caffeinatedlife | Apr 26, 2013 |
Tolstoi tells us the story of three different couples in 19th-century Russia: Stepan Oblonski and his wife Darja, Darja’s sister Kitty and Lewin and finally Anna Karenina, Stepan’s sister, and Alexej Wronski.

At the beginning of the novel Anna and Lewin are both on their way to Moskau.
Anna wants to help her brother Stepan Oblonski to fix his marriage. He betrayed his wife Darja with the nanny and Anna wants to reconcile the couple – with a short-turn success: Darja decides to stay with her husband but neither she nor Stepan will be totally happy again.
Lewin travels to Moskau because he wants to ask Kitty to marry him. But Kitty already fell in love with Alexej Wronski who is courting her, so she turns down Lewin’s offer. She soon regrets it, because on a ball Alexej Wronski falls in love with Anna Karenina who’s married to Alexej Karenin.

What now evolves is a fantastically written novel about relationships and loneliness, about marriage, love and adultery.
Tolstoi’s great talent is the power of observation: He uncovers the inner life of his protagonists to the very core and presents the two-faced morals of society. Moreover Tolstoi shows how everybody is the architect of his own fortune, e.g.: Although Anna and Wronski love each other, they make their lifes a living hell, because they are too jealous and insecure – and they think too much about it. Or when Lewin is married to Kitty, he’s actually looking for things that are not to his taste. He can’t just enjoy his luck, but he has to relativize it.
I really liked how everybody gets his/her chapters in which his/her motives are explained. It gave me a balanced picture of the characters – how they see themselves and how they are seen from the others.
It’s a great piece of literature : Recommendation! ( )
1 vote PersephonesLibrary | Apr 13, 2013 |
Showing 1-5 of 314 (next | show all)
Each time I reread Anna Karenina, picking my way past the attics and cellars and rusting machinery of Tolstoy's obsessions and prejudices, a new layer of his craft emerges, to the point where, for all my admiration of Joyce, Beckett and Kelman, I begin to question whether the novel form isn't too artisanal a medium for the surface experimentation of the modernist project ever to transcend the flexing of space and time that apparently conventional language can achieve in the hands of a master.
 

» Add other authors (96 possible)

Author nameRoleType of authorWork?Status
Tolstoy, Leoprimary authorall editionsconfirmed
Bayley, JohnPrefacesecondary authorsome editionsconfirmed
Dole, Nathan HaskellTranslatorsecondary authorsome editionsconfirmed
Edmonds, RosemaryTranslatorsecondary authorsome editionsconfirmed
Farrell, James T.Introductionsecondary authorsome editionsconfirmed
Garnett, ConstanceTranslatorsecondary authorsome editionsconfirmed
Gurin, JacobTranslatorsecondary authorsome editionsconfirmed
Gurin, Morris S.Translatorsecondary authorsome editionsconfirmed
Horovitch, DavidNarratorsecondary authorsome editionsconfirmed
Huisman, WilsTranslatorsecondary authorsome editionsconfirmed
Kool, Halbo C.Translatorsecondary authorsome editionsconfirmed
Leclée, JacobTranslatorsecondary authorsome editionsconfirmed
Magarshack, DavidTranslatorsecondary authorsome editionsconfirmed
Matulay, LaszloIllustratorsecondary authorsome editionsconfirmed
Maude, AylmerTranslatorsecondary authorsome editionsconfirmed
Maude, Louise ShanksTranslatorsecondary authorsome editionsconfirmed
May, NadiaNarratorsecondary authorsome editionsconfirmed
Pevear, RichardTranslatorsecondary authorsome editionsconfirmed
Porter, DavinaNarratorsecondary authorsome editionsconfirmed
Pyykkö, LeaTranslatorsecondary authorsome editionsconfirmed
Roseen, UllaTranslatorsecondary authorsome editionsconfirmed
Tissot, JamesIllustratorsecondary authorsome editionsconfirmed
Troyat, HenriIntroductionsecondary authorsome editionsconfirmed
Volohonsky, LarissaTranslatorsecondary authorsome editionsconfirmed
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Epigraph
Vengeance is mine; I will repay. ~ Deuteronomy 32:35
Dedication
First words
Happy families are all alike; every unhappy family is unhappy in its own way. (C. Garnett, 1946) and (J. Carmichael, 1960)
Все счастливые семьи похожи друг на друга, каждая несчастливая семья несчастлива по-своему. Всё смешалось в доме Облонских.
All happy families resemble one another, but each unhappy family is unhappy in its own way.
All happy families resemble one another, every unhappy family is unhappy after its own fashion. (N. H. Dole, 1886)
All happy families are alike; each unhappy family is unhappy in its own way. (Pevear, Volokhonsky, 2000)
Quotations
"Respect was invented to cover the empty place where love should be." [Anna, p744 (2000)]
"He has long ceased loving me. And where love stops, hatred begins." [Anna, p763 (2000)]
Every minute of Alexei Alexandrovich's life was occupied and scheduled. And in order to have time to do what he had to do each day, he held to the strictest punctuality. 'Without haste and without rest' was his motto. [p109 (2000)]
Every man, knowing to the smallest detail all the complexity of the conditions surrounding him, involuntarily assumes that the complexity of these conditions and the difficulty of comprehending them are only his personal, accidental peculiarity, and never thinks that others are surrounded by the same complexity as he is. [p302 (2000)]
Vronsky meanwhile, despite the full realization of what he had desired for so long, was not fully happy. He soon felt that the realization of his desire had given him only a grain of the mountain of happiness he had expected. It showed him the the eternal error people make in imagining that happiness is the realization of desires. [...] He soon felt arise in his soul a desire for desires, an anguish. [p465 (2000)]
Last words
(Click to show. Warning: May contain spoilers.)
(Click to show. Warning: May contain spoilers.)
Disambiguation notice
This is the work for the complete Anna Karenina. Please do not combine with any of the works representing the individual volumes (see combination rules regarding part/whole issues for details), or with abridged versions. Thank you.

The original Russian title was “Анна Каренина”.

Please keep the Norton Critical Edition books un-combined with the rest of them - it is significantly different with thorough explanatory annotations, essays by other authors, and reviews by other authors. Thank you.
This is the work of Leo Tolstoy, not Henri Troyat.
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Amazon.com Amazon.com Review (ISBN 0143035002, Paperback)

Some people say Anna Karenina is the single greatest novel ever written, which makes about as much sense to me as trying to determine the world's greatest color. But there is no doubt that Anna Karenina, generally considered Tolstoy's best book, is definitely one ripping great read. Anna, miserable in her loveless marriage, does the barely thinkable and succumbs to her desires for the dashing Vronsky. I don't want to give away the ending, but I will say that 19th-century Russia doesn't take well to that sort of thing.

(retrieved from Amazon Mon, 25 Oct 2010 14:18:07 -0400)

(see all 5 descriptions)

Anna Karenina tells of the doomed love affair between the sensuous and rebellious Anna and the dashing officer, Count Vronsky. Tragedy unfolds as Anna rejects her passionless marriage and must endure the hypocrisies of society. Set against a vast and richly textured canvas of nineteenth-century Russia, the novel's seven major characters create a dynamic imbalance, playing out the contrasts of city and country life and all the variations on love and family happiness. While previous versions have softened the robust, and sometimes shocking, quality of Tolstoy's writing, Pevear and Volokhonsky have produced a translation true to his powerful voice. This award-winning team's authoritative edition also includes an illuminating introduction and explanatory notes. Beautiful, vigorous, and eminently readable, this Anna Karenina will be the definitive text for generations to come.… (more)

» see all 22 descriptions

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Four editions of this book were published by Penguin Australia.

Editions: 0451528611, 0140449175, 0141194324, 0141391898

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