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John Osborne: The Many Lives of the Angry…

John Osborne: The Many Lives of the Angry Young Man

by John Heilpern

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Yes, it's 500 pages, but what a life. Osborne turned the British theatre of the 50's on it's ear while still in his twenties. Then there are the five wives, numerous mistresses, the many homes, the holidays and one unhappy daughter. Osborne was not a great guy, but a very interesting one. Highly recommeded for those who have an interest in theatre or people who like train wrecks. ( )
  mstrust | Jun 28, 2008 |
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Amazon.com Product Description (ISBN 0375403159, Hardcover)

John Osborne, unapologetic rebel and original Angry Young Man, first won acclaim with the 1956 production of his play Look Back in Anger, which completely transformed postwar theater and established him as one of Britain’s greatest playwrights. This startling biography—the first informed by the secret notebooks in which he recorded his otherwise hidden anguish and immobilizing depression—reveals Osborne in all his heartrending complexity.

Osborne was born in rented rooms in South London, in 1929, to a tubercular father and a barmaid mother. An ailing child, he learned to box and was later expelled from school for hitting his headmaster. At fifteen, he began as a lowly journalist for Gas World but soon fled to join a repertory theater company. The craft he learned—as an actor and dramatist—would change his life, creating the means of both self-expression and self-concealment. Through five marriages—to actresses Pamela Lane, Mary Ure and Jill Bennett, and critics Penelope Gilliatt and Helen Dawson—his private life generated its own tumult and drama, farce and pathos. An impossible father, he denounced his teenage daughter as smug and suburban, threw her out of the house and never spoke to her again. When he died, on Christmas Eve, 1994, his last written words were “I have sinned.”

This impeccably researched biography includes personal interviews with Osborne’s estranged daughter, scores of friends and enemies, and a bombshell of a confession from his alleged male lover. Heilpern, a theater critic himself, presents a contradictory genius—a hopelessly romantic English melancholic, a defiant individualist neither of the right nor of the left, an ogre with charm, a radical who hated change, a patriot who defended national values of language, music and custom. This is an essential, unorthodox, moving and extraordinarily frank portrait of the artist, the man and his times.

(retrieved from Amazon Thu, 12 Mar 2015 18:18:44 -0400)

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Based on intimate journals and letters, a biography of the late dramatist explores his youth, brief journalism career, work in the theater, and his turbulent personal life, and offers a critical analysis of his contributions to twentieth-century theater.… (more)

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