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Conrad's Fate by Diana Wynne Jones
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Conrad's Fate

by Diana Wynne Jones

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739225,171 (3.87)43
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Basic Reason for Beginning: Given how few novels by DWJ I've read in the past... year, I'll forgive you forgetting, but she's one of the fantasy writers I wish I'd grown up reading, so I'm (slowly) playing catch up.
Basic Reason for Finishing: Because it's good fun. ^-^
Texture: Uhm... Little silvery, bit flimsy. But more like white gold thin than aluminum.

Full review here.

Book Rereadability: I had fun reading this and I can see myself rereading it as part of a whole reread of the Chrestomanci series, but it certainly doesn't have a high priority.
Author Rereadability: Yep, triple yep and then some more yeps. Otherwise I wouldn't be on my... dozenth book or so.
Recommendation: This may be a stand-alone novel, but if you've never read about Chrestomanci before, I urge you to start with Charmed Life or The Lives of Christopher Chant instead. I think they're better introductions than this book. Beyond that, I think this'll appeal to anyone who wants a fast, fun and light read. Unless you hate fantasy. ( )
Shanra | Apr 8, 2009 |  
I've read most of Wynne Jones's other Chrestomanci books - they are "kids books" but very well-written and can be enjoyed by open-minded adults as well. Quite a British flavor, clever, quirky. Excellent characterizations.Just finished listening to this. Makes me want to re-read the earlier ones. The reader was excellent as well (of course, I can't recall his name just now). ( )
ConanTheLibr | Feb 11, 2009 |  
A welcome addition to the Chrestomanci saga, and an even more welcome glance at young Christopher and Millie. ( )
phoebesmum | Jan 18, 2009 |  
Didn't get to the end the first time I read this but on the back of all the others it's far more entertaining.

Conrad is convinced he has a Terrible Fate and gets caught up in the young Chrestomanci's schemes.
Black_samvara | Dec 28, 2008 |  
While even Diana Wynne Jones' worst book (and this isn't it) would be considered fantastic, I felt that this wasn't quite up to her usual standards.

The description of the teenage Chrestomanci was perfect, and I loved reading the story, but the plot seemed somehow...flatter, almost, than her other books. I adore the original Chrestomanci books, and there just seems to be less substance to CONRAD'S FATE.

It's a good book, especially if you were already in love with the series and author, but I would recommend starting with the first Chrestomanci book, THE LIVES OF CHRISTOPHER CHANT.

Happy reading- ( )
foxfire | Sep 20, 2008 |  
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Series (with order)
Canonical Title
Original publication date
People/Characters
Important places
Important events
Awards and honors
Epigraph
Dedication
For Stella
First words
When I was small, I always thought Stallery Mansion was some kind of fairy-tale castle.
Quotations
Last words
(Click to show. Warning: May contain spoilers.)
Disambiguation notice
Publisher's editors
Blurbers
Book description

Amazon.com (ISBN 0007190859, Hardcover)

Devotees of The Chrestomanci Quartet and Mixed Magics will pounce on this sixth title in the series by Diana Wynne Jones, whose reputation as a fantasy writer is also enhanced by Archer’s Goon and Howl’s Moving Castle (soon to be an animated film). In this Chrestomanci tale, the nine-lived enchanter Christopher, who fans will remember from other books, appears as a dapper and self-possessed 15-year-old, and the narrator is young Conrad Tesdinic, who at the age of twelve has just finished school in the mountain village of Stallchester in the English Alps. He yearns to go on to Stall High, but his tight-fisted Uncle Alfred has other plans. With the help of magical spells and a story of bad karma, he intimidates Conrad into going off to serve on the staff at Stallery Mansion, burdened with a secret about an unknown person he must kill. Conrad makes the best of his new life, especially after he meets his elegant new roommate Christopher, who is, he explains, the heir in a different time level to the job of Chrestomanci, an enchanter appointed by the government to control the use of magic. Conrad joins him in his desperate search for his friend Millie, who has vanished from a parallel time track. Amusing scenes of life below stairs in the highly stratified servants’ quarters alternate with the boys’ strange adventures as they seek through other realities within the castle on their day off, glimpsing Millie but never able to reach her. With Wynne Jones’ characteristic skill at plotting, the finale is a whirlwind of revealed alter-identities and just desserts for villains, ending with as many satisfying romantic pairings as a Shakespeare comedy. (Ages 10-13) --Patty Campbell

(retrieved from Amazon Fri, 24 Apr 2009 07:58:24 -0400)

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