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Loading... Junky (edition 1977)by William S. Burroughs
Work detailsJunky by William S. Burroughs
amazingly plain prose I thought this was much better than "Naked Lunch." An incredibly accurate description of the life of an addict, whether now or 50 years ago. A must read for any lover of literature. One of my favorite books, and the first I have read of William S. Burroughs, but I'm hoping to add more of his work to my library now that I have discovered this work. Burroughs is it. This book pulls you into the real world of junk. This was my first taste into the world of beat writing and by the time I was done I was in love. It is all about survival on Junk, maintaining. It was also a quick read, it flowed real where you found yourself feeling accomplished for finishing it in a day but dirty for being dawn in so deep to the life of a Junky. no reviews | add a review
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"Junk" is the term Burroughs uses for all opium derivatives. The novel dwells extensively on the various forms of the drug, the culture of addicts and pushers, laws and enforcement practices, and the various methods for breaking an addiction. He develops and expounds his own theories on the physiology of addiction and withdrawal, which he calls "junk sickness." He addresses a number of what he calls myths about drugs, explaining, for example, that marijuana and cocaine are not physically addictive and claiming that it takes at least two months of regular use to create a heroin addiction. He also castigates a society that treats addiction as a crime rather than a "condition of being."
Though Burroughs based Junky closely on his experiences, he screened out anything that wasn't directly related to drugs. He mentions a wife a couple of times, but we have no idea who she is or how she came into his life. Later there is a reference, and only one, to "the children." Nor is there ever the slightest hint that the protagonist is an intellectual associating closely with other poets and writers.
The writing in Junky is mostly cold, clinical and detached. The narrator provides extensive descriptions of his symptoms, but scarcely any of his feelings. Occasionally, however, when describing a setting such as the forlorn landscape of the Texas border, the lineup of addicts in a New Orleans jail, or the shady characters in a Mexican bar, Burroughs' prose ascends to powerful and poetic heights. (