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These Old Shades by Georgette Heyer
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These Old Shades (1926)

by Georgette Heyer

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This one was definitely not my favorite Heyer. In fact, if it had been my first, I doubt I would have read any more of hers, which is a shame because she's one of my favorite authors. This one, though, was difficult for me to get through.

First of all, I had a hard time with the hero, Justin Alstair, the Duke of Avon. His motives at times seemed highly questionable. He claims he knew from the first that his new page was a girl, yet he let her continue with the charade much longer than seemed necessary; in fact, he went out of his way to flaunt his new page all over Paris society, taking her into places that few men brought their pages, places that were not at all suitable for a nineteen-year-old girl. I know it was all part of his plot to ruin his old rival, the Comte de Saint-Vire, but it showed a tremendous lack of respect for Leon/Leonie as a fellow human being rather than a disposable pawn. The fact that he called her his child over and over in the story was also a bit disturbing, given where readers know the story is going to end up. Leon/Leonine's slavish devotion to him, too, seems to be a bit much. Their relationship just had a few too many "ick" factors for me to be completely comfortable.

If you can get past the hero and heroine's questionable motives and actions, though, many parts of the story are enjoyable and trademark Heyer. The secondary characters are, as always, wonderfully drawn. The antagonist is delightfully evil, and the plot itself is good. The last third or so of the book did have my complete interest as much of the first half did not. All in all, I'm not sorry I read this one, but I am very glad that it wasn't my introduction to this author. ( )
  beckymmoe | Apr 20, 2013 |
One of Heyer's best, together with its sequel Devil's Cub. Set in mid-18th century unlike her more usual Regency, the heroine Leoine is absolutely delightful. One odd fact: the implied back-story between some of the leading characters matches the plot of The Black Moth, though the names of the characters are different ( )
  antiquary | Apr 19, 2013 |
It was a good book with lot's of twist and turns. The ending was as expected. However, having figured that out about 25% into the book it was still a great read and kept my attention. The characters were all interesting and most played a huge part in making the story enjoyable. ( )
  Sunflower38 | Apr 11, 2013 |
I really like the way Heyer doesn't fuss about trying to make the plot twists a surprise. ( )
  veracite | Apr 7, 2013 |
The title, I learn after a little 'wiki research' is after the characters who are shades of those in Heyer's first book 'The Black Moth'. (I still haven't had occasion to come across this one in the library.) Since plot of this book was no sequel, Heyer just changed the old characters to new name though they retain their mannerism and felicity.

Book was delightfully written - only two complaints being the age difference between the lead pair was mammoth, 20 years! And I feared that if the book continued 30-40 more pages, I would be irked of same 'delightful, innocent and at the same time 'infantile' tone of the heroine of the novel. However, Heyer did rein it tightly to keep the humor alive all through the book.

This one works for humor than for the passion. ( )
  poonamsharma | Apr 6, 2013 |
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A gentleman was strolling down a side street in Paris, on his way back from the house of one Madame de Verchoureux.
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Amazon.com Amazon.com Review (ISBN 0373835590, Mass Market Paperback)

A gentleman was strolling down a side street in Paris, on his way back from the house of one Madame de Verchoureux. He walked mincingly, for the red heels of his shoes were very high. A long purple cloak, rose-lined, hung from his shoulders and was allowed to fall carelessly back from his dress, revealing a full-skirted coat of purple satin, heavily laced with gold; a waistcoat of flowered silk; faultless small clothes; and a lavish sprinkling of jewels on his cravat and breast.
The gentleman in question is Justin Alastair, the Duke of Avon, known by friends and enemies alike as Satanas--the devil. On this particular evening, the dangerous rake crosses paths with Léon, a red-headed youth of low birth who is fleeing a certain beating at his brutal brother's hands. On a whim, Avon buys the boy and makes him his page. It soon becomes clear, however, that Léon is not what he seems, and that Avon has an ulterior motive for bringing him into his household. Set in pre-Revolutionary France, These Old Shades follows a twisting course as young Léon (or is it Léonie?) is swept up in a dangerous mystery: how to account for the page's amazing resemblance to the sinister Compte de Saint Vire, for example; and why will this man go to any lengths to get the youth in his power?

Georgette Heyer's historical romances tend to fall into two different camps: later novels such as Cotillion, False Colours, and Sylvester feature larger-than-life comic characters and romantic pairings more akin to Beatrice and Benedick than Hero and Claudio. Earlier works such as These Old Shades, however, tend to be darker, tinged with mystery and overshadowed by very real menace. What both types share is Heyer's fine storytelling and encyclopedic knowledge of Regency mores and manners--her books are the next best thing to a time machine. These Old Shades's greatest asset, however, is the charming Léonie: beautiful, brave, and loyal to a fault, with a fondness for swordplay and pistols and a delightfully incomplete grasp of the English language. Heyer herself was so fond of this character that she featured her in two more novels, Devil's Cub and An Infamous Army. --Alix Wilber

(retrieved from Amazon Thu, 14 Feb 2013 13:48:37 -0500)

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Set in the Georgian period, about 20 years before the Regency, "These Old Shades" features two of Heyer's most memorable characters: Justin Alastair, the Duke of Avon, and Leonie, whom he rescues from a life of ignominy and comes to love and marry.

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