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Loading... Cane River (Oprah's Book Club)by Lalita Tademy
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will love Sign up for LibraryThing to find out whether you'll like this book. I loved every minute of reading this book. Lalita Tademy spent years researching her family history, and then used what she found to write a semi-fiction, semi-fact based novel about her female ancestors beginning in the 1800’s while they were still living in slavery. This is one of those rare books that tells a complete story. Each of these amazing, strong women, drew me in to the novel giving an excellent portrait of what a woman’s life in slavery would have been like as well as the Civil War, reconstruction, and the years of discrimination that followed. I was so sad to say goodbye to these characters at novel’s end that I found myself re-reading large sections of the book, unready to move on. I would recommend this story to anyone who has an interest in historical fiction, slavery, and the lives of real women. This is going on my all time favorites list. ( )One of the best books I've read; about as perfect as a book comes. I LOVED this book. I loved Tademy's writing style, the storyline and characters, the fact that it's based on Tademy's ancestors and that she left the corporate world to focus on and write this book. It's just so amazing to see how much America and our attitudes and laws have changed over the past 100 or so years. Amazing really. This was a phenomenal book -- I would recommend it to anyone from a mature 8th grader on up...really a delightful and insightful read. Loved the book...the strong female characters were wonderful. My friend recommended this book to me...it really kept my interest. I would like to read more from Tademy. good book about a Southern plantation and the slaves who lived on it - each generation bettered themselves - also, how each generation married to become a lighter skin color no reviews | add a review
Amazon.com Amazon.com Review (ISBN 0446678457, Paperback)Lalita Tademy's riveting family saga chronicles four generations of women born into slavery along the Cane River in Louisiana. It is also a tale about the blurring of racial boundaries: great-grandmother Elisabeth notices an unmistakable "bleaching of the line" as first her daughter Suzette, then her granddaughter Philomene, and finally her great-granddaughter Emily choose (or are forcibly persuaded) to bear the illegitimate offspring of the area's white French planters. In many cases these children are loved by their fathers, and their paternity is widely acknowledged. However, neither state law nor local custom allows them to inherit wealth or property, a fact that gives Cane River much of its narrative drive.The author makes it clear exactly where these prohibitions came from. Plantation society was rigidly hierarchical, after all, particularly on the heels of the Civil War and the economic hardships that came with Reconstruction. The only permissible path upward for hard-working, ambitious African Americans was indirect. A meteoric rise, or too obvious an appearance of prosperity, would be swiftly punished. To enable the slow but steady advance of their clan, the black women of Cane River plot, plead, deceive, and manipulate their way through history, extracting crucial gifts of money and property along the way. In the wake of a visit from the 1880 census taker, the aged Elisabeth reflects on how far they had come. When the census taker looked at them, he saw colored first, asking questions like single or married, trying to introduce shame where there was none. He took what he saw and foolishly put those things down on a list for others to study. Could he even understand the pride in being able to say that Emily could read and write? They could ask whatever they wanted, but what he should have been marking in the book was family, and landholder, and educated, each generation gathering momentum, adding something special to the brew.In her introduction, Tademy explains that as a young woman, she failed to appreciate the love and reverence with which her mother and her four uncles spoke of their lively Grandma 'Tite (short for "Mademoiselle Petite"). She resented her great-grandmother's skin-color biases, which were as much a part of Tademy's memory as were her great-grandmother's trademark dance moves. But the old stories haunted the author, and armed with a couple of pages of history compiled by a distant Louisiana cousin, she began to piece together a genealogy. The result? Tademy eventually left her position as vice president of a Fortune 500 company and set to work on Cane River, in which she has deftly and movingly reconstructed the world of her ancestors. --Regina Marler (retrieved from Amazon Tue, 05 Jan 2010 13:52:47 -0500) The first test round has been closed. Visit the Open Shelves Classification group for details. |
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