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Cane River by Lalita Tademy
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Cane River

by Lalita Tademy

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1,274222,876 (3.92)18

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One of the best books I've read; about as perfect as a book comes. ( )
  deniseleeduncan | Sep 24, 2009 |
I LOVED this book. I loved Tademy's writing style, the storyline and characters, the fact that it's based on Tademy's ancestors and that she left the corporate world to focus on and write this book. It's just so amazing to see how much America and our attitudes and laws have changed over the past 100 or so years. Amazing really.

This was a phenomenal book -- I would recommend it to anyone from a mature 8th grader on up...really a delightful and insightful read. ( )
  sacrain | Aug 5, 2009 |
Loved the book...the strong female characters were wonderful. My friend recommended this book to me...it really kept my interest. I would like to read more from Tademy. ( )
  meadowmist | May 15, 2009 |
good book about a Southern plantation and the slaves who lived on it - each generation bettered themselves - also, how each generation married to become a lighter skin color ( )
  gardener2510 | Feb 16, 2009 |
An excellent genre of fictional family history based on truth.
1 vote erpiepho | Feb 3, 2009 |
Showing 1-5 of 22 (next | show all)
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Epigraph
Dedication
Dedicated to my mother, Willie Dee Billes Tademy
First words
On the morning of her ninth birthday, the day after Madame Francoise Derbanne slapped her, Suzette peed on the rosebushes.
Quotations
Last words
(Click to show. Warning: May contain spoilers.)
Disambiguation notice
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Wikipedia in English (1)

Cane River

Book description
Lalita Tademy had always been intensely interested in her family's stories, especially ones about her great-grandmother Emily, a formidable figure who died with her life savings hidden in her mattress. Probing deeper for her family's roots, Tademy soon found herself swept up in an obsessive two-year odyssey-and leaving her corporate career for a little Louisiana farming community of Cane River. It was here, on a medium-sized Creole plantation owned by a family named Derbanne, that author Tademy found her family's roots-and the stories of four astonishing women who battled vast injustices to create a legacy of hope and achievement. They were women whose lives began in slavery, who weathered the Civil War, and who grappled with the contradictions of emancipation through the turbulent early years of the twentieth century. Through it all, they fought to unite their family and forge success on their own terms. Here amid small farmhouses and a tightly knit community of French-speaking slaves, free people of color, and whites, Tademy's great-great-great-great grandmother Elisabeth would bear both a proud heritage and the yoke of slavery. Her youngest daughter, Suzette, woud be the first to discover the promise-and heartbreak- of freedom. Suzette's strong willed daughter Philomeme would use determination born of tragedy to reunite her family and gain unheard-of economic independence. And Emily, Philomene's spirited daughter, would fight to secure her children's just due and preserve their future against dangerous odds. In a novel that combines painstaking historical reconstruction with unforgettable storytelling, Tademy presents an all too rarely seen part of American history, complete with a provocative portrayal of the complex, unspoken bonds between slaves and slave owners. Most of all, she gives us the saga of real, flesh-and-blood women making hard choices in the face of unimaginable loss, securing their identity and independence in order to face any obstacle, and inspiring all the generations to come.

Amazon.com (ISBN 0446678457, Paperback)

Lalita Tademy's riveting family saga chronicles four generations of women born into slavery along the Cane River in Louisiana. It is also a tale about the blurring of racial boundaries: great-grandmother Elisabeth notices an unmistakable "bleaching of the line" as first her daughter Suzette, then her granddaughter Philomene, and finally her great-granddaughter Emily choose (or are forcibly persuaded) to bear the illegitimate offspring of the area's white French planters. In many cases these children are loved by their fathers, and their paternity is widely acknowledged. However, neither state law nor local custom allows them to inherit wealth or property, a fact that gives Cane River much of its narrative drive.

The author makes it clear exactly where these prohibitions came from. Plantation society was rigidly hierarchical, after all, particularly on the heels of the Civil War and the economic hardships that came with Reconstruction. The only permissible path upward for hard-working, ambitious African Americans was indirect. A meteoric rise, or too obvious an appearance of prosperity, would be swiftly punished. To enable the slow but steady advance of their clan, the black women of Cane River plot, plead, deceive, and manipulate their way through history, extracting crucial gifts of money and property along the way. In the wake of a visit from the 1880 census taker, the aged Elisabeth reflects on how far they had come.

When the census taker looked at them, he saw colored first, asking questions like single or married, trying to introduce shame where there was none. He took what he saw and foolishly put those things down on a list for others to study. Could he even understand the pride in being able to say that Emily could read and write? They could ask whatever they wanted, but what he should have been marking in the book was family, and landholder, and educated, each generation gathering momentum, adding something special to the brew.
In her introduction, Tademy explains that as a young woman, she failed to appreciate the love and reverence with which her mother and her four uncles spoke of their lively Grandma 'Tite (short for "Mademoiselle Petite"). She resented her great-grandmother's skin-color biases, which were as much a part of Tademy's memory as were her great-grandmother's trademark dance moves. But the old stories haunted the author, and armed with a couple of pages of history compiled by a distant Louisiana cousin, she began to piece together a genealogy. The result? Tademy eventually left her position as vice president of a Fortune 500 company and set to work on Cane River, in which she has deftly and movingly reconstructed the world of her ancestors. --Regina Marler

(retrieved from Amazon Fri, 24 Apr 2009 07:58:24 -0400)

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