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Widdershins by Charles de Lint
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Showing 1-5 of 6 (next | show all)
Disappointed, its nowhere near as good as his earier stuff which was very edgy. This just plodded along and was, in all honesty, quite boring.
  Peggy72 | Aug 5, 2009 |
Widdershins is well over 500 pages so you'd think it'd be slow in parts, but you'd be wrong. It was pretty much non-stop of Stuff Happening (a lot of stuff), right up until the end, which was a nice change from The Onion Girl. The Onion Girl was good in its own way, of course, but it was a bit heavy and slow. Widdershins is one of the few books I'd brand with that corny little phrase rollicking adventure. Only with dark bits and weird bits and sad bits and funny bits. But it was all good stuff.

Charles de Lint makes a point of saying right there in the front of the book that he doesn't actually like writing books that tie in so closely to each other that you have to read one before you'll understand another, but he wrote this one because Jilly's story just felt so unfinished after The Onion Girl. This book is billed as a novel, which would lead you to think that it can stand well on its own and maybe you'll get it and enjoy it even if you've never read anything else by Charles de Lint. But I was damn glad that I'd read The Onion Girl beforehand. If I hadn't, it seems to me that there would be a helluva lot of things that I'd have seen mentioned in passing in Widdershins that I would have wanted the full story on. You get enough info in Widdershins maybe to understand the story in Widdershins, but if you want to really Get the characters, I'd recommend reading The Onion Girl first. ( )
  acid-ink | Feb 20, 2009 |
I didn’t know much about this book before I read it, except that it was urban fantasy and part of a loosely-connected series of novels set in the imaginary North American city of Newford. I didn’t know how much I was going to love this book.

(Full review at my blog) ( )
  Poodlerat | Mar 22, 2008 |
Not a bad book, but not an overwhelming good book either. This newest installment in the Newford universe is centered on the budding relationship between two recurring figures - Jilly and Geordie - while an animosity between native american supernatural beings and same of european origin escalate. For the story to make sense this leads to a lot of recapping of events in other Newford stories. In fact large chunks of the first chapters told by Jilly and Geordie are expositions that makes for unengaging reading (at least if the other stories are familiar). The story is told from many (almost too many) points of view, most of them in first person. For me, the chapters that were most engaging were told from the point of view of Lizzie, a new character, in third person. There are also an overabundance of powerful supernatural beings that is a little trying - it seems as if nothing gets done without the interference of them.

Some of them are both old enough to be the cause of myths, while young enough to have grown up on the rez?? ( )
  amberwitch | Jul 14, 2007 |
I'll admit that I'm a big fan of de Lint's work, especially the Newford stories, and especially especially ones with Jilly Coppercorn in them. So naturally--seeing as how this is a Jilly Coppercorn book--I loved this one.

This is the story of how Jill and Geordie finally get together (and how Jilly is finally healed from the tragic events of The Onion Girl and her own screwed up childhood). It's also a story about responsibility--almost all of the characters have something to learn about taking responsibilty for what they do and about not taking responsibility for what is done to them.

Besides that, it's also exciting. There's a war shaping up between the native Animal People and the Fairies. Unfortunately, this brings up the only problem I have with the book and much of de Lint's recent works. It's not a major problem, but I'll still mention it anyway. He has a need to constantly bring out the "big guns." Lately a lot of the action has focused on the super powerful spirit being like the Animal People and fairies, especially the uber powerful ones like Raven and the Crow Girls. It's not really a bad thing, but if you want a story where a person struggles against adversity, it's probably more realistic if they on't have a bunch of god-like beings as friends.

Still, this is a great book. ( )
1 vote yoyogod | Jul 9, 2007 |
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Amazon.com Product Description (ISBN 0765312859, Hardcover)

Jilly Coppercorn and Geordie Riddell. Since they were introduced in the first Newford story, "Timeskip," back in 1989, their friends and readers alike have been waiting for them to realize what everybody else already knows: that they belong together. But they've been more clueless about how they feel for each other than the characters in When Harry Met Sally. Now in Widdershins, a stand-alone novel of fairy courts set in shopping malls and the Bohemian street scene of Newford's Crowsea area, Jilly and Geordie’s story is finally being told.

Before it’s over, we’ll find ourselves plunged into the rancorous and sometimes violent conflict between the magical North American “animal people” and the more newly-arrived fairy folk. We’ll watch as Jilly is held captive in a sinister world based on her own worst memories—and Geordie, attempting to help, is sent someplace even worse. And we’ll be captivated by the power of love and determination to redeem ancient hatreds and heal old magics gone sour.

To walk “widdershins” is to walk counterclockwise or backwards around something. It’s a classic pathway into the fairy realm. It’s also the way people often back slowly into the relationships that matter, the real ones that make for a life. In Widdershins Charles de Lint has delivered one of his most accessible and moving works of his career.

(retrieved from Amazon Fri, 24 Apr 2009 07:58:24 -0400)

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