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L.A. Noir by James Ellroy
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L. A. Noir (original 1997; edition 1998)

by James Ellroy (Author)

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278337,110 (3.63)1
Member:benwaugh
Title:L. A. Noir
Authors:James Ellroy (Author)
Info:Mysterious (1998), Hardcover
Collections:Literature, Your library, Books
Rating:
Tags:literature, american_literature, 20th_century, detective_literature, mysteries

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L.A. Noir by James Ellroy (1997)

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Early James Ellroy..and my favorite...also try Brown's Requiem and Clandestine. ( )
  jengel | Jan 18, 2010 |
This book includes all three volumes of Ellroy's Lloyd Hopkins trilogy (Blood on the Moon, Because the Night and Suicide Hill). As in many of the Ellroy books I've read, the cops are as dark and twisted and the criminals they pursue. They all are driven by their own demons and are not often likable characters. Lloyd Hopkins is no exception. He is a brilliant (genius IQ) and brutal cop - a combination of Monk/Columbo and Dirty Harry. His past molded him into the man he has become - a brilliant crimefighter who often resorts to unacceptable tactics in pursuit of his prey. His home life is beginning to come apart at the seams and his adulterous behavior taints his marriage and his career.

In Blood on the Moon, Hopkins realizes that a vicious murder is actually connected to a string of murders that have occurred annually for almost 20 years. No one has put the pieces together until Hopkins gets involved. His pursuit of the Hollywood Slaughterer eventually leads him into a life-threatening situation from which he emerges a haunted man.

In Because the Night, Hopkins again finds himself on the trial of a killer. This time he is sent to investigate the disappearance of Jacob Herzog, a hero cop who has disappeared. His investigation leads Hopkins to a psychiatrist and a mysterious figure called the Night Tripper. Hopkins find himself pitting his wits with a criminal mind whose goal is to probe his soul.

Suicide Hill find Hopkins trying to redeem himself by solving a case of bank robberies that explodes into violence. This tale finds him digging into his soul as well as the crime.

Overall these three novels drew me into the tales and wouldn't let me stop until I finished them. None of the characters are especially likable and they aren't the type you actually root for but at the same time they are human and on some level, you understand them. The wrap-up of the final novel had a twist that surprised me and paints one of the "good" characters with a darker tint.

If you like film noir and noir genre novels, then these books will be right up your alley. ( )
  drlake66 | Jul 7, 2009 |
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Amazon.com Amazon.com Review (ISBN 0892966866, Hardcover)

In the introduction to L.A. Noir, a collection of three contemporary cop thrillers originally published in the early '80s, James Ellroy confesses his desire to match the suspense and terror of Thomas Harris's groundbreaking novel Red Dragon and to create a detective as compelling and as complex as Harris's Will Graham. His attempts to fulfill that desire introduce readers to Detective Sergeant Lloyd Hopkins, a brilliantly flawed hero of sorts whom Ellroy describes as his "antidote to the sensitive candy-assed philosophizing private eye."

Written before Hannibal Lecter made his first appearance in print, before serial killer fiction had become a subgenre, Blood on the Moon, the first novel of the L.A. Noir trilogy, pits the racist, reactionary, sexually obsessed Hopkins against a sexually motivated serial killer whose intelligence and capacity for brutality match the detective's own. In Because the Night, the second book in the trilogy, Hopkins once again confronts psychotic evil, this time while investigating the possible connection between a multiple homicide and the disappearance of a fellow cop. The trilogy concludes with Suicide Hill, a manhunt-thriller in which Hopkins tracks down a kidnapper and discovers among his colleagues a complex web of power, corruption, and lies.

Suspenseful, stark, and startling, the novels of the L.A. Noir trilogy exhibit the seminal hallmarks of Ellroy's taut, haunting prose. His dark and disturbing portrait of Hopkins, a thoroughly unlikable protagonist, drives the novels with unrelenting force, taking readers down paths of they might not really want to explore. Readers seeking a protagonist they can identify with, a hero they can like, probably won't find much to recommend in L.A. Noir, but Ellroy never meant Hopkins to be a likable hero. Instead, he has created what he calls "a complex monument to a basically shitty guy," and in doing so he laid the groundwork for the novels that have earned him a seat at the table of truly great crime novelists. In all, L.A. Noir offers Ellroy's admirers a chance to look back a few years and see the primitive intimations of the style and substance that would later characterize his L.A. Quartet series, but it is no primer for beginners, who might be more readily wooed by the more refined tension and complexity of his later novels. --L.A. Smith

(retrieved from Amazon Mon, 07 Jan 2013 13:45:25 -0500)

(see all 2 descriptions)

The three mesmerizing cases detective Lloyd Hopkins takes on as he prowls LA's mean, dark streets ; he sights a man, a suspicious elderly charcter in charge of his expatriate grandkids. Poor kids.

(summary from another edition)

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