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The Chosen by Ricardo Pinto
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The Chosen (1999)

by Ricardo Pinto

Other authors: See the other authors section.

Series: Stone Dance of the Chameleon (1)

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Showing 5 of 5
Briefly: Carnelian and his father, a Ruling Lord, live in exile on a remote island with their household of slaves and lower caste relations. The story follows their summons to return home as the elections for new God Emperor are about to take place.

That may not sound very remarkable, yet this is fantasy with a difference. Pinto has created an imaginary and complex world dominated by a strict hierarchy and caste system, from the Chosen and Ruling Lords down through various levels to the lowest sub-human creatures who are nothing more than mere expendable labourers. But what differentiates The Chosen from the norm is that here there is no magic, no supernatural powers, no evil spells. Pinto’s fantasy depends entirely on the creation of an incredible imaginative world, the intrigues of the Lords, and the viciously cruel inhuman treatment of the lower castes, along with a carefully thought out complex history. It is also a world in which marriage is a matter of purity of blood line, and physical love between men raises no eyebrows.

It is in such a cruel world that Carnelian stands out as an individual. Raised in exile away from the Ruling Lords Machiavellian dealings amongst themselves and the ruthless and merciless treatment of their subordinates, Carnelian is untainted by such attitudes and is caring even when dealing with the slaves of his household. As such he is immediately appealing, and one is happy to follow him through this 700 page epic. That the book is intelligently and well written, the description so vivid, the characters so well developed, simply makes it all the more compelling. It does at times require effort on the part of the reader, but it is effort rewarded. ( )
  presto | Apr 24, 2012 |
STONE DANCE OF THE CHAMELEON
  rustyoldboat | May 28, 2011 |
I attempted to read this book. It looked somewhat promising. I was not able to finish it. Too much brutality without artistry, beginning to become sick indulgence. If I want to spend two days immersed in human cruelty, I'll watch TV. Maybe it is an outstanding book, but I couldn't read it. ( )
  lafincoff | Oct 16, 2009 |
If you enjoy long and engrossing descriptions of people, cultures, and architecture, and are not bothered by brutality in your reading, then this book is for you. ( )
  Erinys | Jan 18, 2009 |
I gave up. This book has one of those long, drawn-out background-introductions. At 112 pages into the book, I felt nothing significant had happened.

There are some interesting concepts going on concerning the ruling/nobility class, their cruelty, and rigid structure, but these concepts are not enough to keep me slogging through pages without any sign of action. ( )
1 vote imayb1 | Aug 30, 2007 |
Showing 5 of 5
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» Add other authors (3 possible)

Author nameRoleType of authorWork?Status
Ricardo Pintoprimary authorall editionsconfirmed
Burns, JimCover artistsecondary authorsome editionsconfirmed
Harrison, MarkCover artistsecondary authorsome editionsconfirmed
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FOR MY MOTHER AND FATHER
First words
All that day the wind had rattled the shutters and slanted the sky with snow, but in the warm heart of the Hold Carnelian sat with some of his people around a fire, listening to their talk.
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Disambiguation notice
Information from the Dutch Common Knowledge. Edit to localize it to the English one.
Voor het Nederlands taalgebied is het boek The Chosen gesplitst in twee boeken.

1A - De terugkeer
1B - De keizerskeuze
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Amazon.com Amazon.com Review (ISBN 081258435X, Mass Market Paperback)

Ricardo Pinto's first novel opens a fantasy sequence titled "The Stone Dance of the Chameleon," exploring a complex and hierarchical empire with a vaguely Asian flavor. Young hero Carnelian journeys from his aristocratic father's remote, wintry house of exile to the heart of power--moving stage by stage from carefree family life to an imperial court dominated by unchangeable rituals that make the regimentation of Mervyn Peake's Gormenghast seem like an anarchic free-for-all. This obsessiveness is reflected in ornate masks and formal clothing, growing more bizarrely exotic as travelers approach the center of the Guarded Land, and culminating in massive "robes" of precious woven metals built up on scaffolding, plus shoes that are virtually stilts. Masks are socially necessary because any commoner who sees the face of a Master (the immensely tall ruling class) must be blinded--as Carnelian learns to his horror after briefly forgetting to cover up. Far worse mutilations are commonplace. But even amid the poisoned splendors, suffocating protocols, and treachery of court life, there are tiny opportunities to break loose: our hero discovers illicit knowledge and a forbidden lover. Then, after the new God Emperor's election, there's disaster leading to a sudden cliffhanger ending. Full of rich imagery, haunting horror, and the slow-motion quality of dreams, this is a series to watch. --David Langford, Amazon.co.uk

(retrieved from Amazon Thu, 14 Apr 2011 06:31:44 -0400)

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