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The Big Clock by Kenneth Fearing
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The Big Clock

by Kenneth Fearing

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172834,894 (3.94)12
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Harpercollins (1980), Paperback

Member:haiirouchuujin
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Tags:Fiction, Not Read
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The Big Clock by Kenneth Fearing started out slow. George Stroud works for a conglomerate of magazines in their Crimeways department. He is a simple family man with a wife and daughter, but his dreams and ambitious are big. When he has an affair with his boss's girlfriend and she winds up bludgeoned to death things get a little tricky. It's a story of conspiracy and cat and mouse. George must prove his innocence when everything points to the contrary. Once it gets going it's fascinating! ( )
  SeriousGrace | Oct 29, 2009 |
I like some of Fearing's poetry, and Raymond Chandler raved about Fearing's noir novels. Also, the New York Review Books are generally great, so my hopes were high for this book. But it's no good. Fearing used the plot as a rack on which to hand some irrelevant, not very interesting ideas -- like incorporating individuals so that others could invest in their future. Even the names of the magazines for which the characters work ('Futureways', 'Crimeways', etc.) were annoying. ( )
  praymont | Jun 28, 2009 |
Pauline Delos is dead. But who killed her? The man spotted in the alley beside her building, or the one seen entering her apartment later that same night? The Big Clock is about a man hunt. Or more precisely, two men hunting each other. But they're not strangers. They know each other, even work together. They both know which one of them did the deed. The only question is who will take the blame.

This little noir is a fast read, a real page-turner. The clock motif really helps with pacing; you feel the walls closing in on our protagonist(s). It's not a who-did-it but rather a how-did-they-get-away-with-it. It does feel dated, but truthfully, that's something you live with when you read in this genre. I am rather peeved at the Introduction, which gives away quite a bit of the story. I don't understand why they put that type of material in the front and not afterwards.

I picked this book because I read that it was the basis of the movie No Way Out. There was another, earlier, film made off of it too. I can see why they keep coming back to it, it's very clever. It reminds me of the movies The Fugitive and Out of Time and of Ira Levin's A Kiss Before Dying, which was one of my favorite books last year. ( )
1 vote VictoriaPL | Mar 11, 2009 |
THE BIG CLOCK has been called a "brilliant study in noir" (by The Globe and Mail) that has a plot "stretched tight as a drum" (according to the NY Times). I'll second those thoughts and add that in this short, well-crafted novel, Kenneth Fearing skillfully combines elements of the thriller, noir and social satire into a story that moves at a good clip and keeps you hooked--once the hook catches you, which really doesn't happen until nearly halfway through.
Read the entire review at http://thebookgrrl.blogspot.com/2008/... ( )
  infogirl2k | Nov 29, 2008 |
best multiple 1st person thriller of the era. ( )
  eviexeris | Aug 31, 2008 |
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Dedication
For Nan
First words
I first met Pauline Delos at one of those substantial parties Earl Janoth liked to give every two or three months, attended by members of the staff, his personal friends, private moguls, and public nobodies, all in haphazard rotation.
Quotations
She was tall, ice-blonde, and splendid. The eye saw nothing but innocence, to the instincts she was undiluted sex, the brain said here was a perfect hell.
Some of them were unaware they were gentlemen and scholars. Some of them tomorrow's famous fugitives from justice. A sizable sprinkling of lunatics, so plausible they had never been suspected and never would be. Memorable bankrupts of the future, the obscure suicides of ten or twenty years from now. Potentially fabulous murderers. The mothers or fathers of truly great people I would never know.
For business purposes he and Janoth were one and the same person, except that in Hagen's slim and sultry form, restlessly through his veins, there flowed some new, freakish, molten virulence.
And five minutes later, two blocks away, I arrived at the Janoth Building, looming like an eternal stone deity among a forest of its fellows. It seemed to prefer human sacrifices of the flesh and of the spirit, over any other token of devotion. Daily, we freely made them.
I turned into the echoing lobby, making mine.
The awfulness of Monday morning is the world's great common denominator. To the millionaire and the coolie it is the same, because there can be nothing worse.

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From the back cover:
George Stroud is a hard-drinking, tough-talking, none-too-scrupulous writer for a New York media conglomerate that bears a striking resemblance to Time, Inc. in the heyday of Henry Luce. One day, before heading home to his wife in the suburbs, Stroud has a drink with Pauline, the beautiful girlfriend of his boss, Earl Janoth. Things happen. The next day Stroud escorts Pauline home, leaving her off at the cornier just as Janoth returns from a trip. The day after that, Pauline is found murdered in her apartment.
Janoth knows there was one witness to his entry into Pauline's apartment on the night of the murder; he knows that the man must have been the man Pauline was with before he got back; but he doesn't know who he was. Janoth badly wants to get his hands on that man, and he picks one of his most trusted employees to track him down: George Stroud, who else?
How does a man escape from himself? No book has ever dramatized that question to more perfect effect than The Big Clock, a masterpiece of American noir.

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