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The Gathering by Anne Enright
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The Gathering

by Anne Enright

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1,617912,040 (3.07)153
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English (86)  Dutch (3)  German (1)  Swedish (1)  All languages (91)
Showing 1-5 of 86 (next | show all)
I did not like this book and was tempted not to finish it. It was boring and tedious. Other reviewers have expressed my exact sentiments so I will not attempt to improve on them. ( )
  bhowell | Nov 24, 2009 |
Enright pushes the 'unreliable narrator' to the breaking point in this somewhat harrowing read. Feels almost hallucinatory, with a welter of images, memories, false memories, flat out fictions, and dark thoughts coming at you. Not to mention the most horrible interior descriptions of even fairly loving relationships, everything just coated in putrid slime. Brrr. ( )
  kylenapoli | Nov 23, 2009 |
Good writing, but not my cup of tea. ( )
  libq | Oct 24, 2009 |
It took a while for me to get into this, the language is full of Irish terms .. and the main character is cold and very difficult to understand. ( )
  screamingbanshee | Oct 1, 2009 |
I don't regard the Man Booker prize as a reliable indicator of books that I might like, and I have no idea what criteria are used by the M B prize judges. However I can see that this is the kind of book that might appeal to the judges of a literature prize. In many ways it's a collection of images and feelings-in-context rather than a straight forward story. A number of LT reviewers apparently don't like this style!...but I do - that's what my life is like. I seem to recall that the book was recommended to me by an artist known as "Fifi LaStupenda" who has a brilliant blog (http://fifilastupenda.blogspot.com/), which is also a series of images and thoughts, rather than a simple narrative. I liked the basic concept of the book: the death of a woman's brother causes her to reflect on her current life and the life she shared with her brother. I guess she is initially trying to answer the question: why did he suicide? But then she goes on to question the value of her own life and try to understand herself in her present context. I liked this book & I'll be interested to compare it with another of her books ("Taking Pictures") sitting in my "to read" pile. ( )
1 vote oldblack | Aug 10, 2009 |
Showing 1-5 of 86 (next | show all)
At its best Enright's prose style is excitingly original, a blend of defensive social satire with extreme precision in evoking sounds, smells, and atmosphere and a great ability to make rapid and telling transitions from past to present, concrete to abstract, narrative to reflection. However, these qualities emerge for the most part in sections peripheral to the main story.... When, on the other hand, she slides into melodrama and literary formula, The Gathering does indeed sound like at least nine other writers and by no means the best.
added by jburlinson | editNew York Review of Books, Tim Parks (pay site) (Apr 17, 2008)
 
Her prose often ravishes and sometimes repels: reading her can be like staring into the lustrous surface of a lake, trying to discern the dangers lurking beneath. . . Bringing together the skills she has honed along the way, Enright carries off her illusions without props or dei ex machina, bravely engaging with the carnival horrors of everyday life.
 
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I would like to write down what happened in my grandmother's house the summer I was eight or nine, but I am not sure if it really did happen. I need to bear witness to an uncertain event. I feel it roaring inside me--this thing that may not have taken place. I don't even know what name to put on it. I think you might call it a crime of the flesh, but the flesh is long fallen away and I am not sure what hurt may linger in the bones.
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The Gathering (Enright novel)

Book description

Amazon.com (ISBN 0802170390, Paperback)

Amazon Significant Seven, November 2007: Pretty early on in The Gathering you realize that in her lingering portrait of the Hegarty clan (and this isn't hyperbole--they are a family of 12), Irish novelist Anne Enright will wrestle with all the giant literary tropes that have come before her. Family, of course, is the big one, but with equal intensity she explores death and dying, the sea and its siren song, sex, shame, secrecy, unreliable memories, madness, "the drink," and--always in the shadows--England. That said, it's not like any other novel about the Irish that I've read. The story of the Hegartys is indeed bleak, and hard, but it surges with tenderness and eloquent thought which, in the end, are the very things that help this family (or at least her narrator Veronica) survive. Through her eyes, and in Enright's skillful imagination, those small turning-point moments of life that we all know in some form or another--a petty fight, a careless word, an event witnessed--come together in an unshakeable vision of how you become the person you are. --Anne Bartholomew

(retrieved from Amazon Fri, 24 Apr 2009 07:58:16 -0400)

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