Amazon.com Amazon.com Review (ISBN 0345477243, Mass Market Paperback)

The first sentence of Anne Tyler's 15th novel sounds like something out of a fairy tale: "Once upon a time, there was a woman who discovered she had turned into the wrong person." Alas, this discovery has less to do with magic than with a late-middle-age crisis, which is visited upon Rebecca Davitch in the opening pages of Back When We Were Grownups. At 53, this perpetually agreeable widow is "wide and soft and dimpled, with two short wings of dry, fair hair flaring almost horizontally from a center part." Given her role as the matriarch of a large family--and the proprietress of a party-and-catering concern, the Open Arms--Rebecca is both personally and professionally inclined toward jollity. But at an engagement bash for one of her multiple stepdaughters, she finds herself questioning everything about her life: "How on earth did I get like this? How? How did I ever become this person who's not really me?"

She spends the rest of the novel attempting to answer these questions--and trying to resurrect her older, extinguished self. Should she take up the research she began back in college on Robert E. Lee's motivation for joining the Confederacy? More to the point, should she take up with her college sweetheart, who's now divorced and living within easy striking range? None of these quick fixes pans out exactly as Rebecca imagines. What she emerges with is a kind of radiant resignation, best expressed by 100-year-old Poppy on his birthday: "There is no true life. Your true life is the one you end up with, whatever it may be." A tautology, perhaps, but Tyler's delicate, densely populated novel makes it stick.

Yes, Poppy. There are also characters named NoNo, Biddy, and Min Foo--the sort of saccharine roll call that might send many a reader scampering in the opposite direction. But Tyler knows exactly how to mingle the sweet with the sour, and in Back When We Were Grownups she manages this balancing act like the old pro she is. Even the familiar backdrop--shabby-genteel Baltimore, which resembles a virtual game preserve of Tylerian eccentrics--seems freshly observed. Can any human being really resist this novel? It is, to quote Rebecca, "a report on what it was like to be alive," and an appealingly accurate one to boot. --James Marcus

Amazon.com Product Description (ISBN 0345446860, Paperback)

“A WONDERFUL NOVEL . . . Tyler’s eye and ear for familial give and take is unerring, her humanity irresistible. You’ll want to turn back to the first chapter the moment you finish the last.”
–People (Page-Turner of the Week)

“STUNNING . . . ‘Once upon a time,’ the story begins, ‘there was a woman who discovered she had turned into the wrong person.’ . . . With Rebecca Davitch, Tyler has created a character who is brave enough to look back on her life and to imagine herself making different kinds of choices. Brave enough to wonder what honesty looks like, whether there is ever really a single distillation of self that is unshakable and true. . . . Anne Tyler has a talent for spinning out characters . . . who go on living long after their stories end.”
–The Baltimore Sun

“Her characters endear themselves to the reader with their candor and their wit and their simple decency. . . . The charm of an Anne Tyler novel lies in the clarity of her prose and the wisdom of her observations.”
–The Washington Post Book World

“RESEMBLES JANE AUSTEN’S PERSUASION IN THAT IT’S A NOVEL ABOUT SECOND CHANCES . . . The tension that keeps the narrative alive is our desire for Rebecca to get the recognition and respect that we know she deserves from her family, and from herself. It’s always good to have a character to root for.”
–San Jose Mercury News

“Maybe there’s something glorious to be said, after all, for companionship, common cause, and sanctuary. And what there is to say, Anne Tyler has been saying for decades, with gravity and grace.”
–The New York Times Book Review

Amazon.com Product Description (ISBN 0375412530, Hardcover)

"Once upon a time, there was a woman who discovered that she had turned into the wrong person." So Anne Tyler opens this irresistible new novel.

The woman is Rebecca Davitch, a fifty-three-year-old grandmother. Is she an impostor in her own life? she asks herself. Is it indeed her own life? Or is it someone else’s?

On the surface, Beck, as she is known to the Davitch clan, is outgoing, joyous, a natural celebrator. Giving parties is, after all, her vocation—something she slipped into even before finishing college, when Joe Davitch spotted her at an engagement party in his family’s crumbling nineteenth-century Baltimore row house, where giving parties was the family business. What caught his fancy was that she seemed to be having such a wonderful time. Soon this large-spirited older man, a divorcé with three little girls, swept her into his orbit, and before she knew it she was embracing his extended family plus a child of their own, and hosting endless parties in the ornate, high-ceilinged rooms of The Open Arms.

Now, some thirty years later, after presiding over a disastrous family picnic, Rebecca is caught un-awares by the question of who she really is. How she answers it—how she tries to recover her girlhood self, that dignified grownup she had once been—is the story told in this beguiling, funny, and deeply moving novel.

As always with Anne Tyler’s novels, once we enter her world it is hard to leave. But in Back When We Were Grownups she so sharpens our perceptions and awakens so many untapped feelings that we come away not only refreshed and delighted, but also infinitely wiser.

Amazon.com Product Description (ISBN 0099422549, Paperback)

When Joe Davitch first saw Rebecca, it was at a party at the Davitch home - a crumbling nineteenth-century house in Baltimore where giving parties was the family business. Young Rebecca looked to Joe like the girl having more fun than anyone in the room and he wanted some of that happiness to spill over onto him, a 33-year-old divorce with three little girls. Swept away, Rebecca soon found herself mistress of 'The Open Arms', embracing not only this large spirited man and his extended family but expertly hosting endless parties in the ornate, high-ceilinged rooms where people pay to have family celebrations in style. But now, years after she has lost her husband in a car accident, Beck (as she is known to the Davitch clan) asks herself whether she is an impostor in her own life. Is she really this natural-born celebrator, joyous and outgoing? Can she always be there for Poppy, her almost 100-ear-old uncle-in-law who lives on the top floor, for stepdaughters - Biddy and NoNo and Patch and the husbands and fiances, as they come and go, and their children - and for her own daughter Min Foo, pregnant again? What would have happened if she'd married her blond college sweetheart, Will, back then when they were so young and so serious and so sure about everything? Can one ever recover the person one has left behind - and would one ever like them? With perfect pitch, Anne Tyler explores these unsettling questions of love and loss, of identity and family, moving with breathtaking assurance between heartbreak and hilarity, between tenderness and razor-sharp observation in a novel that we wish would never end.

Amazon.com Product Description (ISBN 070117286X, Hardcover)

When Joe Davitch first saw Rebecca, it was at a party at the Davitch home - a crumbling 19th-century row house in Baltimore where giving parties was the family business. Young Rebecca appeared to Joe as the girl having more fun than anyone in the room and he wanted some of that happiness to spill over onto him, a 33-year-old divorce with two little girls. Swept away, Rebecca soon found herself mistress of 'The Open Arms', embracing not only this large spirited man and his extended family but expertly hosting endless parties in the ornate, high-ceilinged rooms where people paid to have their family celebrations in style. But now, years after she has lost her husband in an automobile accident, Beck (as she is known to the Davitch clan) asks herself whether she is an impostor in her own life. Is she really this natural-born celebrator, joyous and outgoing? Can she always be there for Poppy, her almost 100-year-old uncle-in-law who lives on the top floor, for stepdaughters - Biddy and Nono and Patch and the husbands - as they come and go, and their children - and for her own daughter Minfoo, about to marry a stockbroker? What would have happened if she'd married her blond college sweetheart, back then when they were so young and so serious and so sure about everything? And can one really recover the person one has left behind? With perfect pitch Anne Tyler explores these questions of love and loss, of identity and family, making us both laugh and cry in a novel that we wish would never end.