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Loading... The Rivan Codex: Ancient Texts of the Belgariad and the Malloreon (1998)by David Eddings, Leigh Eddings
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Amazon.com Amazon.com Review (ISBN 0345435869, Mass Market Paperback)So you want to write a multivolume, bestselling epic fantasy? Here's the book to help you. The Rivan Codex was published to answer the many letters David and Leigh Eddings have received from students, teachers, and aspiring writers. It's a companion to the 12-book fantasy series comprised of The Belgariad (five books), The Malloreon (five books), Belgarath the Sorcerer and Polgara the Sorceress. In David Eddings's words, The Rivan Codex "may give the student of our genre some insights into the creative process--something on the order of 'connect wire A to wire B. Warning! Do not connect wire A to wire C, because that will cause the whole thing to blow up in your face." This is a collection of the groundwork David and Leigh Eddings laid for the Belgariad and Malloreon series. On this firm foundation they imagined and built their world in book after book.There's a fascinating introduction, a personal history of Belgarath the sorcerer, Holy Books, Gospels, Histories, King Anheg's diary, and an afterword. Footnotes tell how the authors used and changed these materials in writing the books. And of course, there are plenty of maps (the starting point for all epic fantasies). --Nona Vero (retrieved from Amazon Thu, 14 Feb 2013 13:45:09 -0500) An account of the creative process which went into the writing of the Belgariad and Malloreon fantasy world series. The authors discuss the technique of writing fantasy and list the medieval epics which they used as models. |
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It was a little ironic that I felt this held up fairly well, when one of my big complaints of all of Eddings's work that I've bothered to reread is the sloppiness and shallowness of the worldbuilding. I think he did too much of the wrong kind of worldbuilding to lead to the sort of books I like - there's too much history and geography, and not enough character of any kind. So, for example, when we meet a secondary character, he ends up being a shallow collection of racial characteristics, because Eddings had a nice detailed list of what all the races were like - but no particular thought seems to have been given as to what individual people were like, outside of the main characters. And so we end up with a world that feels very shallow overall. And there are all sorts of minor bits of worldbuilding that end up getting retconned, because they were invented separately from the needs of the actual story.
This is actually a book I would recommend to aspiring fantasists who are familiar with the Garion books, because I think it highlights many of the series's strengths and weaknesses. I don't necessarily think Eddings's advice should be followed without question, but that's true of all writing advice. (